Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment. The abused and suppressed children of the villagers seem to be at the heart of this mystery.
A group of middle-class friends travel from Tehran to spend the weekend at the seaside. Sepideh invites Elly, who is her daughter's teacher, to travel with the three families in order to ... See full summary »
Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
Francis Ford Coppola
Bibi is a world class escape artist, but he cannot escape the false murder charge that is placed on him. Max has killed Bourrelier before he was removed from the will so that he will be ... See full summary »
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case of murder soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other. Based on the play, all of the action takes place on the stage of the jury room. Written by
For many years, only the first half of the kinescope of the TV version of "Twelve Angry Men" broadcast live on Sept. 20, 1954 (Studio One in Hollywood: Twelve Angry Men) was thought to survive, and had been in the possession of the Museum of Television and Radio since 1976. In 2003 a complete 16mm kinescope was discovered in the collection of Samuel Leibowitz (former defense attorney and judge) and was also acquired by the museum. See more »
At 20:07 into the film, as the camera pans from Juror #6 to Juror #7, the shadow of the boom mic is visible on the wall behind them. See more »
Man in corridor:
You did a wonderful job, wonderful job!
To continue, you've listened to a long and complex case, murder in the first degree. Premeditated murder is the most serious charge tried in our criminal courts. You've listened to the testimony, you've had the law read to you and interpreted as it applies in this case, it's now your duty to sit down and try to separate the facts from the fancy. One man is dead, another man's life is at stake, if there's a reasonable doubt in your minds as to...
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The over-used term "classic movie" really comes into its own here!
This once-in-a-generation masterpiece simply has no equal. The late 90's TV remake was quite adequate though totally unnecessary and in the upshot proved simply that updating a film for updating's sake is really an exercise in futility. Even had it BEEN as good - so what?
There could be few, if ANY film-goers reading this who are unaware of the plotline and in any event many others have re-hashed this for you. The brilliance of the film is evident in so many aspects. To begin with, the ability to not only sustain interest but to command the viewer's attention for basically its entire running time within a setting of principally just one room, borders on the inspired. Whether or not that would actually work with TODAY'S audiences is another discussion! What we have here are twelve everyday Mr Joe Blows, summoned together on a jury panel to decide a defendant's guilt or innocence with regards to a murder charge. If you were to gather unto yourselves ANY twelve jurors at random, you would most likely be able to pinpoint the Henry Fonda, Lee Cobb, E. G. Marshall, Jack Warden etc etc amongst them! Their very "ordinariness" is where the film succeeded. Everyone can identify with at least ONE of those characters. Whether or not he may WANT to is a different matter. The thinker, the sensitive man, the arrogant bully, the opportunist, the mentally challenged loudmouth, the slimeball, the emotionally withdrawn, the sheep etc - they're all here! Welcome to society folks! I dislike society in the main - doubtless a reason I found this film to be such a revelation..even when I was barely into my teens!
12 ANGRY MEN also pinpoints the shortcomings of the law, how "truth" can be so intrinsically left-field and unintentionally flawed. Lumet, working within a minimal budget here, delivers unstinting brilliance in both direction, character portrayal and script interpretation. He had of course superb acting talent at his disposal although some of the most memorable performances are from the lesser players. Some have denounced Fonda's role as being acceptable rather than awesome. I think however he was to a great degree playing himself here, not to an audience. His, is a study in deliberation and logic not show-pony stuff, but hell that never WAS Fonda was it?
This is a great great movie, as is evidenced by the extremely high user-vote worldwide. IF you haven't seen it - you really should do something about that!
153 of 165 people found this review helpful.
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