San Franciscans during the goldrush of the 1850s attempt to maintain law and order in their wild city. Newly arrived Matthew Wayne becomes sheriff, then marshal, and organizes the city ... See full summary »
The subtle trick Showtime's "Penny Dreadful is that it is far less about the blood, gore and the specter of gruesome death than the sharp pain and exhilarating pleasure of living, and the terror of feeling alone even in close company. Read our review in the May Picks section.
A man with a fixation on Humphrey Bogart gets plastic surgery to make him look exactly like Bogart. Then he changes his name to Sam Marlowe (after Sam Spade and Phillip Marlowe, two of ... See full summary »
Western stories and legends based, and filmed, in and around Death Valley, CA. One of the longest-running Western series, originating on radio in the 1930s. The continuing sponsor was "20 Mule Team" Borax, a product mined in Death Valley.
Produced at the same time as the more well-known Twilight Zone, this series fed the nation's growing interest in paranormal suspense in a different way. Rather than creating fictional ... See full summary »
Will J. White
Christopher Colt was apparently a gun salesman but was in fact a government agent tracking down notorious bad guys. His cousin Sam took the lead when the studio had contract disputes with the original star.
San Franciscans during the goldrush of the 1850s attempt to maintain law and order in their wild city. Newly arrived Matthew Wayne becomes sheriff, then marshal, and organizes the city police force while expressing interest in the young widow Fanzler and sparring with attorney Pitt. Written by
Ed Stephan <firstname.lastname@example.org>
It began as a unique series: a Western set totally in San Francisco and starring not yet another lawman but a newspaper man. Engrossing and different in its first year with the heavy set McClory doing an intelligent and fine job. I gather the ratings were disappointing because as the second year dawned Richard Coogan appeared as a better dressed version of Matt Dillon. (There was quite a height and facial resemblance between Coogan and James Arness.) Suddenly "The Californians" was little more than a clone Western not as well done as those from the Warner Brothers' staple stable. And then it was gone. Yet that theme song echos yet in what passes for my mind; fine tune although lyrics that rhyme "poor" with "cure" must be questioned.
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