The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case of murder soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other. Based on the play, all of the action takes place on the stage of the jury room. Written by
At the beginning of the film, the cameras are all positioned above eye level and mounted with wide-angle lenses to give the appearance of greater distance between the subjects. As the film progresses the cameras slip down to eye level. By the end of the film, nearly all of it is shot below eye level, in close-up and with telephoto lenses to increase the encroaching sense of claustrophobia. See more »
Within the last half hour of the movie, the clock on the wall in the jury room can be seen indicating 6:15. Several minutes later, E.G. Marshall states that it is "a quarter after six". Several minutes after that, the wall clock is seen again, but still shows 6:15. Still later, when Lee J. Cobb leans over the table after he tears up the snapshot from his wallet, his watch can be seen indicating 5:10. See more »
Man in corridor:
You did a wonderful job, wonderful job!
To continue, you've listened to a long and complex case, murder in the first degree. Premeditated murder is the most serious charge tried in our criminal courts. You've listened to the testimony, you've had the law read to you and interpreted as it applies in this case, it's now your duty to sit down and try to separate the facts from the fancy. One man is dead, another man's life is at stake, if there's a reasonable doubt in your minds as to...
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Good script, great dialogs and a set of actors who would be the envy of the world
This is one of those movies where everything could go wrong. The story is as simple as it can be: 12 men are jurors on a open and shut murder trial, but one man thinks that another persons life deserves at least some thought on the matter and votes not guilty. From this point on we have 12 actors and a closed room. This could be the most boring film ever made. Lumet however is a master of mise-en-scene and provides a tense movie that keeps you locked on from the word "go". The dialogs are great and supported by incredibly talented actors. Joel Schumacher in Phone Booth needed to see this movie and draw a few ideas on how to make a character built, dialog driven movie. A must see for everyone.
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