| Photos (See all 10 | slideshow) |
| Virginia McKenna | ... | Jean Paget | |
| Peter Finch | ... | Joe Harman | |
| Kenji Takaki | ... | Japanese Sergeant (as Takagi) | |
| Tran Van Khe | ... | Captain Sugaya | |
| Jean Anderson | ... | Miss Horsefall | |
| Marie Lohr | ... | Mrs. Dudley Frost (as Marie Löhr) | |
| Maureen Swanson | ... | Ellen | |
| Renee Houston | ... | Ebbey | |
| Nora Nicholson | ... | Mrs. Frith | |
| Eileen Moore | ... | Mrs. Holland | |
| John Fabian | ... | Mr. Holland | |
| Vincent Ball | ... | Ben | |
| Tim Turner | ... | British Sergeant | |
| Vu Ngoc Tuan | ... | Captain Yanata | |
| Munesato Yamada | ... | Captain Takata | |
| Nakanishi | ... | Captain Nishi | |
| Ikeda | ... | Kempetei Sergeant | |
| Otokichi Ikeda | ... | Kempetei Sergeant (as Ikeda) | |
| Geoffrey Keen | ... | Solicitor | |
| June Shaw | ... | Mrs. Graham | |
| Armine Sandford | ... | Mrs. Carstairs | |
| Mary Allen | ... | Mrs. Anderson | |
| Virginia Clay | ... | Mrs. Knowles | |
| Bay White | ... | Mrs. Davies | |
| Philippa Morgan | ... | Mrs. Lindsay | |
| Dorothy Moss | ... | Mrs. O'Brien | |
| Gwenda Ewen | ... | Mrs. Rhodes | |
| Josephine Miller | ... | Daphne Adams | |
| Edwina Carroll | ... | Fatima | |
| Sanny Bin Hussan | ... | Mat Amin | |
| Charles Marshall | ... | Well Digger | |
| Jane White | ... | Brenda | |
| Cameron Moore | ... | Freddie | |
| Margaret Eaden | ... | Jane | |
| Dominic Lieven | ... | Michael Rhodes | |
| Peter John | ... | Timothy | |
| Meg Buckenham | ... | Mary Graham | |
| Geoffrey Hawkins | ... | Robin | |
| rest of cast listed alphabetically: | |||
| Sam Kydd | ... | Australian Driver (uncredited) | |
| Peter Madden | ... | Aussie POW (uncredited) | |
| Russell Napier | ... | Jack Burns (uncredited) | |
Directed by | |||
| Jack Lee | |||
Writing credits | ||
| Nevil Shute | (novel) | |
| W.P. Lipscomb | (screenplay) and | |
| Richard Mason | (screenplay) | |
Produced by | |||
| Joseph Janni | .... | producer | |
| Earl St. John | .... | executive producer | |
Original Music by | |||
| Matyas Seiber | |||
Cinematography by | |||
| Geoffrey Unsworth | (director of photography) | ||
Film Editing by | |||
| Sidney Hayers | |||
Art Direction by | |||
| Alex Vetchinsky | |||
Makeup Department | |||
| George Blackler | .... | makeup artist | |
Production Management | |||
| Jack Hanbury | .... | production manager | |
Second Unit Director or Assistant Director | |||
| David W. Orton | .... | assistant director (as David Orton) | |
Sound Department | |||
| Geoffrey Daniels | .... | sound recordist | |
| Archie Ludski | .... | sound editor (as A. Ludski) | |
| Gordon K. McCallum | .... | sound recordist | |
| Harry Miller | .... | sound editor | |
| John Brommage | .... | boom operator (uncredited) | |
Special Effects by | |||
| Bryan Langley | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Jack Atcheler | .... | camera operator | |
Music Department | |||
| Matyas Seiber | .... | conductor | |
Other crew | |||
| Arthur Alcott | .... | production controller: Pinewood Studios, London, England | |
| Joan Davis | .... | continuity | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
The Rank Organisation went whole hog in producing A Town Like Alice with location shooting in Malaya, Australia, and the United Kingdom. The results were well worth the effort and the film was a big boost to the careers of Peter Finch and Virginia McKenna. In fact as Finch was becoming more and more an international star he would get fewer roles like this one, playing a native Australian.
I was expecting when deciding to view this film that it would be similar in nature to the American film Three Came Home that starred Claudette Colbert as a woman prisoner of the Japanese in World War II. The woman prisoners were segregated, but quickly housed and fended for themselves as best they could, but in a static setting.
When the male prisoners are separated from the females after the fall of Malaya, these woman are put under guard and just sent around like vagabonds with their children if they had them. Why they were selected for this rather special brand of torture we can speculate on end, but whatever the Japanese idea of chivalry was to the women, they couldn't just outright kill them. In fact none are during this film.
The film is seen through McKenna's eyes, she's working as a secretary in Kuala Lampur when the Japanese takeover. She takes over too as guardian of her boss's kids after their mother dies early on in the strange odyssey. Peter Finch plays an Australian soldier who with his mates they constantly run into and who offers them help when he can sneak food and medicine from the Japanese. He pays a heavy price for doing this when he's caught.
When he was killed by Irish Terrorists in 1979, it was learned that Lord Mountbatten had specifically requested that at his funeral no representation from the Japanese was to be permitted. As Supreme Commander of that theater Mountbatten remembered all the horror stories he heard from people survived Japanese internment, even the strange internment where apparently the whole country was their jail.
How McKenna and those that remained survived is quite a story, let's say it involved breaking a lot of cultural barriers to do it. One of the women who did it her own way was Maureen Swanson who after McKenna refuses his proposition, she takes up with a Japanese captain. Swanson is another you'll remember from A Town Like Alice.
Alice refers to Alice Springs in Northern Territory where Finch reminisces he'd like to return. It sounds like heaven, looks pretty good too after the years in Malaya. The film is a really good war film from the not often heard from point of view of woman prisoners.