7.9/10
48,845
235 user 54 critic

The Ten Commandments (1956)

Approved | | Adventure, Biography, Drama | 5 October 1956 (USA)
Trailer
1:07 | Trailer

Watch Now

From $9.99 (SD) on Amazon Video

ON DISC
The Egyptian Prince, Moses, learns of his true heritage as a Hebrew and his divine mission as the deliverer of his people.

Director:

(as Cecil B. de Mille)

Writers:

(this work contains material from the book "Prince of Egypt"), (this work contains material from the book "Pillar of Fire") (as Rev. J. H. Ingraham) | 5 more credits »
Reviews
Popularity
2,193 ( 15)
Won 1 Oscar. Another 5 wins & 8 nominations. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

Ben-Hur (1959)
Adventure | Drama | History
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

When a Jewish prince is betrayed and sent into slavery by a Roman friend, he regains his freedom and comes back for revenge.

Director: William Wyler
Stars: Charlton Heston, Jack Hawkins, Stephen Boyd
The Robe (1953)
Drama | History
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

In the Roman province of Judea during the 1st century, Roman tribune Marcellus Gallio is ordered to crucify Jesus of Nazareth but is tormented by his guilty conscience afterwards.

Director: Henry Koster
Stars: Richard Burton, Jean Simmons, Victor Mature
Biography | Drama | Musical
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A widow accepts a job as a live-in governess to the King of Siam's children.

Director: Walter Lang
Stars: Yul Brynner, Deborah Kerr, Rita Moreno
Spartacus (1960)
Adventure | Biography | Drama
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

The slave Spartacus leads a violent revolt against the decadent Roman Republic.

Director: Stanley Kubrick
Stars: Kirk Douglas, Laurence Olivier, Jean Simmons
Cleopatra (1963)
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 7/10 X  

Historical epic. The triumphs and tragedy of the Egyptian queen, Cleopatra.

Directors: Joseph L. Mankiewicz, Rouben Mamoulian, and 1 more credit »
Stars: Elizabeth Taylor, Richard Burton, Rex Harrison
El Cid (1961)
Adventure | Biography | Drama
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

The fabled Spanish hero Rodrigo Diaz (a.k.a. El Cid) overcomes a family vendetta and court intrigue to defend Christian Spain against the Moors.

Director: Anthony Mann
Stars: Charlton Heston, Sophia Loren, Raf Vallone
Edit

Cast

Cast overview, first billed only:
...
...
...
...
...
...
...
...
Sethi (as Sir Cedric Hardwicke)
...
...
...
...
...
Olive Deering ...
...
Edit

Storyline

To escape the edict of Egypt's Pharaoh, Rameses I, condemning all newborn Hebrew males, the infant Moses is set adrift on the Nile in a reed basket. Saved by the pharaoh's daughter Bithiah, he is adopted by her and brought up in the court of her brother, Pharaoh Seti. Moses gains Seti's favor and the love of the throne princess Nefertiri, as well as the hatred of Seti's son, Rameses. When his Hebrew heritage is revealed, Moses is cast out of Egypt, and makes his way across the desert where he marries, has a son and is commanded by God to return to Egypt to free the Hebrews from slavery. In Egypt, Moses' fiercest enemy proves to be not Rameses, but someone near to him who can 'harden his heart'. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Plot Synopsis

Taglines:

It would take more than a man to lead the slaves from bondage. It would take a God. See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
Edit

Details

Official Sites:

Country:

Language:

Release Date:

5 October 1956 (USA)  »

Also Known As:

Prince of Egypt  »

Box Office

Budget:

$13,282,712 (estimated)

Gross:

$80,000,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?


