San Franciscans during the goldrush of the 1850s attempt to maintain law and order in their wild city. Newly arrived Matthew Wayne becomes sheriff, then marshal, and organizes the city ... See full summary »
Set in the Louisiana Territory around 1830, wealthy planter Jim Bowie encounters many famous people in New Orleans or the backwoods, relying for protection on the knife he supposedly ... See full summary »
Cimmaron City is booming due to oil and gold and hopes to become capital of the future state of Oklahoma. Matthew Rockford is the son of the city's founder; he's now mayor and a major cattle rancher. Sheriff Temple must keep law and order.
Western stories and legends based, and filmed, in and around Death Valley, CA. One of the longest-running Western series, originating on radio in the 1930s. The continuing sponsor was "20 Mule Team" Borax, a product mined in Death Valley.
Yancy Derringer, an ex-Confederate soldier turned gambler, was a suave lady's man in New Orleans, Louisiana. In reality, he was working for John Colton, the civil administrator of the city.... See full summary »
Wichita, Kansas, USA was a growing town after the American Civil War. Helping the town grow were Marshal Mike Dunbar and his deputies, Ben Matheson and Rico Rodriguez. Also appearing were ... See full summary »
One hundred eleven episodes of this syndicated show were produced between 1956 and 1959, debuting in the US in January 1957. Chuck and P.T. own a helicopter company that is hired to perform... See full summary »
San Franciscans during the goldrush of the 1850s attempt to maintain law and order in their wild city. Newly arrived Matthew Wayne becomes sheriff, then marshal, and organizes the city police force while expressing interest in the young widow Fanzler and sparring with attorney Pitt. Written by
Ed Stephan <firstname.lastname@example.org>
It began as a unique series: a Western set totally in San Francisco and starring not yet another lawman but a newspaper man. Engrossing and different in its first year with the heavy set McClory doing an intelligent and fine job. I gather the ratings were disappointing because as the second year dawned Richard Coogan appeared as a better dressed version of Matt Dillon. (There was quite a height and facial resemblance between Coogan and James Arness.) Suddenly "The Californians" was little more than a clone Western not as well done as those from the Warner Brothers' staple stable. And then it was gone. Yet that theme song echos yet in what passes for my mind; fine tune although lyrics that rhyme "poor" with "cure" must be questioned.
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