The Ten Commandments (1956)

Director:

Cecil B. DeMille

Writers:

J.H. Ingraham (novel) and
A.E. Southon (novel) ...

Release Date:

5 October 1956 (USA)

Genre:

Adventure | Drama

Tagline:

The Greatest Event in Motion Picture History

Plot:

The Egyptian Prince, Moses, learns of his true heritage as a Hebrew and his divine mission as the deliverer of his people.

Plot Keywords:

Pharaoh | Egypt | Hebrew | God | Desert

Awards:

Won Oscar. Another 3 wins & 7 nominations

Cast

Charlton Heston	...	Moses
Yul Brynner	...	Rameses
Anne Baxter	...	Nefretiri
Edward G. Robinson	...	Dathan
Yvonne De Carlo	...	Sephora
Debra Paget	...	Lilia
John Derek	...	Joshua
Cedric Hardwicke	...	Sethi (as Sir Cedric Hardwicke)
Nina Foch	...	Bithiah
Martha Scott	...	Yochabel
Judith Anderson	...	Memnet
Vincent Price	...	Baka
John Carradine	...	Aaron
Olive Deering	...	Miriam
Douglass Dumbrille	...	Jannes

Runtime:

220 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

70 mm 6-Track (Westrex Recording System) (70 mm prints) | Dolby Digital (1998 re-release) | Dolby (1989 re-release) | Mono (35 mm prints)

Certification:

Iceland:16 | South Korea:All | Brazil:Livre | USA:Approved (Certificate #18021) (original rating) | Argentina:13 | Australia:G | Belgium:KT | Chile:14 | Finland:S | Netherlands:AL | Norway:12 | Sweden:15 | UK:U | USA:G (1972) | West Germany:16 | Canada:PG | Spain:T

Filming Locations:

Abu Rudeis, Egypt

Company:

Motion Picture Associates

Trivia:

Several shots that appear throughout the movie are shots that were matted together from scenes shots on location in Egypt and scenes shots at the Paramount Studios in Hollywood. Most notable scenes featuring this multi-location matte-shooting are the scenes which Moses and Sethi watch the Obelisk being raised; the slaves in the background were shot in Egypt, the foreground with Moses and Sethi shot in Hollywood, and the background pylons being matte paintings.

Goofs:

Plot holes: In the initial Egyptian sequence, Nefertiri is referred to as "the throne princess" who "must marry the next Pharaoh." According to ancient Egyptian royal custom, this would mean that she is Seti's daughter, who is expected to marry his successor, regardless of her kinship to that man. But if Seti was explicitly identified as her father, it would be clear that in the end, Ramses married his sister. This was evidently seen as inappropriate for a 1950s audience that would certainly include children. As a result Nefertiri is only called "the throne princess," without any explanation as to why she enjoys that distinction.

Quotes:

[during the plague of the death of Egypt's firstborn]
Rameses' son: My father.
[in a weak voice, these was also Rameses' son's last line]
Rameses: My son.
Nefretiri: Your own curse is on him.

Movie Connections:

Referenced in "Saturday Night Live: Charlton Heston/Paul Westerberg (#19.8)" (1993)

Behold HIS mighty hand..DeMille's I mean.

What a fantastic movie to climax DeMille's illustrious career.

Charlton Heston, king of the biblical epics, shines brightly as Moses, the one time Egyptian Prince, who now carries staff and perm in order to work Gods will and free his enslaved people from bondage.

Yul Brynner, in what I believe to be his finest turn before the camera plays Rameses the Pharoah who's hateful relationship with Moses spans the entire epic. He is charismatic and shows off the arrogance of a stubborn Pharoah to perfection. This is indeed a film stealing performance.

The beautiful Anne Baxter is at her sultry best as Nefretiri, the woman who would be queen to Rameses, but a slave in love to Moses. However the character is complex and I certainly had trouble in deciding who's side she was on in this epic battle of good verses evil. In the beginning she claims not to care for Moses' discovered background and is willing to be with him no matter what, however as the film progresses she does nothing but ridicule him and belittle him in true anti-semitic fashion.

Edward G. Robinson, Vincent Price, John Derek, Sir Cedric Hardwicke, Yvonne De Carlo, Nina Foch, John Carradine, and Debra Paget all lend fine and memorable support, to an already colourful and breathtaking experience.

Incidentally it is worth mentioning that so convincing was Martha Scott in her role as Moses' mother Yochabel, that she was given the chance to play Charlton Heston's mother again in the later epic Ben-Hur.

Another interesting fact is, it was Charlton Heston's own voice who spoke the words of God. It was Heston's own idea that to hear God would be to feel God from within, which is why he thought it would be interesting to hear His voice as his own.

A remake of DeMille's earlier screen adaptation of the fine book of Exodus, many can see why this film ranks as his ultimate achievement. The sets were lavish and the story handled with suitable reverence and dignity.

People today often make the mistake of comparing older films like this to the modern epics of today with regards to their effects and they quite wrongly categorize them as inferior. Today anyone can create CGI images on their PC. Even my three year old daughter can make something look convincing with a mouse and a keyboard and although these effects are great, people have to remember that CGI was not available in 1956.

Okay there are a few obvious matte backdrops used here, but to achieve the effects they did nearly fifty years ago was an outstanding and impressive feat which took talent and knowledge. I tend to look upon these effects as superior because it took the use of mans own brain to bring them about. The human brain is the best computer available, yet one seldom used in todays world. So please take this on board before you slam The Ten Commandments for it's "cheap and nasty" look as one reviewer called it.

This movie is ALMOST faultless, even the length is forgivable as I was so engrossed, I hardly notice the time passing.

One fact that did rouse my curiosity was Moses' appearance throughout the film. I know he went to speak to God at the burning bush, but did he really have to stop off at the salon on the way back? Or did God appear to Moses complete with curling tongs and hair dryer? "Just a little off the top Oh Lord."

And why did Moses seem to age more than everyone else? It seemed like he went from a youthful dark to everyones favourite Santa in the space of a week.

This aside, this film is a fantastic piece of cinema and must rate as a personal favourite of all fans of Biblical epics.