Rio Grande takes place after the Civil War when the Union turned their attention towards the Apaches. Union officer Kirby Yorke is in charge of an outpost on the Rio Grande in which he is ... See full summary »
Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.
Ethan Edwards, returned from the Civil War to the Texas ranch of his brother, hopes to find a home with his family and to be near the woman he obviously but secretly loves. But a Comanche raid destroys these plans, and Ethan sets out, along with his 1/8 Indian nephew Martin, on a years-long journey to find the niece kidnapped by the Indians under Chief Scar. But as the quest goes on, Martin begins to realize that his uncle's hatred for the Indians is beginning to spill over onto his now-assimilated niece. Martin becomes uncertain whether Ethan plans to rescue Debbie...or kill her. Written by
Jim Beaver <firstname.lastname@example.org>
At the beginning of the film, when the Rangers discover the prize bull and decide that it is a "murder raid", Martin rides off in the same direction as those going to the Jorgensen ranch (west) instead of heading south, towards his family's place. See more »
John Ford's classic Western, has inspired many quest movies and tv series since its release. The film is a series of episodes linked by the 10 year quest for a niece stolen by Indians as a child. Wayne's Ethan Edwards, an embittered Confederate veteran shows only hatred for all redskins and is uncomprimising in his intended treatment of his niece when he finds her. Modern cinema audiences may find this uncomfortable, especially since western folklore has been reassessed over the last 20 years. But don't let this put you off. Ford's treatment is a modern allegory and Ethan can be forgiven his sins when, at the final denoument, one act of kindness gives us hope, and we feel Ethan has learned an important lesson. Tolerance. Everything about this film makes it a classic and perhaps the best in its genre. Ford's direction is as impeccable as ever, Frank Nugent's script and Winton Hoch's cinematography give us some of the classic images of the cinema. John Wayne, as ever, doesn't even need to act. He just sits tall in the saddle and perpetuates the myth.
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