| Photos (See all 12 | slideshow) |
| Marlon Brando | ... | Sakini | |
| Glenn Ford | ... | Capt. Fisby | |
| Machiko Kyô | ... | Lotus Blossom (as Machiko Kyo) | |
| Eddie Albert | ... | Capt. McLean | |
| Paul Ford | ... | Col. Wainwright Purdy III | |
| Jun Negami | ... | Mr. Seiko | |
| Nijiko Kiyokawa | ... | Miss Higa Jiga | |
| Mitsuko Sawamura | ... | Little Girl | |
| Harry Morgan | ... | Sgt. Gregovich (as Henry {Harry} Morgan) | |
| rest of cast listed alphabetically: | |||
| Carlo Fiore | ... | Soldier (uncredited) | |
| John Grayson | ... | Soldier (uncredited) | |
| Harry Harvey Jr. | ... | Soldier (uncredited) | |
| Miyoshi Jingu | ... | Old Woman on Jeep (uncredited) | |
| Roger McGee | ... | Soldier (uncredited) | |
| Dansho Miyazaki | ... | Sumata's Father (uncredited) | |
| Minoru Nishida | ... | Mr. Sumata (uncredited) | |
| Aya Oyama | ... | Daughter on Jeep (uncredited) | |
| Kichizaemon Sarumaru | ... | Mr. Hokaida (uncredited) | |
| Shichizo Takeda | ... | Ancient Man (uncredited) | |
| Frank Tokunaga | ... | Mr. Omura (uncredited) | |
| Raynum K. Tsukamoto | ... | Mr. Oshira (uncredited) | |
| Yosan Tsuruta | ... | Judge (uncredited) | |
Directed by | |||
| Daniel Mann | |||
Writing credits | ||
| John Patrick | (screenplay) | |
| Vern J. Sneider | (book) | |
| John Patrick | (play) | |
Produced by | |||
| Jack Cummings | .... | producer | |
Original Music by | |||
| Saul Chaplin | (uncredited) | ||
Cinematography by | |||
| John Alton | (director of photography) | ||
Film Editing by | |||
| Harold F. Kress | |||
Art Direction by | |||
| William A. Horning | |||
| Eddie Imazu | |||
Set Decoration by | |||
| Hugh Hunt | |||
| Edwin B. Willis | |||
Makeup Department | |||
| William Tuttle | .... | makeup creator | |
| Keester Sweeney | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Al Jennings | .... | assistant director | |
| William Shanks | .... | assistant director | |
| Hank Moonjean | .... | assistant director (uncredited) | |
| Robert E. Relyea | .... | second assistant director (uncredited) | |
Art Department | |||
| Matty Azzarone | .... | construction (uncredited) | |
Sound Department | |||
| Wesley C. Miller | .... | recording supervisor (as Dr. Wesley C. Miller) | |
| Van Allen James | .... | sound editor (uncredited) | |
| Alexander Kelly Jr. | .... | sound editor (uncredited) | |
| John Lipow | .... | sound editor (uncredited) | |
| Milo B. Lory | .... | sound editor (uncredited) | |
Special Effects by | |||
| Warren Newcombe | .... | special effects | |
Camera and Electrical Department | |||
| Russell Harlan | .... | director of photography: Japan (uncredited) | |
Music Department | |||
| Saul Chaplin | .... | musical supervisor | |
| Robert Franklyn | .... | orchestrator (uncredited) | |
Other crew | |||
| Maurice Evans | .... | stage presenter | |
| Masaya Fujima | .... | choreographer | |
Thanks | |||
| Masaichi Nagata | .... | grateful acknowledgment (as Mr. Masaichi Nagata) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
This film is an under-appreciated and charming little adventure set in the time immediately after World War II. It has a very enjoyable mix of some excellently-cast actors, from the laid-back Glenn Ford, the frenetic Eddie Albert, and the pompous Paul Ford, to the host of beguiling Japanese actors. Casting Marlon Brando as Sakini requires a little suspension of belief, but his contribution quickly adds to the seductive quality of the movie. It turns out to be a good send-up of the officious, but largely benign, senior military leadership of the era, but largely revolves around Glenn Ford's character, Capt. Fisby, finding his métier. Mainly it is a loving and alluring little fiction about two peoples getting to know and appreciate each other.
It is a very nice little comedy to be enjoyed, but it clearly is not meant to be a documentary representation of U.S. Military occupation forces, and if it is viewed as such, much of the magic of the movie will be lost. While it may contain a few minor instances of the attitudes of that day, some of which are no longer politically correct, there is no malice in the characterizations and the overall message is one of appreciation of both cultures. A very enjoyable way to escape the hassle and hustle of today.