Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment. The abused and suppressed children of the villagers seem to be at the heart of this mystery.
A group of middle-class friends travel from Tehran to spend the weekend at the seaside. Sepideh invites Elly, who is her daughter's teacher, to travel with the three families in order to ... See full summary »
Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
Francis Ford Coppola
Bibi is a world class escape artist, but he cannot escape the false murder charge that is placed on him. Max has killed Bourrelier before he was removed from the will so that he will be ... See full summary »
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case of murder soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other. Based on the play, all of the action takes place on the stage of the jury room. Written by
Henry Fonda immediately complained to Sidney Lumet about the cheap backdrops outside the jury room windows when he walked on set. "They look like shit. Hitch had great backdrops, you could walk right in them," said Fonda, referring to the previous film he made with Alfred Hitchcock, The Wrong Man (1956). Lumet assured him that the director of photography Boris Kaufman had a plan to make them work. See more »
When Juror #8 is imitating the old man going to the door, as he is completing the first leg of his walk the shadow of the camera following him is clearly visible on the floor by his feet. See more »
Man in corridor:
You did a wonderful job, wonderful job!
To continue, you've listened to a long and complex case, murder in the first degree. Premeditated murder is the most serious charge tried in our criminal courts. You've listened to the testimony, you've had the law read to you and interpreted as it applies in this case, it's now your duty to sit down and try to separate the facts from the fancy. One man is dead, another man's life is at stake, if there's a reasonable doubt in your minds as to...
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If you only ever see one Black and White movie, make this it.
I watched this film for the first time, when it was shown at about 1 o'clock in the morning. I made an effort to see it as it is rated as one of the best movies ever made, however I must admit that I watched it with a sense of reluctance as I'm not a great one for old "classics". This film blew me away however; how ignorant can I be about old films? How many other pre-1960s gems are there out there that I haven't seen? What strikes me most about this film is how progressive it is for its day. Indeed the issues this film makes about American society of the 1950s, still ring true for western society today. This film concerns twelve jurors debating the sentence of an 18 year old Puerto Rican boy who on the face of it, has no real alibi. However one man, played brilliantly by Henry Fonda, is ill-at ease putting a young boy to death without even debating his case, much to the despair of the other jurors. What follows is a brilliant piece of film making, slowly revealing many of the juror's complex characters to the audience as they react to Fonda's concerns with their own mix of metal scars, prejudices and insecurities. What especially struck me about this film is how ordinary most of the characters are, none of the jurors are shown to be especially bad men, indeed most are portrayed as honest everyman type people. The use of ordinary characters is the films master-stroke because as one by one they begin to question their initial instincts, the flaws of society that have let this Puerto Rican boy down are presented to the audience. Tragically it appears that many of the issues that were beginning to be discussed in the 1950s have only got worse. For me there is one immortal comment in this film: one of the jurors, a man in his 50s says that the youths of today have no respect and have changed so much for the worse since his day. How ironic is it that some grumpy old men of today who may not even of have been born when this films was made, still say exactly the same thing? Finally a quick look at the cast shows that Fonda aside many of the cast were only moderately successful after this film. I think that's a shame as everyone of these actors is excellent and plays their part in making it one of the best films of all time. However within the cast there are a couple of treats; look out for Jack Klugman (Quincy) and John Fieldler who is the voice of many of Disney's characters such as Piglet. I urge you all, if you have not yet seen this film, please do so now.
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