| Photos (See all 82 | slideshow) | Videos (see all 5) |
| John Wayne | ... | Ethan Edwards | |
| Jeffrey Hunter | ... | Martin Pawley | |
| Vera Miles | ... | Laurie Jorgensen | |
| Ward Bond | ... | Rev. Capt. Samuel Johnston Clayton | |
| Natalie Wood | ... | Debbie Edwards - Age 15 | |
| John Qualen | ... | Lars Jorgensen | |
| Olive Carey | ... | Mrs. Jorgensen | |
| Henry Brandon | ... | Chief Cicatriz - Scar | |
| Ken Curtis | ... | Charlie McCorry | |
| Harry Carey Jr. | ... | Brad Jorgensen | |
| Antonio Moreno | ... | Emilio Gabriel Fernandez y Figueroa | |
| Hank Worden | ... | Mose Harper | |
| Beulah Archuletta | ... | Look - Wild Goose Flying in the Night Sky | |
| Walter Coy | ... | Aaron Edwards | |
| Dorothy Jordan | ... | Martha Edwards | |
| Pippa Scott | ... | Lucy Edwards | |
| Patrick Wayne | ... | Lt. Greenhill (as Pat Wayne) | |
| Lana Wood | ... | Younger Debbie Edwards | |
| rest of cast listed alphabetically: | |||
| Pipe Line Begishe | ... | Comanche (uncredited) | |
| Exactly Sonnie Betsuie | ... | Comanche (uncredited) | |
| Danny Borzage | ... | Accordionist at Funeral (uncredited) | |
| Ruth Clifford | ... | Deranged Woman at Fort (uncredited) | |
| Carmen D'Antonio | ... | Carmen (uncredited) | |
| Tommy Doss | ... | Wedding Musician (uncredited) | |
| Pete Grey Eyes | ... | Comanche (uncredited) | |
| Feather Hat Jr. | ... | Comanche (uncredited) | |
| Nacho Galindo | ... | Mexican Bartender (uncredited) | |
| Chuck Hayward | ... | Man at Wedding (uncredited) | |
| Jack Tin Horn | ... | Comanche (uncredited) | |
| Harry Black Horse | ... | Comanche (uncredited) | |
| Away Luna | ... | Comanche (uncredited) | |
| Robert Lyden | ... | Ben Edwards (uncredited) | |
| Cliff Lyons | ... | Col. Greenhill (uncredited) | |
| Peter Mamakos | ... | Jerem Futterman (uncredited) | |
| Mae Marsh | ... | Dark Cloaked Woman at Fort Guarding Deranged Woman (uncredited) | |
| Frank McGrath | ... | Ranger (uncredited) | |
| Bob Many Mules | ... | Comanche (uncredited) | |
| Jack Pennick | ... | Sergeant at Fort (uncredited) | |
| Lloyd Perryman | ... | Wedding Musician (uncredited) | |
| Chuck Roberson | ... | Ranger at Wedding (uncredited) | |
| Smile White Sheep | ... | Comanche (uncredited) | |
| Many Mules Son | ... | Comanche (uncredited) | |
| Percy Shooting Star | ... | Comanche (uncredited) | |
| William Steele | ... | Nesby (uncredited) | |
| Chief Thundercloud | ... | Comanche Chief (uncredited) | |
| Terry Wilson | ... | Ranger (uncredited) | |
| Billy Yellow | ... | Comanche (uncredited) | |
Directed by | |||
| John Ford | |||
Writing credits | ||
| Frank S. Nugent | (screenplay) | |
| Alan Le May | (from the novel by) (as Alan LeMay) | |
Produced by | |||
| Merian C. Cooper | .... | executive producer | |
| Patrick Ford | .... | associate producer | |
Original Music by | |||
| Max Steiner | |||
Cinematography by | |||
| Winton C. Hoch | (photographed by) | ||
Film Editing by | |||
| Jack Murray | (film editor) | ||
Art Direction by | |||
| James Basevi | |||
| Frank Hotaling | |||
Set Decoration by | |||
| Victor A. Gangelin | (as Victor Gangelin) | ||
Costume Design by | |||
| Charles Arrico | (uncredited) | ||
Makeup Department | |||
| Web Overlander | .... | makeup artist | |
| Fae M. Smith | .... | hair dresser (as Fae Smith) | |
Production Management | |||
| Lowell J. Farrell | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Wingate Smith | .... | assistant director | |
| Gary Nelson | .... | second assistant director (uncredited) | |
Art Department | |||
| Dudley Holmes | .... | properties | |
Sound Department | |||
| Hugh McDowell Jr. | .... | sound (as Hugh McDowell) | |
| Howard Wilson | .... | sound | |
Special Effects by | |||
