Rio Grande takes place after the Civil War when the Union turned their attention towards the Apaches. Union officer Kirby Yorke is in charge of an outpost on the Rio Grande in which he is ... See full summary »
Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.
Ethan Edwards, returned from the Civil War to the Texas ranch of his brother, hopes to find a home with his family and to be near the woman he obviously but secretly loves. But a Comanche raid destroys these plans, and Ethan sets out, along with his 1/8 Indian nephew Martin, on a years-long journey to find the niece kidnapped by the Indians under Chief Scar. But as the quest goes on, Martin begins to realize that his uncle's hatred for the Indians is beginning to spill over onto his now-assimilated niece. Martin becomes uncertain whether Ethan plans to rescue Debbie...or kill her. Written by
Jim Beaver <email@example.com>
The day-for-night filming of Ethan's speech recounting his discovery and burial of Lucy required more than one take, but only because Ward Bond needed a shave. John Wayne nailed the scene the first time, but for some inexplicable reason, the camera had stopped. Supremely irritated, John Ford asked the operator what was wrong with the camera. As he answered, the power to the camera returned and they resumed filming the scene without incident. Indeed, nothing was wrong with the camera. Bond had pulled the plug on the camera in order to use his electric razor. The crew never did tell Ford, for fear that he would physically harm Bond. But years later, after Bond's death, cameraman Winton C. Hoch told Ford about the incident at a Hollywood event. Reportedly, Ford's face turned white and he was speechless. See more »
When Ethan walks up to the stone "arrow" marker left by Luke when she runs away, his moccasins have high tops above the ankle. Then, when you see him kneeling at the arrow, his moccasins are rolled down, revealing modern sweat socks. See more »
If John Wayne was ever cornered about what his favorite movie role was he'd be answering Ethan Edwards in The Searchers. Proof of that is obvious, he named his son by his third marriage John Ethan Wayne.
Ethan Edwards takes his time in returning home to Texas from the Civil War to the home of his brother and his family. But soon after he does the family is massacred in an Indian raid. The two young daughters are taken prisoner and Wayne with Jeffrey Hunter and Harry Carey, Jr. go off in search of them. Carey is killed early on, but Wayne and Hunter go on for years, both driven men for different reasons.
Ethan Edwards is probably the most racist man Wayne ever portrayed on the screen, yet we feel sympathy for him at the same time. It's been a hard and bitter life on the frontier for him. Just as it's been for the Indians as well. Chief Scar, played by Henry Brandon, is Wayne's opposite number and he makes clear what he thinks of whites. Two of his sons were killed and he's going to take many white scalps in reprisal.
My guess is that Ethan Edwards war service involved him seeing the war of desolation waged by William T. Sherman in the deep South. Small wonder he goes out and starts killing buffalo with a maniacal intensity that Wayne never showed before or since in film. Not an aspect that is normally brought out by reviewers.
Wayne's relationship with Jeffrey Hunter is a strange one. He found Hunter as a toddler during a raid on a wagon train. Hunter is a distant cousin of the Edwards family and one eighth Cherokee. But to Wayne he's an Indian. He gains a grudging respect for him on the trail though.
But Hunter's there to stop him. The oldest Edwards daughter is discovered dead early on. That by the way is an intense scene where Wayne's facial expressions register more than pages of dialog. Wayne had one of the great faces for close-ups and John Ford well knew it.
The younger daughter has grown up and is played grown up by Natalie Wood. Wayne feels he has to avenge some family code of honor because Wood's been taken as a bride by Henry Brandon. Hunter just wants his cousin back on any terms.
John Ford as he always does, gets some good comedy relief of the broad kind in the film. Jeffrey Hunter and Vera Miles who is Harry Carey's sister have a thing going, but when she doesn't hear from him she almost ups and marries Ken Curtis. Hunter and Curtis's confrontation is pretty funny.
Ford also probably made his best use of Monument Valley in this film. Though Stagecoach and Fort Apache are also among his best photographed films, The Searchers being in color is in a class by itself. Proof of that is the scene at the Edwards home at twilight just before the Indian raid. Beautiful and terrifying at the same time.
Ward Bond has a great role as Reverend/Captain Samuel Clayton, parson and Texas Ranger at the same time. A difficult job for some to reconcile, but I'm sure Bond believes that conversion of the Indians is not uppermost on his mind. Bond also has some great blustering comic moments with Patrick Wayne who plays an earnest young army lieutenant.
The Searchers is usually found on just about every top ten list of best westerns ever made and it surely belongs there.
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