Writer Nick and his wife Emily are expecting their first child. When a necessary home repair proves too costly to afford, Nick must swallow his pride and visit his father, a proud immigrant... See full summary »
Florence and Chet Keefer have had a troublesome marriage. Whilst in the middle of a divorce hearing the judge encourages them to remember the good times they have had hoping that the ... See full summary »
Upset about a new Broadway musical's mockery of Greek mythology, the goddess Terpsichore comes down to earth and lands a part in the show. She works her charms on the show's producer and he... See full summary »
Laura Partridge is a very enthusiastic small stockholder of 10 shares in International Projects, a large corporation based in New York. She attends her first stockholder meeting ready to question the board of directors from their salaries to their operations. These are not the questions which the board expected to be asked of them, especially since they are all crooked, except for Edward McKeever, the current CEO who has resigned in order to take an advisory position at the Pentagon. Following the meeting, he bumps into Laura and offers to drive her home. On the way there, Laura displays her enthusiasm for being a stockholder, as a result, Edward takes a liking to her. With Edward in Washington, John Blessington and Clifford Snell establish their hold on International Projects - They see greater riches now that Edward has influence with the US senate, especially with the awarding of federal contracts, unfortunately for them he is honest, and won't do their bidding. In the meantime, ... Written by
Anything can happen to a girl...in The Solid Gold Cadillac. for instance this bewildered blonde gets kissed, dismissed, bawled out, balled up, pushed around, subpoenaed, surprised, compromised...and she even gets the Cadillac in the end! See more »
The final sequence was filmed in color, to better show off the supposedly "solid gold Cadillac" driven by Laura (Judy Holiday) and McKeever (Paul Douglas). The sequence was shot on location in Rockefeller Center in New York City. When prints of the film were subsequently struck for television broadcast, the color was not reproduced so as to save on expenses, and for decades this sequence was seen on TV only in black and white. The original color print was finally restored for home video in the 1990s and is now also shown on cable television. See more »
When Laura looks at the letter from the stockholder (that informs her of the bankruptcy of Apex Clock Co.), the letter has about six stamps and a postmark in the upper corner. The postmark is correctly done for Pittsfield, Mass., but the stamps are just a mix of foreign postage. The three totally visible ones are from Nigeria, India, and Canada. See more »
Judy Holliday fights corporate greed in a still timely farce...
Although all the events that take place in this timely farce are highly improbable, JUDY HOLLIDAY is so adept at making a believable character out of her ditsy blonde that she makes the whole plot seem plausible by the time she steps into her solid gold Cadillac for the final Technicolor scene shot at Rockefeller Plaza. Today's headlines full of corporate greed and big bonuses for men in high places makes the plot more relevant than ever.
She turns up at a stockholders meeting at the start with a whole bunch of seemingly innocuous questions, wondering how much the stuffed shirts who run the huge corporation make when all they have to do is show up at board meetings four times a year. And even though she only owns 10 shares of stock, she upsets the apple cart of some crooked members of the Board of Directors and has them scrambling to find ways to make her disappear. The slimiest one of all (played by FRED CLARK) thinks that murder is a possible option.
But then they set her up in an office (with nothing to do), hoping that she just fades away and giving her secretary strict instructions to keep her nose out of their business. Naturally, Holliday takes charge with her own ideas about contacting the small stock holders with letters she dictates to her secretary--and, well, you can pretty much guess what happens next.
The script has some bright and witty moments, played to the hilt by an expert cast including PAUL DOUGLAS, JOHN WILLIAMS, RAY COLLINS and NEVA PATTERSON, but Richard Quine's direction is rather unimaginative and the film never quite soars into the stratosphere of bright farce that it's striving for. A tighter pace would have helped.
Judy Holliday's perky performance as the naive stockholder seems more like a retread of previous parts than anything else, but she does brighten things up considerably whenever she has a clever line, and Paul Douglas is amusing as the business man she impresses.
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