To escape the edict of Egypt's Pharaoh, Rameses I, condemning all newborn Hebrew males, the infant Moses is set adrift on the Nile in a reed basket. Saved by the pharaoh's daughter Bithiah, he is adopted by her and brought up in the court of her brother, Pharaoh Seti. Moses gains Seti's favor and the love of the throne princess Nefertiri, as well as the hatred of Seti's son, Rameses. When his Hebrew heritage is revealed, Moses is cast out of Egypt, and makes his way across the desert where he marries, has a son and is commanded by God to return to Egypt to free the Hebrews from slavery. In Egypt, Moses' fiercest enemy proves to be not Rameses, but someone near to him who can 'harden his heart'. Written by
Ron Kerrigan <firstname.lastname@example.org>
Originally, when Elmer Bernstein was orchestrating the music to accompany the Great Exodus of the slaves out of Egypt, the music was mournful. Cecil B. DeMille ordered him to replace it, substituting joyful, upbeat music to announce the Hebrew slaves' joy, getting their freedom. See more »
After the Red Sea has parted, it is shown refilled, then parted, then refilled again. See more »
Why have you come here?
Because Moses will come here.
No, my son! That's all he must know.
My lips might deny him, Great One, but my eyes never could.
You will leave Goshen, you and your family, tonight.
We are Levites, appointed shepherds of Israel. We cannot leave our people.
Would you take from Moses all that I have given him? Would you undo all that I have done for him? I have put the throne of Egypt within his reach! What can you give him in return?
I gave him life.
I gave him love!
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At the end of the opening credits, we see a credit which begins; "Those who see this film - PRODUCED AND DIRECTED BY CECIL B. DEMILLE"... and continues in the same style and finishing with: "Based on the writings of (J.H. Ingraham) and THE HOLY SCRIPTURES" See more »
Every time it played at our local cinemas I went to see it and sat through it at least twice. I cannot remember how many times I have seen this wonderful movie. I first saw it when I was about 11 and marvelled at it as a spectacle. I wept when Heston wept and rejoiced when he did. As I grew older I came to love Brynner's fantastic performance and lust after Anne Baxter (only better in All About Eve). Cedric Hardwicke, Edward G. and Debra Paget (Hubba Hubba)all impressed me. I was sorry Vincent Price was killed so early - what a great villain. It still demands my attention when it appears on TV. I swear I have seen it enough, but if I catch a glimpse then I have to see it again!! I find it unbelievable that it won almost nothing at the Oscars. At least best Actor for Brynner and best supporting actor for Edward G.!! No costume design? No set design? No Music? A travesty!! See this if you have not already - you are in for a treat- it still stands up. Long but absorbing.
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