The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy ... See full summary »
Cecil B. DeMille
Charles de Rochefort,
Marcellus is a tribune in the time of Christ. He is in charge of the group that is assigned to crucify Jesus. Drunk, he wins Jesus' homespun robe after the crucifixion. He is tormented by ... See full summary »
To escape the edict of Egypt's Pharoah, Rameses I, condemning all newborn Hebrew males, the infant Moses is set adrift on the Nile in a reed basket. Saved by the pharaoh's daughter Bithiah, he is adopted by her and brought up in the court of her brother, Pharaoh Seti. Moses gains Seti's favor and the love of the throne princess Nefertiri, as well as the hatred of Seti's son, Rameses. When his Hebrew heritage is revealed, Moses is cast out of Egypt, and makes his way across the desert where he marries, has a son and is commanded by God to return to Egypt to free the Hebrews from slavery. In Egypt, Moses' fiercest enemy proves to be not Rameses, but someone near to him who can 'harden his heart'. Written by
Ron Kerrigan <firstname.lastname@example.org>
Audrey Hepburn was originally slated for the role of "Nefretiri". Cecil B. DeMille reluctantly decided to pass on her after it was judged that she was too "slender" (i.e., flat-chested). Anne Baxter, who was eventually cast in the role, had originally been a contender for the role of "Sephora." See more »
When Nefretiri has Moses brought from the brickworks to her barge, he is filthy, and he holds himself back from embracing her. At one point in the conversation, though, he grabs her shoulders, but leaves no marks on her nor on her dress. Later in the conversation, he refrains from holding her again for fear of leaving her dress soiled. See more »
Did you lose your head, my sweet?
I sent you to Goshen to bring me the head of the jackal who would free the slaves. Where is it?
The slaves do not need a deliver now. They have Moses.
Is that a riddle?
He gives them the priests' grain and one day in seven to rest. They call it "The Day of Moses."
[as if it is a holiday]
This man makes himself a god.
I prefer him as a man.
You would prefer him as Pharaoh.
Are you afraid of Moses?
[...] See more »
This film does not end with the credit "The End", but with the written line "So it was written, so it shall be done". See more »
So big it's in danger of falling over, but it doesn't
I'm always willing to watch this, and I always enjoy it. Rather than admit that there is something wrong with my taste, then, I've come to the conclusion that it's actually rather good. It clearly has class, and spectacle. Perhaps it has other virtues as well.
Say what you will about De Mille's stagy style: it fits the Old Testament. Whereas "The Prince of Egypt" went soft and new-agey when it came to the crunch, De Mille never lets us forget the harsh world events are taking place in. With a powerful and capricious god glaring at everyone all the time, it's not surprising that people - even pagans - take to talking in speeches. (The speeches are in an attractive, flowery style that isn't biblical but has the same aesthetic standards as some biblical writing.) And the god really has some Old Testament flavour. Everyone is terrified of him, and for perfectly rational reasons would rather pretend that he doesn't exist. This gets tiresome after a while. You'd think that after watching the Red Sea part everyone would have been willing to admit that Moses courted SOME kind of supernatural influence. On the other hand, you'd be a mug to trust this influence too far.
Possibly the best thing about the movie is the way it manages to divide our sympathies without weakening them. Yes, we're on the side of the Israelites. But it's also hard not to be on the side of the Egyptians. The old Pharaoh is probably the most likeable character on display and the young Pharaoh, while he has his flaws, is a nice enough fellow done in by unfortunate circumstances. Moses gains our empathy early and keeps it even when his beard has turned to marble. Only the minor characters are villains
and they're fun, too.
Of course, I say all this knowing full well that the entire film is, at the same time, completely ridiculous. Well, what can I say. It's yet another instance of a general law. Simple sincerity can sometimes spin straw into gold.
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