Steve Cochran plays the slick, debonair owner of a notorious gossip magazine who is anxious to break a big scandal to reverse a recent decline in sales. He zeroes in on children's ... See full summary »
Barbara Beaurevel lives with her aunt and cousin in New Orleans in the late 1800's. In love with Mark Lucas, a research doctor at Tulane University, her plans to marry him are thwarted. ... See full summary »
Young Jorgelina feels estranged from her boy-crazy older sister, who has entered adolescence and doesn't want to hang around with little kids anymore. Finding refuge in their Boyita ... See full summary »
Jaime Karin is an astrologer, fortune teller and a scam artist, who uses his wife who works in an elegant beauty salon, to find out information on future wealthy clients, through her he ... See full summary »
Arturo de Córdova,
Pierre Lentier murders an 8-year-old in horrendous circumstances. This 30-something solitary factory worker who lives on the edge of society is sentenced to death. A damning indictment of ... See full summary »
Steve Cochran plays the slick, debonair owner of a notorious gossip magazine who is anxious to break a big scandal to reverse a recent decline in sales. He zeroes in on children's entertainer Van Johnson, a decent, stand-up guy who nonetheless has a secret in his past which would most likely end his suddenly flourishing television career if found out. Johnson can save himself and his wife Ann Blyth and son from disrepute if he "trades" Cochran damaging information he has about a popular movie actress he knew while growing up in a tough neighborhood years ago. Does he save himself and let her career be sacrificed? His decision leads to tragedy. Written by
Although the movie is titled Slander, there is no evidence that any of the characters were actually a victim of that crime, which refers to a malicious false statement. From all evidence, all of the stories, particularly that of the hero, presented in the scandal magazine were true. See more »
Opening credits are shown over gossip magazines coming towards the camera. When they are gone, the remaining credits are shown in a puddle of black ink. See more »
The excesses of '50s tabloid journalism, embodied by the Confidential-like magazine portrayed herein, get a solid shellacking in this minor MGM production. It's written by the often-interesting Jerome Weidman and directed by the often-boilerplate Roy Rowland, and it was made at just the right moment to capture the public's love-hate relationship with scandal sheets. A couple of details don't ring true: Would the puppeteer (Van Johnson, quite OK) really become a major TV personality from these tired kiddie sketches, and are we really to blame the reptilian editor (Steve Cochran, excellent) for what happens to Johnson's son? And the climax involving Cochran's mother (Marjorie Rambeau) I don't believe for an instant. But it's worth a look as a portrait of the glam life at the time, with posh two-bloody-Mary lunches and Park Avenue apartments and big, big cars.
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