IMDb > "Mike Hammer" (1958)

"Mike Hammer" (1958) More at IMDbPro »TV series 1958-1959


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The adventures of Mickey Spillane's tough-talking, brawling, skirt-chasing private detective Mike Hammer, who's always ready to use his fists on a "mug" or his charm on a "skirt" to get the case solved.
Plot Keywords:
(2 articles)
Actor Darren McGavin Dies at 83
 (From WENN. 27 February 2006)

Actor Darren McGavin Dies at 83
 (From WENN. 24 February 2006)

User Reviews:
Action-packed, violent, sexist, and oh-so-cool for the 50s See more (10 total) »


 (Series Cast Summary - 1 of 66)

Darren McGavin ... Mike Hammer (79 episodes, 1958-1959)

Series Directed by
Boris Sagal (25 episodes, 1958-1959)
William Witney (13 episodes, 1959)
Richard Irving (11 episodes, 1958-1959)
John English (5 episodes, 1958)
Ray Nazarro (4 episodes, 1959)
Earl Bellamy (3 episodes, 1959)
Edward Ludlum (3 episodes, 1959)
Sidney Salkow (3 episodes, 1959)
Lawrence Dobkin (2 episodes, 1958)
Sherman Marks (2 episodes, 1958)
Frank Arrigo (2 episodes, 1959)
Series Writing credits
Mickey Spillane (78 episodes, 1958-1959)
Frank Kane (24 episodes, 1958-1959)
Ken Pettus (19 episodes, 1958-1959)
Bill S. Ballinger (11 episodes, 1959)
Fenton Earnshaw (7 episodes, 1958)
Lawrence Kimble (7 episodes, 1958)
Robert Turner (4 episodes, 1959)
Barry Shipman (3 episodes, 1958-1959)
Curtis Cluff (2 episodes, 1958)
Richard Ellington (2 episodes, 1958)
Evan Hunter (2 episodes, 1958)

Series Cinematography by
Jack MacKenzie (43 episodes, 1958-1959)
John F. Warren (5 episodes, 1959)
John L. Russell (4 episodes, 1959)
Ray Rennahan (3 episodes, 1959)
William A. Sickner (3 episodes, 1959)
Bud Thackery (3 episodes, 1959)
William Bradford (2 episodes, 1958)
Ray Cory (2 episodes, 1959)
Series Film Editing by
Robert Seiter (16 episodes, 1958-1959)
Buddy Small (10 episodes, 1958-1959)
Dick Connors (6 episodes, 1958)
Victor Lewis (4 episodes, 1958)
William W. Moore (3 episodes, 1959)
Milton Shifman (2 episodes, 1959)

Sam E. Waxman (unknown episodes)
Series Art Direction by
Don Ament (32 episodes, 1958)
Frank Arrigo (23 episodes, 1958-1959)
John Meehan (4 episodes, 1959)
Loyd S. Papez (3 episodes, 1959)
Raymond Beal (2 episodes, 1959)
Arthur Lonergan (2 episodes, 1959)
Series Set Decoration by
James M. Walters Sr. (29 episodes, 1958-1959)
George Sawley (22 episodes, 1958)
William Stevens (9 episodes, 1958)
Ralph Sylos (3 episodes, 1958)
Series Makeup Department
Jack Barron .... makeup artist (59 episodes, 1958-1959)
Florence Bush .... hair stylist (35 episodes, 1958-1959)
Robert Dawn .... makeup artist (6 episodes, 1958-1959)
Leo Lotito Jr. .... makeup artist (2 episodes, 1959)
Series Second Unit Director or Assistant Director
Jim Hogan .... assistant director (32 episodes, 1958-1959)
Edward O. Denault .... assistant director (10 episodes, 1958)
Will Sheldon .... assistant director (7 episodes, 1959)
Kenneth Walters .... assistant director (3 episodes, 1958)
Ben Bishop .... assistant director (2 episodes, 1959)
Edward K. Dodds .... assistant director (2 episodes, 1959)
Frank Fox .... assistant director (2 episodes, 1959)
Series Sound Department
Francis J. Scheid .... sound (24 episodes, 1958)
John C. Grubb .... sound (9 episodes, 1958-1959)
Harold Hanks .... sound (9 episodes, 1958)
William H. Lynch .... sound (5 episodes, 1959)
Earl Crain Jr. .... sound (4 episodes, 1958-1959)
Stephen Bass .... sound (3 episodes, 1958-1959)
Melvin M. Metcalfe Sr. .... sound (3 episodes, 1959)
William Russell .... sound (3 episodes, 1959)
Earl Crain Sr. .... sound (2 episodes, 1959)
Series Stunts
Paul Baxley .... stunts (unknown episodes)
Dick Crockett .... stunts (unknown episodes)
Hal Needham .... stunts (unknown episodes)
Ed Parker .... stunts (unknown episodes)
George Robotham .... stunts (unknown episodes)
Ronnie Rondell Jr. .... stunts (unknown episodes)
Ken Terrell .... stunts (unknown episodes)
Dale Van Sickel .... stunts (unknown episodes)
Joe Yrigoyen .... stunts (unknown episodes)
Series Camera and Electrical Department
James V. King .... camera operator (40 episodes, 1958)
Series Costume and Wardrobe Department
Vincent Dee .... costume supervisor (36 episodes, 1958-1959)
Irving Levitt .... costume supervisor / costumer (31 episodes, 1958)
Series Editorial Department
Richard G. Wray .... editorial supervisor (36 episodes, 1958-1959)
Buddy Small .... supervising film editor / editorial supervisor / ... (29 episodes, 1958)
Series Music Department
Maury Leaf .... music supervisor / music editor (33 episodes, 1958-1959)
Harold V. Johnson .... music supervisor (14 episodes, 1959)
Frederick Herbert .... music supervisor (8 episodes, 1959)
Joseph E. Romero .... music supervisor (2 episodes, 1959)

