Stories of the journeys of a wagon train as it leaves post-Civil War Missouri on its way to California through the plains, deserts and Rocky Mountains. The first treks were led by gruff, ... See full summary »
Ella Lindstrom loses her husband on the wagon train ride west from Boston. With her seven children she decides to stay the course against the wishes of Major Adams. It gets more complicated when she ...
Elizabeth McQueeny is traveling with her girls, heading to a finishing school in the West. When her real purpose becomes known, all the females want her gone but her worth to all shows itself before ...
The Shiloh Ranch in Wyoming Territory of the 1890s is owned in sequence by Judge Garth, the Grainger brothers, and Col. MacKenzie. It is the setting for a variety of stories, many more ... See full summary »
It is the 1870s in Wyoming Territory. Slim Sherman and his 14-year-old brother Andy try to hang on to their ranch after their father is shot by a land grabber. They augment their slight ... See full summary »
Bret and Bart Maverick (and in later seasons, their English cousin, Beau) are well dressed gamblers who migrate from town to town always looking for a good game. Poker (5 card draw) is ... See full summary »
Stu Bailey and Jeff Spencer were the wisecracking, womanizing private detective heroes of this Warner Brothers drama. Stu and Jeff worked out of an office located at 77 Sunset Strip in Los ... See full summary »
Efrem Zimbalist Jr.,
Stories of the journeys of a wagon train as it leaves post-Civil War Missouri on its way to California through the plains, deserts and Rocky Mountains. The first treks were led by gruff, but good-at-heart Major Seth Adams, backed up by his competent frontier scout, Flint McCullough. After Adams and McCullough, the wagon train was led by the avuncular Christopher Hale along with new scouts Duke Shannon and Cooper Smith. Many stories featured the trustworthy assistant wagonmaster Bill Hawks, grizzled old cook Charlie Wooster and a young orphan, Barnaby West. Written by
Doug Sederberg <firstname.lastname@example.org>
One would think that the episodes of this Western that featured super star Ward Bond would have been much better, but the opposite was true.
The wagon train that should have had great stories foundered with the most predictable clichés during the run in which Ward Bond and Robert Horton were the mainstays. The writing was simply a rehash of every Hollywood formula ever. It looked to be written for women instead of men, as any gorgeous babe was killed off during this spree. One got the idea that the directors and writers were being jilted by (or for) such women.
The writing got much better for the later wagon master, and the later romantic muscle man, Duke. The stories became much more unpredictable, and had a taste of true theatrics to them.
The series had some action, but most was implied, and the "stage presentation" was of the utmost importance. That's why the writing was so important. It isn't because of the actors, who all did their jobs well. It was the direction and writing that plagued this series for too long. The subject matter was such that this should have been much better. This turned out to be one of the biggest disappointments in TV series history.
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