After seeing Kinoshita's "Twenty Four Eyes", I appreciated the much tauter pace of "The Rose on His Arm." In fact, the editing was so tight and the story telling so minimal that there were times when it seemed a little under-told. The cinematography was good, the jazz score excellent. I find Japanese acting in these earlier films to be "melodramatic"but recognise that there are cultural elements at play here.
Watching a film like this, you realise that there are some issues that are trans-cultural, but that they also play out in a very culturally defined way. Watching this movie alongside Rebel Without A Cause is quite eye-opening. The parents all but disappear in RWAC, but here the relationship between the young man and his mother is the cornerstone of the movie.