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The Ten Commandments (1956)

 -  Adventure | Drama  -  5 October 1956 (USA)
7.9
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Ratings: 7.9/10 from 41,126 users  
Reviews: 215 user | 82 critic

The Egyptian Prince, Moses, learns of his true heritage as a Hebrew and his divine mission as the deliverer of his people.

Director:

(as Cecil B. de Mille)

Writers:

(this work contains material from the book "Prince of Egypt"), (this work contains material from the book "Pillar of Fire"), 5 more credits »
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Title: The Ten Commandments (1956)

The Ten Commandments (1956) on IMDb 7.9/10

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Won 1 Oscar. Another 6 wins & 7 nominations. See more awards »

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Cast

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Olive Deering ...
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Storyline

To escape the edict of Egypt's Pharoah, Rameses I, condemning all newborn Hebrew males, the infant Moses is set adrift on the Nile in a reed basket. Saved by the pharaoh's daughter Bithiah, he is adopted by her and brought up in the court of her brother, Pharaoh Seti. Moses gains Seti's favor and the love of the throne princess Nefertiri, as well as the hatred of Seti's son, Rameses. When his Hebrew heritage is revealed, Moses is cast out of Egypt, and makes his way across the desert where he marries, has a son and is commanded by God to return to Egypt to free the Hebrews from slavery. In Egypt, Moses' fiercest enemy proves to be not Rameses, but someone near to him who can 'harden his heart'. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Plot Synopsis

Plot Keywords:

egypt | hebrew | pharaoh | desert | escape | See All (126) »

Taglines:

It would take more than a man to lead the slaves from bondage. It would take a God. See more »

Genres:

Adventure | Drama

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

5 October 1956 (USA)  »

Also Known As:

Los diez mandamientos  »

Box Office

Budget:

$13,282,712 (estimated)

Gross:

$80,000,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(1998 re-release)| (1989 re-release)| (35 mm prints)| (Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

According to Charlton Heston's autobiography, the filming of the orgy scenes was so grueling that it prompted one female extra to exclaim, "Who do I have to fuck to get OUT of this movie?" See more »

Goofs

Camels are shown in domestic use several times in the film. Recent archaeological evidence suggests camels were not domesticated in the Middle East until several hundred years after Ramesses II's reign. See more »

Quotes

Jethro's daughter: [Sephora saw Moses, asleep and drew her six sisters, to see him as he slept. Jethro's seven daughters looked at Moses asleep and admired him] He's eaten a whole bunch of dates.
[then, they all quietly chuckled, in humor]
Sephora: We drew this water.
Amalekite herder: Out of the way, girl.
Sephora: This is the well of Jethro, our father. You have no right here.
Amalekite herder: Our goats don't know your father.
Sephora: Jethro's mark is on the well.
Amalekite: They can't read, either.
[while speaking, he also chuckles, at the same time]
Amalekite: Nor can we!
[...]
See more »

Crazy Credits

At the end of the opening credits, we see a credit which begins; "Those who see this film - PRODUCED AND DIRECTED BY CECIL B. DEMILLE"... and continues in the same style and finishing with: "Based on the writings of (J.H. Ingraham) and THE HOLY SCRIPTURES" See more »

Connections

Featured in The Ultimate Film (2004) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Colossal biblical kitsch, courtesy of Cecil B. DeMille.
9 April 2001 | by (Los Angeles, California) – See all my reviews

It doesn't get any better than this. You can count on this perennial favorite to show up every Easter just as you can count on "A Christmas Carol" during the yuletide season. The daddy of all contemporary religious instruction, 1956's "The Ten Commandments" is blockbuster spiritual entertainment in every way, shape and form, as Cecil B. DeMille depicts the life of Moses from his birth to slavery to Mt. Sinai in grandiose, reverential style. And what a life!

This was the first movie I ever saw at the drive-in. I was only 6 at the time but I can remember the neighbors taking me to see this, snuggled up in pajamas and stuffed in the back seat. The parting of the Red Sea waters, the turning of the staff to a viperous snake, the green-colored pestilence of death seeping into the homes of every first-born, the creation of the tablets, the burning bush, the booming narrative. I sat in absolute silence and wonderment. This is my first remembrance of any kind of movie-making and the Oscar-winning visual effects and vivid pageantry are still pretty amazing, even by today's standards.

Charlton Heston, the icon of biblical story-telling, still towers over anybody who has ever TRIED to played Moses – before or since. Stalwart and stoic to a fault, he possess THE look...cut out of pages of my old religious instructions book....the look that radiates magnificence and glory...the look of a man who has definitely seen God. His commanding stature and voice with its slow, deliberate intonation is eerie and unmatched. Yul Brynner portrays Ramses II as if he were the King of Siam in Egyptian pants. Nobody poses or plays majestic like Yul. He's forceful, regal, imperious...everything a biblical foe should be. Anne Baxter as the tempting Nefretiri, Queen of Egypt, borders on total camp in her role, her stylized line readings and breathy allure is laughable now, with posturings and reaction shots not seen since Theda Bara. But who cares? Baxter provides the most fun and its her florid scenes that I now look most forward to – whether she's throwing herself at the totally disinterested Moses or verbally sparring with Ramses, slyly pushing his emotional buttons. She alone puts the "k" in kitsch. The rest of the huge cast is appropriately stiff and solemn.

DeMille's 1923 original version of "The Ten Commandments" is hardly subtle as well, but still impressive and certainly worth a look. In the 1956 remake, DeMille organizes a cavalcade of thousands to lend authenticity to the massive exodus scenes, while the ultimate picture-perfect frame for me is the three beautiful slave extras posing exotically and dramatically on a rock in front of a vivid blue-gray backdrop of furious, threatening clouds as Moses parts the sea. That vision alone is one for the books.

Whenever I am tempted to break a commandment or embrace that golden calf, I know I'll always have to answer to Charlton – glaring down from Mt. Sinai ready to throw those heavy tablets at me for my transgression. Charlton not only sets you straight, he makes you BELIEVE!


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