| George Brown | .... | special effects | |
Stunts | |||
| Bill Cartledge | .... | stunts (uncredited) | |
| Philip Crawford | .... | stunts (uncredited) | |
| Dick Dial | .... | stunts (uncredited) | |
| Chuck Hayward | .... | stunts (uncredited) | |
| Bryan 'Slim' Hightower | .... | stunts (uncredited) | |
| John Hudkins | .... | stunts (uncredited) | |
| Fred Kennedy | .... | stunts (uncredited) | |
| Cliff Lyons | .... | stunts (uncredited) | |
| Frank McGrath | .... | stunts (uncredited) | |
| Chuck Roberson | .... | stunts (uncredited) | |
| Dale Van Sickel | .... | stunts (uncredited) | |
| Henry Wills | .... | stunts (uncredited) | |
| Terry Wilson | .... | stunts (uncredited) | |
| Billy Yellow | .... | stunts (uncredited) | |
| Jack N. Young | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Alfred Gilks | .... | second unit photography | |
Costume and Wardrobe Department | |||
| Frank Beetson Jr. | .... | wardrobe: men (as Frank Beetson) | |
| Ann Peck | .... | wardrobe: women | |
Music Department | |||
| Murray Cutter | .... | orchestrator | |
Other crew | |||
| Robert Gary | .... | script supervisor | |
| James Gooch | .... | technicolor color consultant | |
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| Dances with Wolves | Hondo | Chisum | Son of Zorro | They Died with Their Boots On |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb USA section |
Even if you've never seen John Ford's THE SEARCHERS, you will have, undoubtedly, seen a film that owes it's 'style' to the film. DANCES WITH WOLVES, THE OUTLAW JOSIE WALES, UNFORGIVEN, JEREMIAH JOHNSON, and OPEN RANGE are just a few westerns that have 'borrowed' from it, but THE SEARCHERS' impact transcends the genre, itself; STAR WARS, THE English PATIENT, THE LAST SAMURAI, even THE LORD OF THE RINGS have elements that can be traced back to Ford's 1956 'intimate' epic. When you add the fact that THE SEARCHERS also contains John Wayne's greatest performance to the film's merits, it becomes easy to see why it is on the short list of the greatest motion pictures ever made.
The plot is deceptively simple; after a Comanche raiding party massacres a family, taking the youngest daughter prisoner, her uncle, Ethan Edwards (Wayne), and adopted brother, Martin Pawley (Jeffrey Hunter), begin a long quest to try and rescue her. Over the course of years, a rich tapestry of characters and events unfold, as the nature of the pair's motives are revealed, and bigoted, bitter Edwards emerges as a twisted man bent on killing the 'tainted' white girl. Only Pawley's love of his 'sister' and determination to protect her stands in his way, making the film's climax, and Wayne's portrayal of Edwards, an unforgettable experience.
With all of Ford's unique 'touches' clearly in evidence (the doorways 'framing' the film's opening and conclusion, with a cave opening serving the same function at the film's climax; the extensive use of Monument Valley; and the nearly lurid palette of color highlighting key moments) and his reliance on his 'stock' company of players (Wayne, Ward Bond, John Qualen, Olive Carey, Harry Carey, Jr, Hank Worden, and Ken Curtis), the film marks the emergence of the 'mature' Ford, no longer deifying the innocence of the era, but dealing with it in human terms, where 'white men' were as capable of savagery as Indians, frequently with less justification.
Featuring 18-year old Natalie Wood in one of her first 'adult' roles, the sparkling Vera Miles as Pawley's love interest, Wayne's son Patrick in comic relief, and the harmonies of the Sons of the Pioneers accenting Max Steiner's rich score, THE SEARCHERS is a timeless movie experience that becomes richer with each viewing.
It is truly a masterpiece!