Paul Dunlap .... composer: themes (unknown episodes)
Dave Kahn .... composer: theme music (unknown episodes)

Production CompaniesDistributors

Additional Details

Also Known As:
"Mickey Spillane's Mike Hammer" - USA (complete title)
See more »
30 min (78 episodes)
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:
Mono (RCA Sound Recording)

Did You Know?

This was one of the programs that Bobby Rupp and murder victims Herbert, Nancy and Kenyon Clutter watched the evening that they were killed by Richard Eugene Hickcok and Perry Edward Smith (November 15th, 1959). Bobby Rupp was Nancy Clutter's boyfriend and went home before the killers arrived.See more »
Movie Connections:
Referenced in The Hebrew Hammer (2003)See more »
Riff BluesSee more »


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12 out of 15 people found the following review useful.
Action-packed, violent, sexist, and oh-so-cool for the 50s, 20 January 2009
Author: James Lawrence ( from United States

Actor Darren McGavin plays private detective Mike Hammer. In the space of 30 minutes, he normally escapes a couple assassination attempts, beats at least one man to a pulp, flirts with one or more beautiful women, fires off some 50s tough-guy slang, and solves a perplexing mystery. The pace is very fast.

The premise of the show is that the world is an evil, violent place, and the strong and upright must be as tough as the bad guys to set things right. But that doesn't mean they can't have a little fun along the way, enjoying broads, booze, or other masculine entertainments as circumstances present themselves.

I do not know that I have ever seen a TV character so quick to use his fists or a gun when trouble arises. And, when Mike Hammer beats you, he does not just knock you down or knock you out. He continues beating you as the blood spurts out and you beg for mercy, then he beats you some more. Even innocent witnesses are pushed around until they give up their information. That he is not imprisoned for his frequent violent assaults is a miracle. He does frequently fall afoul of the police, receiving threats, being questioned, and sometimes being locked up, but only temporarily.

In the world of Mike Hammer, there is no such thing as a flat-chested or overweight woman, except for the occasional wife or grandmother. The show is populated by beautiful, large-breasted women with well-coiffed hair, wearing tight dresses that show off their curves, and push-up bras that are so stiff and lift breasts so high they threaten to poke out your eyes. Mike flirts with and openly leers at these women in a way that would surely make viewers uncomfortable today.

With only 30 minutes to play with, the characters are often one-dimensional. Women, except when evil sluts, are weaklings dominated by men. They are either helpless victims, or madly attracted to Mike, or incidental holders of information he needs, or mere eye-candy populating his world. Sometimes they are the tool of a bad guy, used to lure Mike into a trap, then sent on their way. Men are not treated much better. The line between good and evil is starkly drawn, and the most complex a character (other than Mike) usually gets is when someone thought to be good turns out to be evil.

There are many pluses. A lot happens. The evil plots are often complex and ingenious. The show employs a great deal of humor and tries not to take itself too seriously.

In the final analysis, Mike Hammer is on the right side. He fights against crime, and bravely protects the weak, despite the risk to himself. If you had trouble, and were in the right, there is no one better you could have on your side. He is strong, violent, cynical and testosterone-fueled, the epitome of 50s cool.

Despite the shortcomings of the show, it is entertaining, and the fast pace ensures you will not get bored.

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