The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young man is guilty or innocent of murdering his father. What begins as an open-and-shut case of murder soon becomes a detective story that presents a succession of clues creating doubt, and a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other. Based on the play, all of the action takes place on the stage of the jury room. Written by
Henry Fonda disliked watching himself on film, so he did not watch the whole film in the projection room. However, before he walked out he said quietly to director Sidney Lumet, "Sidney, it's magnificent." See more »
When Juror #8 wants to time how long it would take an injured man to walk down the hall, Juror #2 starts and stops the timing and announces it as "exactly 41 seconds". In reality, and considering that the scene does not cut away, the time is 30 seconds. See more »
Man in corridor:
You did a wonderful job, wonderful job!
To continue, you've listened to a long and complex case, murder in the first degree. Premeditated murder is the most serious charge tried in our criminal courts. You've listened to the testimony, you've had the law read to you and interpreted as it applies in this case, it's now your duty to sit down and try to separate the facts from the fancy. One man is dead, another man's life is at stake, if there's a reasonable doubt in your minds as to...
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At the end of the film, the actors are billed in order of their juror numbers; thus Henry Fonda, although the star of the film, appears 8th. See more »
Good script, great dialogs and a set of actors who would be the envy of the world
This is one of those movies where everything could go wrong. The story is as simple as it can be: 12 men are jurors on a open and shut murder trial, but one man thinks that another persons life deserves at least some thought on the matter and votes not guilty. From this point on we have 12 actors and a closed room. This could be the most boring film ever made. Lumet however is a master of mise-en-scene and provides a tense movie that keeps you locked on from the word "go". The dialogs are great and supported by incredibly talented actors. Joel Schumacher in Phone Booth needed to see this movie and draw a few ideas on how to make a character built, dialog driven movie. A must see for everyone.
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