The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy ... See full summary »
Cecil B. DeMille
Charles de Rochefort,
To escape the edict of Egypt's Pharoah, Rameses I, condemning all newborn Hebrew males, the infant Moses is set adrift on the Nile in a reed basket. Saved by the pharaoh's daughter Bithiah, he is adopted by her and brought up in the court of her brother, Pharaoh Seti. Moses gains Seti's favor and the love of the throne princess Nefertiri, as well as the hatred of Seti's son, Rameses. When his Hebrew heritage is revealed, Moses is cast out of Egypt, and makes his way across the desert where he marries, has a son and is commanded by God to return to Egypt to free the Hebrews from slavery. In Egypt, Moses' fiercest enemy proves to be not Rameses, but someone near to him who can 'harden his heart'. Written by
Ron Kerrigan <firstname.lastname@example.org>
To create the effect of the sandstorms, in the narrated desert sequence, as Moses left Egypt and headed to Midian, Cecil B. DeMille used the engine blast from tied-down Egyptian Air Force planes. See more »
On the night of the 10th plague, the shadow of The Destoyer appears over a 3/4-moon. It should be a Full Moon, as Passover (as this night is now celebrated) commences on the first Full Moon after the Vernal Equinox. See more »
No, Moses. It is I who will possess all of her.
You think when you are in my arms, it will be his face that you will see, not mine?
Yes. Only his face.
I defeated you in life. You shall not defeat me by your death. The dead are not scorched in the desert of desire. They do not suffer from the thirst of passion or stagger blindly towards some mirage of lost love. But you, Hebrew, will suffer all these things... by living.
You will let him live!
I will not make him a ...
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This film does not end with the credit "The End", but with the written line "So it was written, so it shall be done". See more »
No better Moses. No finer cast.Simply Outstanding.
Nobody ever wants to see a movie more than once because the quality and charm of the movies of today are just not enough to coax you to. But every once in a while there comes a movie which, firstly never lets you take your eyes off the screen for the full length of its feature and secondly,makes you want to watch it over and over again without boring you. Not only that, the more times you watch it, you feel that you missed something the last time. Cecil B. DeMille's THE TEN COMMANDMENTS is that kind of a movie. There have been many movies made on the topic of this Hebrew born prince of Egypt, but none compare to the way in which it has been portrayed in THE TEN COMMANDMENTS. There are a number of reasons for that:
1. When casting the role of Moses, Charlton Heston was chosen above all others including Bert Lancaster, not because of his knowledge of the Bible, but of his striking Physical resemblance to Michelangelo's sculpture of Moses especially the facial structure not to mention the stout build of a prince.
2. The sets for the film were specially designed and the splendour of ancient Egypt in all its glory was recreated especially for this movie.
3. The role of Rameses II was given to Yul Brynner after DeMille observed his magnificent performance as the King of Siam in Rodgers & Hammerstein's THE KING AND I, confirming that he is well suited for a stubburn and malificent heir to the Egyptian throne.
It was not only Heston as Moses who made this movie a success, but all the elements that came together, the cast of thousands, the special effects,the costumes, the sets and most of all the simply unbelievable "parting of the red sea".
It is a wonder why this movie only received one oscar; that of the Special effects, yet I think it deserved alot more. It did not even strike at the box office. Even then it never fails to enchant millions, no matter what religion they follow. Movies like THE TEN COMMANDMENTS and it success in the hearts of millions, shows quite clearly that a movie, in order to be loved by millions the world over, does not necessarily have to strike gold at the box office.
To watch this film, you don't have to believe in God, but if you believe in good triumphing over evil and freedom from slavery of foreign masters, then this is the movie for you.
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