Ben Matlock is a very expensive criminal defense attorney who charges a $100,000 to take a case. Fortunately, he's worth every penny as he and his associates defend his clients by finding the real killer.
San Francisco attorney Stuart McMillan is named Commissioner of the San Francisco Police Department. With his pretty, but somewhat kooky, wife Sally, her hard-drinking housekeeper Mildred, ... See full summary »
Susan Saint James
Deputy Police Chief Brenda Johnson runs the Priority Homicide Division of the LAPD with an unorthodox style. Her innate ability to read people and obtain confessions helps her and her team solve the city's toughest, most sensitive cases.
Dr. Mark Sloan is a doctor at Community General Hospital, and he is a consultant for the police department. His son Steve Sloan is a detective for the department. He and his father, along ... See full summary »
Dick Van Dyke,
Barry Van Dyke
Perry Mason is an attorney who specializes in defending seemingly indefensible cases. With the aid of his secretary Della Street and investigator Paul Drake, he often finds that by digging deeply into the facts, startling facts can be revealed. Often relying on his outstanding courtroom skills, he often tricks or traps people into unwittingly admitting their guilt. Written by
Murray Chapman <email@example.com>
The original "Perry Mason," in glorious black & white, is in the tradition of the great film noir films of the '40s and '50s. The cases have a poetic reality to them, clashing and understandable motives, psychology, and murder. Because the motives of all involved are understandable, there is not lacking a painful sympathy for those caught up in the circumstances described, even for the perpetrator. But there is a grim darkness to the program as well. The program gradually ran down during its life, so that, when it went off the air, it was probably time. The original 1957-1958 season was the best, with the most intricate plots and with Perry Mason a wiseguy thorn in the side of the police. The cast is perfect, and even the score fits perfectly this brooding and ironic look at life and fate.
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