Goofs

As Moses was completing the building of an Egyptian city, and called for a blue pennant, the guard waves a blue flag in front of the backdrop, and the flag is filtered out and becomes transparent, alluding to the fact that there is in fact a blue-screened backdrop and not an actual city behind them. See more »

Quotes

Nefretiri: Don't exhaust yourself, Great One. Dear Great One.
Sethi: [on his deathbed] Why not, kitten? You are the only thing I regret leaving. You have been my joy.
Nefretiri: And you my only love.
Sethi: Aha. Now you're cheating. There was another. I know. I loved him, too. With my last breath, I'll break my own law and speak the name of... Moses.
[3 seconds]
Sethi: Moses.
[Sethi's last words, were spoken slowly, as he said Moses' name twice]
See more »

Crazy Credits

This film does not end with the credit "The End", but with the written line "So it was written, so it shall be done". See more »

Connections

Referenced in Mystery Science Theater 3000: The Painted Hills (1993) See more »

Soundtracks

Chant of Priest and Priestesses
(uncredited)
Music by Elmer Bernstein
Lyrics by Henry Noerdlinger
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
DeMille's Final Film as a Director
17 November 2005 | by (United States) – See all my reviews

"The Ten Commandments" is a milestone film. For some, those of us in their 50's or older, it represents the end of an era: Some call it "The Golden Age of Hollywood"; the beginning of the end of the studio system; and the end of a period in which the real founders of the "public art" took, or began to take, their final bows -- DeMille, Zukor, Goldwyn, Selznick, and others.

For those of us who saw "The Ten Commandments" on the big screen and in one of the now extinct gilded movie palaces of yesteryear, the picture holds special memories. There is a sense of nostalgia that accompanies any new viewing of this one-of-a-kind Victorian pageant. For many, I'm sure, the nostalgia extends beyond the film itself.

There were problems in the mid-fifties, as in every decade since the real Moses came down from Mount Sinai. Polio, the continuing menace of poverty, the material and spiritual separateness of what we called "colored people", Communism, etc. But . . . there were virtues too, many reflected in the writing and performances of "The Ten Commandments": Virtues like courage, strength of character, personal honor, and endurance were paramount (no pun intended). The biggest problem in schools was students chewing gum in class. Today, it's students "shooting-up" in parking lots or shooting down their classmates in the halls. . . America had an identity then.

DeMille's vision was, always, of "an ideal". He painstakingly produced authentic looking packages in which to wrap his vision -- embellished by the "glitz" of what was, then, the "ideal" Hollywood portrait: Bluer than blue skies; shimmering, jewel-encrusted costumes; out-sized architecture; dramatically convenient thunderbolts; and perfectly lovely female leads, with make-up invariably and predictably un-smudged. DeMille gave his audience what they expected from an "A" picture. He wasn't interested in realism. His idea was to reinforce values he'd learned from his parents and his brother (a noted playwright) in a dramatic format which could be "felt" by young and old, alike . . . more a reverence for time-honored principles than the analytical, ironic, and questioning approach dominant in the films of today. There was in the 50's and the 40's a more amicable attitude toward "orthodoxy" -- in all its forms. Hence, the overwhelming popularity of every DeMille production released during that period.

After fifty years, "The Ten Commandments" is still impressive visually, dramatically, and especially in terms of the intensity of its convictions (reflected in all the biographies of the principals) . . . something which cannot be said of many similar big-budget pictures of the same era.

One day, someone may attempt a re-make. Expect that it will be visually impressive and less "stagy". But . . . expect, as well, that it will be punctuated with the obligatory mandates of political correctness; an uncertainty about its message; and a healthy dose of Twenty-First Century cynicism. It will be more "realistic" to be sure, but far less "authentic" -- like a perfume ad, physically attractive, but without a "heart".


88 of 113 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Goof at orgy scene ? biglarry1
Commercials spoil this Grand Epic Thumpersma
Not on the schedule? chatanuga
Goof question for The Ten Commandments crendine
Howcome? powermandan
Something I have always noticed about films set in this time period. bamarunnerjeff
Discuss The Ten Commandments (1956) on the IMDb message boards »

Contribute to This Page