The Bounty leaves Portsmouth in 1787. Its destination: to sail to Tahiti and load bread-fruit. Captain Bligh will do anything to get there as fast as possible, using any means to keep up a ... See full summary »
The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter,
To escape the edict of Egypt's Pharoah, Rameses I, condemning all newborn Hebrew males, the infant Moses is set adrift on the Nile in a reed basket. Saved by the pharaoh's daughter Bithiah, he is adopted by her and brought up in the court of her brother, Pharaoh Seti. Moses gains Seti's favor and the love of the throne princess Nefertiri, as well as the hatred of Seti's son, Rameses. When his Hebrew heritage is revealed, Moses is cast out of Egypt, and makes his way across the desert where he marries, has a son and is commanded by God to return to Egypt to free the Hebrews from slavery. In Egypt Moses's fiercest enemy proves to be not Rameses, but someone near to him who can 'harden his heart'. Written by
Ron Kerrigan <firstname.lastname@example.org>
Special Effects Property Master William Sapp created the effects that turned the waters of the Nile red. Red dye was pumped into the water through a hose at the point where Aaron touched the river, with his staff. Sapp also created the vessel that was used by Rameses' priest in an attempt to restore the waters. The vessel had two chambers: one that was filled with clear water and which was located near the vessel's opening, while the other chamber was filled with red-dyed water was located near the bottom of the vessel. As the vessel was tipped to empty its contents, the clear water poured out first, and as the vessel was tipped further, this released the red-dyed water into the "river" on the sound stage. There were six of these vessels that were made for the film, but only two were used during production. The reverse shot showing the red water extending out into the sea was created through animation onto shots of the Red Sea that had been photographed in Egypt. See more »
Nefretiri's position changes while playing Hounds and Jackals against Sethi when told that Moses and Rameses are coming. See more »
Did you lose your head my sweet?
I sent you to bring me the head of the jackal who will free the slaves.
The slaves do not need a deliver now... They have Moses
Is that a riddle?
He gives them the priest's grain and one day in seven to rest. They call it "the day of Moses".
[as if it is a holiday]
This man makes himself a god.
I prefer him as a man.
You would prefer him as Pharoah.
Are you afraid of Moses?
[...] See more »
This film does not end with the credit "The End", but with the written line "So it was written, so it shall be done". See more »
What was the Academy of Motion Pictures thinking in 1956? Outrageous that 10 Commandments lost to Around the World in 80 Days.
The entire cast should have been nominated for Oscars. Here is how I see it: Best Actor: Charlton Heston and Yul Brynner
Best Actress: Anne Baxter
Best supporting actor: Edward G. Robinson,Cedric Hardwicke John Derek, Vincent Price. Best Supporting Actress: Nina Foch, Martha Scott, Judith Anderson, Debra Paget.
Shockingly, no one in the stellar cast received acting nominations. Only the lord knows why.
Yes, as my rabbi pointed out many years ago, the alleged romance between the Egyptian queen and Moses was overplayed. However, it can't take away from the magnificent acting and quality of this totally absorbing movie.
They just don't make movies as great as this one anymore. They'd never have actors and actresses to replace the above great people.
In 1956, Brynner did win the best actor Oscar for The King and I. He was far better here. Though, the award should have gone to Kirk Douglas for Lust for Life. Douglas losing, Ten Commandments losing, any message to be learned here? As for the film itself, it should serve as a pre-requisite for those in the industry who wish to make biblical epics. The sets were absolutely lavishing. I guess that opulent would be the best word to describe them. Who can ever forget the dialogue? Remember those princely plots. What alliteration! They just don't open the Red Sea like that anymore.
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