The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young man is guilty or innocent of murdering his father. What begins as an open-and shut-case of murder soon becomes a detective story that presents a succession of clues creating doubt, and a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other. Based on the play, all of the action takes place on the stage of the jury room. Written by
Most of the hard-working (relatively inexperienced) crew were longshoremen. Because there wasn't enough movie work to feed them all year, they'd have two union cards: their Local 52 cards and their ILA cards. See more »
When Juror #8 wants to time how long it would take an injured man to walk down the hall, Juror #2 starts and stops the timing and announces it as "exactly 41 seconds". In reality, and considering that the scene does not cut away, the time is 30 seconds. See more »
Man in corridor:
You did a wonderful job, wonderful job!
To continue, you've listened to a long and complex case, murder in the first degree. Premeditated murder is the most serious charge tried in our criminal courts. You've listened to the testimony, you've had the law read to you and interpreted as it applies in this case, it's now your duty to sit down and try to separate the facts from the fancy. One man is dead, another man's life is at stake, if there's a reasonable doubt in your minds as to...
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At the end of the film, the actors are billed in order of their juror numbers; thus Henry Fonda, although the star of the film, appears 8th. See more »
Intense courtroom drama which has 12 very different people, all males, struggling with a murder case involving a young Puerto Rican boy that seems cut-and-dried. However, juror Henry Fonda does not believe it to be as sure-fire as it appears. He votes not guilty and what follows is a chain of events that will test the views, beliefs and thoughts of the other 11 members. Fonda is great, but Lee J. Cobb steals every scene (and that is not easy to do in a film like this). Ed Begley, Martin Balsam, Jack Warden, Jack Klugman, Joseph Sweeney, E.G. Marshall and John Fiedler are among the other individuals caught in a situation that is much more difficult than it appears on the surface. An excellent character-study that should be studied and embraced by all present and future film-makers. 5 stars out of 5.
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