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Storm Fear (1955) More at IMDbPro »


Overview

User Rating:
6.9/10   79 votes
MOVIEmeter: ?
Down 25% in popularity this week. See why on IMDbPro.
Director:
Writers:
Horton Foote (writer)
Clinton Seeley (novel)
Contact:
View company contact information for Storm Fear on IMDbPro.
Release Date:
1 February 1956 (USA) more
Genre:
User Reviews:
A nice little thriller more (5 total)

Cast

  (Complete credited cast)

Cornel Wilde ... Charlie

Jean Wallace ... Elizabeth
Dan Duryea ... Fred

Lee Grant ... Edna
David Stollery ... David

Dennis Weaver ... Hank
Steven Hill ... Benjie
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Additional Details

Runtime:
88 min
Country:
Language:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Mono (Western Electric Recording)
Certification:

Fun Stuff

Trivia:
Cornel Wilde cast Lee Grant, who at that time had been blacklisted because of the McCarthy "Red Scare" that gripped Hollywood. more

FAQ

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3 out of 4 people found the following review useful.
A nice little thriller, 28 February 2001
7/10
Author: David Hoffman from Virginia

Storm Fear is a contrast of brothers, both of whom have failed in life. Cornel Wilde plays the `bad' brother, fleeing from a bank robbery. Dan Duryea is the `good' brother who can't come to grips with his own artistic and personal failures. I do not like Cornel Wilde, yet I found he created a sympathetic, very human `good-for-nothing', a surprisingly less intelligent role for a lead actor to play. Duryea, on the other hand, is much less sympathetic, perhaps because he is reaching for stars that are obviously out of his grasp. Jean Wallace is quite good as Duryea's wife and Wilde's former lover. She effectively straddles the worlds of both men. Steven Hill portrays the unstable member of Wilde's gang, but he doesn't seem quite sure how far to take his character at times.

This should have been more claustrophobic with 6 people cooped up in a house in a snow storm, but the script handles this nicely. The film gives the appearance of being an inexpensive production; yet, it makes the most of what is there in set, actors, etc. Wilde does a credible job of directing. Elmer Bernstein's score is a plus. The ending, however, is totally unsatisfactory, obviously bowing to conventions of the mid 50s when uncompromising films were not the norm.

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