The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy ... See full summary »
Cecil B. DeMille
Charles de Rochefort,
Marcellus is a tribune in the time of Christ. He is in charge of the group that is assigned to crucify Jesus. Drunk, he wins Jesus' homespun robe after the crucifixion. He is tormented by ... See full summary »
To escape the edict of Egypt's Pharoah, Rameses I, condemning all newborn Hebrew males, the infant Moses is set adrift on the Nile in a reed basket. Saved by the pharaoh's daughter Bithiah, he is adopted by her and brought up in the court of her brother, Pharaoh Seti. Moses gains Seti's favor and the love of the throne princess Nefertiri, as well as the hatred of Seti's son, Rameses. When his Hebrew heritage is revealed, Moses is cast out of Egypt, and makes his way across the desert where he marries, has a son and is commanded by God to return to Egypt to free the Hebrews from slavery. In Egypt, Moses' fiercest enemy proves to be not Rameses, but someone near to him who can 'harden his heart'. Written by
Ron Kerrigan <email@example.com>
The illusion of the Red Sea parting was achieved by large "dump tanks" that were flooded, then the film was shown in reverse. The two frothing walls of water were created by water dumped constantly into "catch basin areas" then the foaming, churning water was visually manipulated and used sideways for the walls of water. A gelatin substance was added to the water in the tanks to give it more of a sea water consistency. Although the dump tanks have long since been removed, the catch basin section of this tank still exists today on the Paramount lot, directly in front of the exterior sky backdrop, in the central portion of the studio. It can still be flooded for water scenes, but when not being used in a production, it is an extension of a parking lot. See more »
When the Israelites are making the golden calf, one of the male dancers carelessly, but harmlessly, backs into the pot of molten metal. See more »
[Nefreteri handed Rameses a sword as he was preparing to battle the freed Israelites]
Bring it back to me, stained with his blood!
I will... to mingle with your own!
See more »
At the end of the opening credits, we see a credit which begins; "Those who see this film - PRODUCED AND DIRECTED BY CECIL B. DEMILLE"... and continues in the same style and finishing with: "Based on the writings of (J.H. Ingraham) and THE HOLY SCRIPTURES" See more »
What was the Academy of Motion Pictures thinking in 1956? Outrageous that 10 Commandments lost to Around the World in 80 Days.
The entire cast should have been nominated for Oscars. Here is how I see it: Best Actor: Charlton Heston and Yul Brynner
Best Actress: Anne Baxter
Best supporting actor: Edward G. Robinson,Cedric Hardwicke John Derek, Vincent Price. Best Supporting Actress: Nina Foch, Martha Scott, Judith Anderson, Debra Paget.
Shockingly, no one in the stellar cast received acting nominations. Only the lord knows why.
Yes, as my rabbi pointed out many years ago, the alleged romance between the Egyptian queen and Moses was overplayed. However, it can't take away from the magnificent acting and quality of this totally absorbing movie.
They just don't make movies as great as this one anymore. They'd never have actors and actresses to replace the above great people.
In 1956, Brynner did win the best actor Oscar for The King and I. He was far better here. Though, the award should have gone to Kirk Douglas for Lust for Life. Douglas losing, Ten Commandments losing, any message to be learned here? As for the film itself, it should serve as a pre-requisite for those in the industry who wish to make biblical epics. The sets were absolutely lavishing. I guess that opulent would be the best word to describe them. Who can ever forget the dialogue? Remember those princely plots. What alliteration! They just don't open the Red Sea like that anymore.
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