A struggling young actress with a six-year-old daughter sets up housekeeping with a homeless black widow and her light-skinned eight-year-old daughter who rejects her mother by trying to pass for white.
The story of a young woman, Helen Banning, who travels to Munich in search of life experience and romance. While working for America House, she meets a famous symphony conductor, Tonio ... See full summary »
Wealthy Samuel Fulton is getting older and has no family of his own. He decides to leave his estate to the family of his first love, who turned down his marriage proposal years ago because ... See full summary »
In present-day U.S., Dr. Michael Parker, a prominent surgeon, unexpectedly runs into his German-born wife whom he thought was dead. Victor, an artist and his "dead" wife's now boyfriend, ... See full summary »
On 24 October 1955, the hard-work geologist of the Hadley Oil Company Mitch Wayne meets the executive secretary Lucy Moore in the office of her boss Bill Ryan in New York and invites her to go to a conference with the alcoholic playboy and son of a tycoon Kyle Hadley. On the way of the meeting, he confesses that they had traveled from Houston to New York to satisfy the wish of the reckless Kyle, who is his best friend since their childhood, of eating a sandwich from club 21 and the meeting was just a pretext to Kyle's father Jasper Hadley. Mitch and Kyle immediately fall in love for Lucy, and Kyle unsuccessfully uses his money to impress Lucy; then he opens his heart and proposes Lucy. They get married and travel to Acapulco and the insecure Kyle stops drinking. Meanwhile, Kyle's sister Marylee is an easy woman and has a non-corresponded crush on Mitch that sees her as a sister. One year later, Kyle discovers that he has a problem and might be sterile and starts drinking again. The ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Vertiginous, violet and tongue in cheek social comment.
One of the most oddly colored (violets,bright yellows and reds) wildly flamboyant films made in the 50's, expatriate German director Douglas Sirk made this as a soap opera with a nasty satiric bite. Although Lauren Bacall and Rock Hudson as staid camp followers of a wealthy Texas family are the "stars", it's the perverse characters played by Robert Stack and Dorothy Malone who make the film such a vivid nightmare of the Eisenhower era of outdoor barbecues and post-war wealth. Malone in particular, playing a nymphomaniac oil heiress who dances wildly while her father dies of a heart attack, breaks the mold of the sexually sequestered decade.
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