Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
Reporter Peter Barter gets murdered while driving to his tv station. Commisioner Kras gets a phone call from clairvoyant Cornelius who saw Barters death in a vision. But a dark force ... See full summary »
Toward the end of World War II, the allied secret service receives a partial message indicating that the Germans are researching nuclear energy to build atomic bombs. In Midwestern ... See full summary »
An architect travels to the remote city of Eschnapur to oversee some work being done at the bequest of the local Maharajah. Along the way the architect meets and falls in love with a ... See full summary »
Death of media magnat Amos Kyne is causing power struggle between his executives. In the meantime New York women become prey of a serial killer. Reporter Edward Mobley is in that circumstances faced with almost impossible missions: to catch the killer, to prevent the media empire from falling into the wrong hands and to save his romantic relationship from break-up. Written by
Dragan Antulov <email@example.com>
The sequence depicting the New York subway was actually filmed in the Los Angeles subway. See more »
When Barrymore Jr. is watching Andrews on TV, he is clutching a copy of "Tales From The Crypt". When he drops it to the floor, a close-up of the comic book now shows it to be titled "The Strangler". See more »
Maybe I was expecting too much from this picture. It's billed as a film noir, but I thought the mood was all wrong for a film noir. More like a melodrama bordering on a drama but for the presence of John Barrymore, Jr. It had a great cast with lots off recognizable names and the director was Fritz Lang.
I just thought it wasn't up to the lofty standard set by Lang in earlier films like 'M" and "The Testament Of Dr. Mabuse", but truth be told, these pictures were made many years before this one. Too much dialogue here, and this picture dearly needed an injection of excitement to break the tedium of the love stories in the sub-plot.
I like Dana Andrews, Thomas Mitchell, George Sanders, et al. A big boost was provided by Ida Lupino, always professional, as a sleep-around newspaper columnist. I also felt Barrymore tended toward ham in his portrayal of the psycho killer. My overall impression is of a master director who was losing his fastball, which is a shame. It could have been so much better.
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