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Four Bags Full (1956)
"La traversée de Paris" (original title)

7.6
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Ratings: 7.6/10 from 2,020 users  
Reviews: 12 user | 7 critic

Two men, a painter and a poor guy, have to cross over Paris by night during World War II and to deliver black market meat. As they walk along dark Parisian streets, they encounter various ... See full summary »

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Writers:

(short story), (dialogue), 3 more credits »
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Title: Four Bags Full (1956)

Four Bags Full (1956) on IMDb 7.6/10

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Nominated for 1 BAFTA Film Award. Another 2 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
Grandgil
...
Marcel Martin
Jeannette Batti ...
Mariette Martin
Georgette Anys ...
Lucienne Couronne, la patronne du cafe Belotte
Robert Arnoux ...
Marchandot
Laurence Badie ...
La serveuse du restaurant
Myno Burney ...
Angèle Marchandot
Germaine Delbat ...
Une cliente du restaurant
Monette Dinay ...
Madame Jambier
Jean Dunot ...
Alfred Couronne, le patron du cafe Belotte
Bernard La Jarrige ...
Un agent de police (as Bernard Lajarrige)
Jacques Marin ...
Le patron du restaurant Saint Martin
Hubert de Lapparent ...
L'otage nerveux
Hans Verner ...
Le motard (as Jean Verner)
Hugues Wanner ...
Le père de Dédé (as Hugues Waner)
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Storyline

Two men, a painter and a poor guy, have to cross over Paris by night during World War II and to deliver black market meat. As they walk along dark Parisian streets, they encounter various characters and adventures until they are arrested by German police. Written by <chadourne@univ-lille3.fr>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

See all certifications »
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Details

Country:

|

Language:

|

Release Date:

26 October 1956 (France)  »

Also Known As:

Four Bags Full  »

Box Office

Opening Weekend:

$9,997 (USA) (24 May 2013)

Gross:

$17,824 (USA) (31 May 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Award : Victoire du Cinéma français 1957 See more »

Goofs

Crew is seen in the mirror when Grandgil pass the door of Martin's home. See more »

Connections

Referenced in Une époque formidable... (1991) See more »

Soundtracks

La Marseillaise
Composed by Claude Joseph Rouget de Lisle
See more »

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User Reviews

Bourvil and Gabin at their funniest

The bringing together of two great comic actors of the calibre of Jean Gabin and Bourvil could not fail to be a great success, but this film surpasses the audience's expectations by several hundred kilometres. For both actors, this is a real tour de force. Bourvil is the hapless stooge to Gabin's outrageously forceful character, and the double act is unbelievably funny. One can't help but have pity for the poor unemployed Parisian as his night-time trudge across Paris is turned into his worst nightmare.

Whilst much of the humour is in the performance of its two stars (joined by Louis de Funes in that amazing cellar scene near the start of the film), the script is well-written and genuinely funny in places. The menace of the Nazi threat is there all the same, and this is heightened by the darkened sets representing a deserted Paris, resounding with the distant tread of the German patrols. The last twenty minutes of the film is a distinct contrast to what preceded it, and the humour appears to fade very quickly into drama. Luckily, our heroes emerge unscathed (possibly), but the threat of what might have been substantially changes one's view of the film.

Needless to say, when this film was released in 1956, scarcely 10 years after the end of the Second World War, it was widely reviled. It presented a view of the occupation that, whilst honest and accurate in retrospect, had never before been seen in French cinema and which was simply too much for many to stomach. Gabin's character was a particular target for scorn, representing a cynical free-thinking attitude that could only be regarded as dangerous and anti-Republican. The film's director, Claude Autant-Lara, should be credited with immense courage in presenting to the French people his perception of the war, unadulterated by the constraints of convention. That he should achieve this through one of the funniest of French films is a remarkable achievement.


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