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The Ten Commandments (1956)

 -  Adventure | Drama  -  5 October 1956 (USA)
7.9
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Ratings: 7.9/10 from 40,468 users  
Reviews: 214 user | 79 critic

The Egyptian Prince, Moses, learns of his true heritage as a Hebrew and his divine mission as the deliverer of his people.

Director:

(as Cecil B. de Mille)

Writers:

(this work contains material from the book "Prince of Egypt"), (this work contains material from the book "Pillar of Fire"), 5 more credits »
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Title: The Ten Commandments (1956)

The Ten Commandments (1956) on IMDb 7.9/10

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Won 1 Oscar. Another 6 wins & 7 nominations. See more awards »

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Certificate: Passed Drama
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy ... See full summary »

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When strongman Samson rejects the love of the beautiful Philistine woman Delilah, she seeks vengeance that brings horrible consequences they both regret.

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This film will show the true meaning of The Commandments and how the Commandments living and working with all the diverse people.

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The man-hungry Queen of Egypt leads Julius Caesar and Marc Antony astray, amid scenes of DeMillean splendor.

Director: Cecil B. DeMille
Stars: Claudette Colbert, Warren William, Henry Wilcoxon
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Cast

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Olive Deering ...
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Storyline

To escape the edict of Egypt's Pharoah, Rameses I, condemning all newborn Hebrew males, the infant Moses is set adrift on the Nile in a reed basket. Saved by the pharaoh's daughter Bithiah, he is adopted by her and brought up in the court of her brother, Pharaoh Seti. Moses gains Seti's favor and the love of the throne princess Nefertiri, as well as the hatred of Seti's son, Rameses. When his Hebrew heritage is revealed, Moses is cast out of Egypt, and makes his way across the desert where he marries, has a son and is commanded by God to return to Egypt to free the Hebrews from slavery. In Egypt, Moses' fiercest enemy proves to be not Rameses, but someone near to him who can 'harden his heart'. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Plot Synopsis

Plot Keywords:

egypt | hebrew | pharaoh | desert | escape | See All (126) »

Taglines:

The Greatest Event in Motion Picture History See more »

Genres:

Adventure | Drama

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

5 October 1956 (USA)  »

Also Known As:

Los diez mandamientos  »

Box Office

Budget:

$13,282,712 (estimated)

Gross:

$80,000,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(1998 re-release)| (1989 re-release)| (35 mm prints)| (Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Although by 1956 virtually all widescreen epics were being filmed with stereophonic sound, The Ten Commandments (1956) was not filmed in stereo. This makes it the only mid-to-late fifties Biblical epic not made that way, even after stereo had become the norm for spectacular widescreen epics. The sound was remixed to stereo for later releases. See more »

Goofs

When Nefretiri has Moses brought from the brickworks to her barge, he is filthy, and he holds himself back from embracing her. At one point in the conversation, though, he grabs her shoulders, but leaves no marks on her nor on her dress. Later in the conversation, he refrains from holding her again for fear of leaving her dress soiled. See more »

Quotes

Joshua: Here! Water lily!
Lilia: My name is Lilia.
Joshua: To me you are a lily, and I want water.
Lilia: Joshua. Joshua, I thought you'd never come down.
Joshua: Water before love, my girl.
Lilia: Does it take the whole Nile to quench your thirst?
Joshua: No, just your lips.
Lilia: Be careful, my love. Dathan's eyes can see through stone.
Joshua: Dathan is a vulture, feeding on the flesh of his own people.
Lilia: When he looks at me, I am afraid.
[...]
See more »

Crazy Credits

At the end of the opening credits, we see a credit which begins; "Those who see this film - PRODUCED AND DIRECTED BY CECIL B. DEMILLE"... and continues in the same style and finishing with: "Based on the writings of (J.H. Ingraham) and THE HOLY SCRIPTURES" See more »

Connections

Referenced in From Dusk Till Dawn: Self-Contained (2014) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
"Moses, Take What Spoils You Will From Egypt And Go"
17 February 2006 | by (Buffalo, New York) – See all my reviews

When I was 10 years old I saw The Ten Commandments in the the theater which is the only place it really should be seen. At the time I thought it was the greatest film ever. All that splashy color cinematogaphy and eye filling spectacle. The guy that put this together is some kind of special genius. Then I grew up.

Today in a lot of quarters this and other DeMille sound films are viewed as pretty high camp. Especially those that touch on a religious theme. It's that dialog and The Ten Commandments longer than any other of his films has more of it. People talking some of that high falutin' nonsense, together with a good mixture of sex.

What a lot of people fail to remember is that before Cecil B. DeMille came to Hollywood he was an actor and playwright on Broadway. He learned his trade at the feet of David Belasco, the premier Broadway producer/playwright of his day. In that Victorian/Edwardian era, ALL the actors, in Belasco plays especially spouted that stuff. I recall Anne Baxter saying that Moses spurned her like a strumpet. How many people do you know who use the word strumpet in their every day conversation? Or Yvonne DeCarlo saying to Charlton Heston that he Moses is God's torch to light the way to freedom and that by the way she loves him?

DeMille made one great casting decision in getting the only actor who could play Moses and make it believable. This indeed was Charlton Heston's career role and as he said in his autobiography if you can't make a career out of the lead in two DeMille pictures it ain't happening.

One other member of the cast Edward G. Robinson as Dathan loved this picture. Robinson had been dropping in star status since the late Forties and was now doing mostly B films. DeMille, whose rightwing politics Robinson despised, gave him this part and Robinson's career got a big shot in the arm. Robinson was grateful and gave him full credit in his unfinished memoirs. Most of the last half of The Ten Commandments is a running verbal battle between Heston and Robinson who is trying to keep some kind of control. Robinson is almost like the leader of a company union with the Hebrew slaves as members and Robinson sure enjoys the perks of office.

The first half of the film is the sex part, hovering over all the biblical jargon. DeMille used an old gambit of his, two men in a rivalry over a woman. It worked in previous films like Northwest Mounted Police, Reap the Wild Wind, Unconquered and now here. Anne Baxter is a royal princess promised to the next Pharoah designate. But who will Sir Cedric Hardwicke designate. Charlton Heston his nephew or Yul Brynner his son? Anne Baxter has Nefretiri has both these guys hormones in overdrive. She favors Moses, but then Moses gets a higher calling.

Though he was no director of actors and his sense of drama was generations old, DeMille was a firm believer in two things, fill the screen and make the films move. 50 years later the parting of the Red Sea will still make one gasp. It's not just publicity hype when The Ten Commandments is advertised with a cast of thousands, that is thousands you're seeing on that screen.

Elmer Bernstein wrote the musical score for The Ten Commandments one of his first. He credited DeMille with teaching him how to write musical scores for film that underscore movement. This score brought him his first real notice as a film composer and he certainly became one of the best.

Given the computer technology available today, one can only imagine what Cecil B. DeMille could create today. Of course he'd insist on some of the same writing, but then again without it, it wouldn't be a DeMille picture.


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