San Franciscans during the goldrush of the 1850s attempt to maintain law and order in their wild city. Newly arrived Matthew Wayne becomes sheriff, then marshal, and organizes the city ...
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Marshal Earp keeps the law, first in Kansas and later in Arizona, using his over-sized pistols and a variety of sidekicks. Most of the saga is based loosely on fact, with historical badguys... See full summary »
Cimmaron City is booming due to oil and gold and hopes to become capital of the future state of Oklahoma. Matthew Rockford is the son of the city's founder; he's now mayor and a major cattle rancher. Sheriff Temple must keep law and order.
In 1868, after the Civil War, Custer takes charge of a mix of ex-Confederates and criminals, the 7th Cavalry Regiment at Fort Hays, Kansas. His boss General Terry doesn't like his methods ... See full summary »
Robert F. Simon
The Civil War exploits of Confederate cavalry officer John Singleton Mosby, nicknamed the Gray Ghost, was the basis of this syndicated series. Sgt. Magruder was the only other regular ... See full summary »
When gold was discovered in the Yukon in the 1890's, thousands of hopeful prospectors headed north for a chance at becoming rich. The easiest passage to the Yukon was through the small ... See full summary »
Sheriff Lobo's the corrupt sheriff from Orly County who appeared in several episodes during the first season of B.J. and the Bear (1978), as B.J.'s occasional nemesis. He now stars in his ... See full summary »
San Franciscans during the goldrush of the 1850s attempt to maintain law and order in their wild city. Newly arrived Matthew Wayne becomes sheriff, then marshal, and organizes the city police force while expressing interest in the young widow Fanzler and sparring with attorney Pitt. Written by
Ed Stephan <email@example.com>
It began as a unique series: a Western set totally in San Francisco and starring not yet another lawman but a newspaper man. Engrossing and different in its first year with the heavy set McClory doing an intelligent and fine job. I gather the ratings were disappointing because as the second year dawned Richard Coogan appeared as a better dressed version of Matt Dillon. (There was quite a height and facial resemblance between Coogan and James Arness.) Suddenly "The Californians" was little more than a clone Western not as well done as those from the Warner Brothers' staple stable. And then it was gone. Yet that theme song echos yet in what passes for my mind; fine tune although lyrics that rhyme "poor" with "cure" must be questioned.
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