Stories of the journeys of a wagon train as it leaves post-Civil War Missouri on its way to California through the plains, deserts, and Rocky Mountains. The first treks were led by gruff, ...
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Bret and Bart Maverick (and in later seasons, their English cousin, Beau) are well dressed gamblers who migrate from town to town always looking for a good game. Poker (five-card draw) is ... See full summary »
Marshal Earp keeps the law, first in Kansas and later in Arizona, using his over-sized pistols and a variety of sidekicks. Most of the saga is based loosely on fact, with historical badguys... See full summary »
It is the 1870s in the Wyoming Territory. Slim Sherman and his fourteen-year-old brother Andy try to hang on to their ranch after their father was shot by a land grabber. They augment their... See full summary »
The Shiloh Ranch in Wyoming Territory of the 1890s is owned in sequence by Judge Garth, the Grainger brothers, and Colonel MacKenzie. It is the setting for a variety of stories, many more ... See full summary »
Stories of the journeys of a wagon train as it leaves post-Civil War Missouri on its way to California through the plains, deserts, and Rocky Mountains. The first treks were led by gruff, but good-at-heart Major Seth Adams, backed up by his competent frontier scout, Flint McCullough. After Adams and McCullough, the wagon train was led by the avuncular Christopher Hale, along with new scouts Duke Shannon and Cooper Smith. Many stories featured the trustworthy Assistant Wagonmaster Bill Hawks, grizzled old cook Charlie Wooster, and a young orphan, Barnaby West. Written by
Doug Sederberg <email@example.com>
One would think that the episodes of this Western that featured super star Ward Bond would have been much better, but the opposite was true.
The wagon train that should have had great stories foundered with the most predictable clichés during the run in which Ward Bond and Robert Horton were the mainstays. The writing was simply a rehash of every Hollywood formula ever. It looked to be written for women instead of men, as any gorgeous babe was killed off during this spree. One got the idea that the directors and writers were being jilted by (or for) such women.
The writing got much better for the later wagon master, and the later romantic muscle man, Duke. The stories became much more unpredictable, and had a taste of true theatrics to them.
The series had some action, but most was implied, and the "stage presentation" was of the utmost importance. That's why the writing was so important. It isn't because of the actors, who all did their jobs well. It was the direction and writing that plagued this series for too long. The subject matter was such that this should have been much better. This turned out to be one of the biggest disappointments in TV series history.
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