Bret and Bart Maverick (and in later seasons, their English cousin, Beau) are well dressed gamblers who migrate from town to town always looking for a good game. Poker (5 card draw) is ... See full summary »
Maverick and a hunting expedition of headstrong Englishmen are robbed by an outlaw gang and abandoned without food and water in the middle of the desert. Maverick convinces his party, by threat and ...
Gambling brothers Bret (James Garner) and Bart Maverick (Jack Kelly) are, as usual, hot on the trail of a fast buck when they find themselves partnered with the eager-but-inexperienced Ben ... See full summary »
Emma is a divorced woman with a teen aged boy who moves into a small town and tries to make a go of a horse ranch. Murphy is the town druggist who steers business her way. Things are going ... See full summary »
Set in Sweetwater, Arizona in the 1880s with solid citizen Bret owning a ranch and part of the Red Ox Saloon. Stable cast with varying stories, often centered on conflict between the ambitious sheriff and everyone else.
Bret and Bart Maverick (and in later seasons, their English cousin, Beau) are well dressed gamblers who migrate from town to town always looking for a good game. Poker (5 card draw) is their favorite but they've been known to play such odd card games as Three-toed Sloth on occasion. The show would occasionally feature both or all three Mavericks, but usually would rotate the central character from week to week. Written by
John Vogel <firstname.lastname@example.org>
Series creator Roy Huggins never received on-screen credit for this show. In the 1950s Warner Bros. wanted to avoid paying royalties to creators and wanted all television projects to be based on properties held by the studio. The "pilot" episode was based on a Warners-held book, "War of the Copper Kings"; Huggins' script became episode 1.2. Huggins wouldn't get credit until Maverick (1994), the film version with Mel Gibson. See more »
Jed, only one man in a hundred plays poker by the odds. Luck's only important when you sit down with men who play as tight as you do. When I find that out I quit. It's *gambling*.
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James Garner and Jack Kelly had a sensational chemistry and Garner's performance is quite different than most think.
James Garner's acting on 1957's TV series "Maverick" is superbly inspired but usually underrated because he memorably told the press at the time that he "can't act. I'll learn if I have to, but so far I haven't had to." This modest refusal to champion himself publicly resulted in his performances being taken much more for granted, but viewed today, it's apparent that here was a world-class talent throwing himself into every scene, registering a virtual three-ring circus of facial expressions; there is always something going on to look at, in severe contrast to most of the other TV western leads of the era. Jack Kelly, normally a more pedestrian performer, lights up to incandescence in his scenes with Garner and their astonishing chemistry vaults the series' fantastic entertainment value phenomenally, although Kelly's solo outings aren't in the same league and his acting seemed to deteriorate along with the quality of some of the scripts in the wake of Garner's departure. Kelly was completely and utterly lacking Garner's genius for comedy, except when working directly with Garner.
I always thought of Garner's character's warmth as being his hallmark trait, perhaps as a result of years of seeing "The Rockford Files," but upon recently studying the "Maverick" tapes it became apparent that his character was basically cool and chilly, almost businesslike with an Indiana Jones-like seriousness in his routine comportment, but quite warm with friends. This surprised me. When people refer to Bret Maverick as "cool," they're actually much more correct than I ever would've assumed.
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