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Early Spring (1956)
"Sôshun" (original title)

 -  Drama  -  25 September 1974 (USA)
8.0
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Ratings: 8.0/10 from 1,328 users  
Reviews: 13 user | 24 critic

A young man and his wife struggle within the confines of their passionless relationship while he has an extramarital romance.

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Cast

Cast overview, first billed only:
Chikage Awashima ...
Masako Sugiyama
Ryô Ikebe ...
Shoji Sugiyama
Teiji Takahashi ...
Taizo Aoki
Keiko Kishi ...
Chiyo Kaneko
...
Kiichi Onodera
...
Yutaka Kawai
Takako Fujino ...
Terumi Aoki
Masami Taura ...
Koichi Kitagawa
Haruko Sugimura ...
Tamako Tamura
Kumeko Urabe ...
Shige Kitagawa
Kuniko Miyake ...
Yukiko Kawai
Eijirô Tôno ...
Tokichi Hattori
Kôji Mitsui ...
Hirayama
Daisuke Katô ...
Sakamoto
Fujio Suga ...
Tanabe
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Storyline

A young man and his wife struggle within the confines of their passionless relationship while he has an extramarital romance.

Plot Summary | Plot Synopsis

Genres:

Drama

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Details

Country:

Language:

Release Date:

25 September 1974 (USA)  »

Also Known As:

Early Spring  »

Filming Locations:

 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Connections

Referenced in The Life and Works of Yasujiro Ozu (1983) See more »

Soundtracks

Kâtibim
, A version of (uncredited)
Turkish folk song
[Can be heard during war buddies reunion in the background]
See more »

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User Reviews

Lacking The Director's Usual Quiet Magic, But Will Worthwhile
3 March 2013 | by (Corning, California) – See all my reviews

I consider Yasujiro Ozu one of the worlds most significant and distinctive directors, a man who eschews false dazzle in favor of examining the human condition, human relationships; most of his films are quietly incisive portraits of people coming to conclusions and making decisions which will permanently affect their lives. Ozu imparts subtlety to his characters, his sense of time and place are impeccable, and his respect for his characters unparalleled. All of that said, I think that Early Spring is one of his least effective--one easily sees the point he makes about corporate behavior and marital infidelity, but this one, rather than quietly contemplative, struck me as merely slow. The characters too often lack any redeeming qualities, and yet we are apparently supposed to care about them for more than two hours, difficult when there is so little to work with--Early Spring is certainly not a stinker, by any means, but for me, a lesser Ozu, and if you want to start with something more characteristic, begin with either version of Floating Weeds, or with his masterpiece, Tokyo Story.


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