Gladys Glover has just lost her modelling job when she meets filmmaker Pete Sheppard shooting a documentary in Central Park. For Pete it's love at first sight, but Gladys has her mind on ... See full summary »
Florence and Chet Keefer have had a troublesome marriage. Whilst in the middle of a divorce hearing the judge encourages them to remember the good times they have had hoping that the ... See full summary »
After eight years of marriage, Robert and Nina divorce. He takes up with his womanising Navy buddy Charlie Nelson while she looks to her interfering mother for guidance. Both start dating ... See full summary »
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1932. The tyrannical and despotic government of President Machado has headed Cuba for seven years. The latest measure of that tyranny is the outlawing of public gatherings of more than four... See full summary »
Laura Partridge is a very enthusiastic small stockholder of 10 shares in International Projects, a large corporation based in New York. She attends her first stockholder meeting ready to question the board of directors from their salaries to their operations. These are not the questions which the board expected to be asked of them, especially since they are all crooked, except for Edward McKeever, the current CEO who has resigned in order to take an advisory position at the Pentagon. Following the meeting, he bumps into Laura and offers to drive her home. On the way there, Laura displays her enthusiasm for being a stockholder, as a result, Edward takes a liking to her. With Edward in Washington, John Blessington and Clifford Snell establish their hold on International Projects - They see greater riches now that Edward has influence with the US senate, especially with the awarding of federal contracts, unfortunately for them he is honest, and won't do their bidding. In the meantime, ... Written by
The final sequence was filmed in color, to better show off the supposedly "solid gold Cadillac" driven by Laura (Judy Holiday) and McKeever (Paul Douglas). The sequence was shot on location in Rockefeller Center in New York City. When prints of the film were subsequently struck for television broadcast, the color was not reproduced so as to save on expenses, and for decades this sequence was seen on TV only in black and white. The original color print was finally restored for home video in the 1990s and is now also shown on cable television. See more »
When McKeever finishes his Spartacus soliloquy, the drapes behind Laura have moved a couple of feet from where they were when he started his speech. See more »
"Well, what else do you give a girl who has everything?"
Judy Holliday's best comedy vehicle, a wonderful adaptation of George Kaufman and Howard Teichmann's play, about a struggling actress in New York City who owns ten shares of stock in a large corporation; perplexed as to why the board members do so little and get paid so much, she attends a stockholder's meeting and soon has all the power-suits reeling. Richard Quine directs the proceedings with an assured touch, and teaming Holliday with her "Born Yesterday" stage co-star Paul Douglas was a terrific move (they have a built-in rapport). Douglas gets one of his funniest roles as the former Chairman of the Board who has gone to work in Washington, D.C., setting up a finale which mixes together a touch of Frank Capra with a bit of "Born Yesterday". Some may complain the theme of government--coupled with a wise-beyond-her-own-knowledge heroine--is too close to Judy's previous hit. While that may be true, the actress is so good at playing the innocent gal taking on the corporate sharks, it's not worth quibbling over. Big laughs from start to finish, with a doozy of a tag and fantastic comic support from Fred Clark, John Williams, Neva Patterson, and Madge Blake. ***1/2 from ****
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