The Girl in the Red Velvet Swing is the true story of Evelyn Nesbit Shaw, a beautiful showgirl caught in a love triangle with elderly architect Stanford White and eccentric young millionaire Harry K. Thaw.
To try and kick-start her show-business career, our heroine admits to a Chicago murder. But although Cook County don't seem to let dames swing, and even with top slippery lawyer Billy Flynn... See full summary »
William A. Wellman
Marsha Mitchell, a traveling dress model, stops in a southern town to see her sister who has married a Ku Klux Klansman. Marsha sees the KKK commit a murder and helps District Attorney Burt Rainey in bringing the criminals to justice.
A young female escapee from a reform school joins a pickpocket academy in Paris. She is caught red-handed on her first attempt at stealing by an upper class man. He recruits her to do him a... See full summary »
A sometimes sappy, yet effective melodrama about a woman who tries to make amends with her teenage daughter that she gave up at the end of an unhappy marriage. When Nancy Fallon's daughter, Dorothy, is sent to live with her and her new family after years of separation, the struggle to maintain some semblance of family quickly deteriorates. (Nancy's ex-husband was able to persuade the courts to let him keep the girl because the mother was seen as unfit.) Now Dorothy's father has an interest other than his daughter and to appease his new interest, he asks Nancy to take and raise their daughter. This begins a tumultuous time in Dorothy's life as well as her mothers. Written by
(1955). Stage Play: A Roomful of Roses. Comedy. Written by Edith R. Sommer. Scenic Design by Donald Oenslager. Costumes supervised by Audré. Lighting Design by Donald Oenslager. Directed by Guthrie McClintic. Playhouse Theatre: 17 Oct 1955- 31 Dec 1955 (88 performances). Cast: Patricia Neal (as "Nancy Fallon"), Warren Berlinger (as "Dick Hewitt"), Russ Conway, Alice Frost, Betty Lou Keim (as "Bridget Macgowan"), Lulu B. King, Darryl Richard, David White, Ann Whiteside. Produced by Guthrie McClintic and 'Stanley Gilkey. Note: Filmed by Twentieth Century Fox Film Corporation as Teenage Rebel (1956). Screenplay adapted more melodramatically by Charles Brackett and Edmund Goulding. Mr. Berlinger and Ms. Keim reprised their stage roles in the film. The film was notable as the first black and white film shot in CinemaScope. See more »
Try not to show it too much, kids like you to be casual.
Grace, I'll welcome any tip you can give me on how to behave with a teenage daughter.
Well, all I know is anything you do is wrong. If you try to spruce yourself up it's, "Oh Mother, that's too kiddish for you," and if you don't it's, "Mother, do you have to dress like an old bag?"
Oh, you make it sound awful.
They love you. They bully you, but they love you, the little monsters. And if anything goes wrong, they turn back ...
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A really nice old B&W film about family relations.
"Teenage Rebel", released in 1956, was one of Ginger Rogers' last feature films, made when she was 45. It featured a couple of "future stars" (opening credits) Betty Lou Keim, as estranged daughter "Dodie" and Warren Berlinger as the nice kid "Dick" next door. As an interesting sideline, Betty Lou Keim only made 4 more movies over the next 3 years, then married Warren Berlinger in 1959, quit showbusiness, and has 4 children.
Dodie, 15, had been estranged from her mother for 8 years since her parents' divorce. Because her mother was the one who apparently had an "adulterous' relationship with the man she then married, Dodie's father was awarded custody. Since they traveled extensively, and had a home in NY, she had never been able to spend the court-ordered 3 weeks annually with her mother. At the age of 15, she was sent to her mother in California so that her father could secretly get married. It was obvious that she was unhappy being in California, resented her mother, resented her stepfather, and was generally angry with the world.
The movie is about Dodie's growth as a young adult, learning to fit in with normal teenagers, and learning how to accept her mother's love that she had rejected for so long. The story is done very well, and thgis movie is a good representation of 1950s B&W movies. I rate it a solid 7 of 10.
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