| Jacques Dumesnil | ... | Narrator (voice) | |
| Dominique Raoul-Duval | ... | Extra | |
| Phil Davis | ... | Extra | |
| Chester Gould | ... | Extra | |
| Marie-Claire Pasquier | ... | Extra | |
| Denise York | ... | Extra | |
| Robert Rendigal | ... | Extra | |
| Benigno Caceres | ... | Extra (as Benigne Caceres) | |
| François-Régis Bastide | ... | Extra | |
| Agnès Varda | ... | Extra | |
| Monique Le Porrier | ... | Extra | |
| Juliette Caputo | ... | Extra (as Giulietta Caputo) | |
| Paulette Borker | ... | Extra | |
| André Heinrich | ... | Extra | |
| Joseph Rovan | ... | Extra | |
| Madame Searle | ... | Extra | |
| Lee Falk | ... | Extra |
Directed by | |||
| Alain Resnais | |||
Writing credits(in alphabetical order) | ||
| Rémo Forlani | commentary | |
Produced by | |||
| Pierre Braunberger | .... | producer | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| Ghislain Cloquet | |||
Film Editing by | |||
| Claudine Merlin | |||
| Alain Resnais | |||
| Anne Sarraute | |||
Second Unit Director or Assistant Director | |||
| André Heinrich | .... | assistant director | |
| Jean-Charles Lauthe | .... | assistant director | |
Music Department | |||
| Georges Delerue | .... | conductor | |
Other crew | |||
| Jean Cayrol | .... | collaborator | |
| Roger Fleytoux | .... | collaborator | |
| André Goeffers | .... | collaborator (as André Goefers) | |
| Pierre Goupil | .... | collaborator | |
| Claude Joudioux | .... | collaborator | |
| Chris Marker | .... | collaborator (as Chris And Magic Marker) | |
| Gérard Willemetz | .... | collaborator | |
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| Marcel Proust's Time Regained | The Diving Bell and the Butterfly | Persepolis | The Best of Youth | L'amour existe |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb France section |
Alain Resnais is a damn wizard! You have to see Toute la mémoire du monde, than Nuits et Brouillards, than Hiroshima mon amour to understand the power of the message being sent there.
With Toute la mémoire du monde, Resnais is setting the basis of his cinematographic project about places of memory. Within 20 minutes, Resnais is surgically, methodically analyzing the national library of France. With an hyperactive camera, he's sneaking, he's smelling, he's feeling this huge building. Very fast paced and organized movie that sets up more than ever, the cut between him and the other directors of the french new wave. In my humble cinephile opinion, Resnais is in a league of his own.