The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy ... See full summary »
Cecil B. DeMille
Charles de Rochefort,
A twenty-something named Chloe (Naama Kates) arrives in Nashville, Tennessee, with one goal: to find success as a singer-songwriter, no matter what. Wandering from bar to bar with her demo ... See full summary »
Mary Magdalene becomes angry when Judas, now a follower of Jesus, won't come to her feast. She goes to see Jesus and becomes repentant. From there the Bible story unfolds through the ... See full summary »
Cecil B. DeMille
To escape the edict of Egypt's Pharoah, Rameses I, condemning all newborn Hebrew males, the infant Moses is set adrift on the Nile in a reed basket. Saved by the pharaoh's daughter Bithiah, he is adopted by her and brought up in the court of her brother, Pharaoh Seti. Moses gains Seti's favor and the love of the throne princess Nefertiri, as well as the hatred of Seti's son, Rameses. When his Hebrew heritage is revealed, Moses is cast out of Egypt, and makes his way across the desert where he marries, has a son and is commanded by God to return to Egypt to free the Hebrews from slavery. In Egypt, Moses' fiercest enemy proves to be not Rameses, but someone near to him who can 'harden his heart'. Written by
Ron Kerrigan <firstname.lastname@example.org>
Because the only widescreen process that Paramount used at the time was VistaVision, the screen process used for the original release of this film was not as wide as those used for processes such as CinemaScope and Todd-AO. See more »
When the Hebrews are leaving Egypt, a man throws a golden calf statue to a small boy who catches it with no problem. Both of these actions would be highly unlikely because of how heavy gold actually is. See more »
Will you swear in the name of this God that you are not my mother?
We do not even know His name.
Then look into my eyes and tell me you are not my mother.
[shaking her head]
Oh, Moses, Moses, I cannot. I cannot.
[Yochabel, then heavily wept, on Moses' arms]
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This film does not end with the credit "The End", but with the written line "So it was written, so it shall be done". See more »
So big it's in danger of falling over, but it doesn't
I'm always willing to watch this, and I always enjoy it. Rather than admit that there is something wrong with my taste, then, I've come to the conclusion that it's actually rather good. It clearly has class, and spectacle. Perhaps it has other virtues as well.
Say what you will about De Mille's stagy style: it fits the Old Testament. Whereas "The Prince of Egypt" went soft and new-agey when it came to the crunch, De Mille never lets us forget the harsh world events are taking place in. With a powerful and capricious god glaring at everyone all the time, it's not surprising that people - even pagans - take to talking in speeches. (The speeches are in an attractive, flowery style that isn't biblical but has the same aesthetic standards as some biblical writing.) And the god really has some Old Testament flavour. Everyone is terrified of him, and for perfectly rational reasons would rather pretend that he doesn't exist. This gets tiresome after a while. You'd think that after watching the Red Sea part everyone would have been willing to admit that Moses courted SOME kind of supernatural influence. On the other hand, you'd be a mug to trust this influence too far.
Possibly the best thing about the movie is the way it manages to divide our sympathies without weakening them. Yes, we're on the side of the Israelites. But it's also hard not to be on the side of the Egyptians. The old Pharaoh is probably the most likeable character on display and the young Pharaoh, while he has his flaws, is a nice enough fellow done in by unfortunate circumstances. Moses gains our empathy early and keeps it even when his beard has turned to marble. Only the minor characters are villains
and they're fun, too.
Of course, I say all this knowing full well that the entire film is, at the same time, completely ridiculous. Well, what can I say. It's yet another instance of a general law. Simple sincerity can sometimes spin straw into gold.
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