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Time Table (1956)

6.8
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Ratings: 6.8/10 from 183 users  
Reviews: 11 user | 7 critic

As a train speeds through the Arizona night, a man posing as a physician holds up the baggage-car crew and escapes with a $500,000 payroll. The fake doctor, Paul Bruckner, leaves the train ... See full summary »

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Cast

Complete credited cast:
Mark Stevens ...
Charlie Norman
King Calder ...
Joe Armstrong
...
Linda Brucker
Marianne Stewart ...
Ruth Norman
...
Dr. Paul Brucker
...
Al Wolfe
Rodolfo Hoyos Jr. ...
Lt. Castro (as Rudolpho Hoyos)
...
Frankie Page
...
Bobik
Edit

Storyline

As a train speeds through the Arizona night, a man posing as a physician holds up the baggage-car crew and escapes with a $500,000 payroll. The fake doctor, Paul Bruckner, leaves the train with his "patient" and the "patient's wife", who is really Bruckner's wife Linda. The insurance company puts its best investigator, Charlie Norman, on the case to work with the railroad's investigator, Joe Armstrong. The men are friends and Joe is upset that Charlie and his wife, Ruth, will have to postpone their Mexico vacation. Charlie's concern goes beyond the spoiled vacation as he was the brains behind the holdup, who had fallen in love with Linda several months earlier while investigating a claim Bruckner had filed against his insurance company. At first, Joe is unable to find anything out about the flawlessly timetable planning for the robbery other than what Charlie wants him to find out. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

With All The Terror Of A Time Bomb!

Genres:

Crime | Drama | Film-Noir

Certificate:

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Details

Country:

Language:

Release Date:

8 February 1956 (USA)  »

Also Known As:

Timetable  »

Company Credits

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 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)
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Did You Know?

Soundtracks

Salud, Felicidad y Amor
Music by Walter Scharf
Lyrics by Jack Brooks
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User Reviews

 
Nifty little noir
27 August 2013 | by (Netherlands) – See all my reviews

It's remarkable how many actors from the Golden Age of Hollywood began or ended their careers making crime pictures ( or horror movies). Mark Stevens is a case in point. He began promisingly enough with the stylish noir The Dark Corner in 1946 and basically ended it with Timetable ten years later. Was he a classic Marlowesque private eye in the first one, in Timetable the rigors of maintaining a Hollywood career have visibly and morally taken their toll. Directed by Stevens himself, all the glamour of the classic noir is drained from both the look of the film as from the protagonists. Stevens has the look of a man who has seen too much and has basically given up hope that his life will change for the better. Even his last desperate attempt to turn his life around seems doomed from the start. Which is not helped by the strict moral code of the day that is constantly underlined, namely that Crime Doesn't Pay. The plot is a little convoluted, but then that's not what we watch these movies for. Stylistically it has little going for it,and small effort was made to avoid a stage-bound look. But the performances are adequate enough and especially Stevens is totally convincing as the world-weary protagonist. For noir fans this one is certainly worth a look.


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