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The Searchers (1956)
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Overview
User Rating:
Director:
Writers:
Release Date:
13 March 1956 (USA)
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Tagline:
The story that sweeps from the great Southwest to the Canadian border in VistaVision. more
Plot:
As a Civil War veteran spends years searching for a young niece captured by Indians, his motivation becomes increasingly questionable. full summary | full synopsis
Awards:
1 win
&
2 nominations
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NewsDesk:
(35 articles)
Iconic Shots: Empire Captures 50 Picture Perfect Film Moments
(From FilmSchoolRejects. 16 November 2009, 5:39 AM, PST)
Pass notes No 2,683: Cinématon
(From The Guardian - Film News. 15 November 2009, 4:05 PM, PST)
(From FilmSchoolRejects. 16 November 2009, 5:39 AM, PST)
Pass notes No 2,683: Cinématon
(From The Guardian - Film News. 15 November 2009, 4:05 PM, PST)
User Comments:
No one understands this movie
more (346 total)
Cast
(Cast overview, first billed only)| John Wayne | ... | Ethan Edwards | |
| Jeffrey Hunter | ... | Martin Pawley | |
| Vera Miles | ... | Laurie Jorgensen | |
| Ward Bond | ... | Rev. Capt. Samuel Johnston Clayton | |
| Natalie Wood | ... | Debbie Edwards (older) | |
| John Qualen | ... | Lars Jorgensen | |
| Olive Carey | ... | Mrs. Jorgensen | |
| Henry Brandon | ... | Chief Cicatrice (Scar) | |
| Ken Curtis | ... | Charlie McCorry | |
| Harry Carey Jr. | ... | Brad Jorgensen | |
| Antonio Moreno | ... | Emilio Gabriel Fernandez y Figueroa | |
| Hank Worden | ... | Mose Harper | |
| Beulah Archuletta | ... | Wild Goose Flying in the Night Sky (Look) | |
| Walter Coy | ... | Aaron Edwards | |
| Dorothy Jordan | ... | Martha Edwards |
Additional Details
Parents Guide:
Runtime:
119 min
Country:
Color:
Color (Technicolor)
Aspect Ratio:
1.75 : 1 more
Sound Mix:
Mono (RCA Sound Recording)
Certification:
Canada:F (Ontario) |
Canada:G (British Columbia/Nova Scotia/Quebec) |
Canada:G (Manitoba) |
Portugal:M/12 |
Iceland:L |
West Germany:12 (nf) |
USA:Approved (certificate #17787) |
South Korea:12 (2003) |
Brazil:12 |
Australia:G |
Finland:K-12 |
Norway:12 |
Sweden:15 |
UK:U
Filming Locations:
Company:
Fun Stuff
Trivia:
According to film restorer Ned Price, by 1991 when the first digital transfer was made (on Laserdisc), the yellow layer of the original VistaVision negative had completely faded, making it unusable. Black and white separation masters (yellow, cyan, and magenta) made in the late 1950s have been used since then to master DVD releases.
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Goofs:
Continuity: When Aaron Edwards is looking around outside to spot Indians, it is dusk. We then see a quick cut away to a bright blue sky when he spots something, and then a cut back to dusk.
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Quotes:
[first lines]
[seeing a horseman in the distance]
Aaron Edwards: Ethan?
Debbie Edwards: Hush, Prince.
Lucy Edwards: That's your Uncle Ethan!
Martha Edwards: [he approaches] Welcome home, Ethan!
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[seeing a horseman in the distance]
Aaron Edwards: Ethan?
Debbie Edwards: Hush, Prince.
Lucy Edwards: That's your Uncle Ethan!
Martha Edwards: [he approaches] Welcome home, Ethan!
more
Movie Connections:
Referenced in El espinazo del diablo (2001)
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Soundtrack:
The Searchers
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FAQ
This FAQ is empty. Add the first question.more (346 total)
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The Searchers is perhaps John Ford's greatest film. The character studies are rich and complex and never too revealing, adding mystery and depth. The location in Utah's Monument Valley is magnificent. The Technicolor is simply stunning. And of course, the story set a standard for all action movies to come. The plot is simple and engaging and the subplot allows us to take a break from the relentless search. John Wayne's portrayal of Ethan Edwards is memorable. The dark, anti-hero persona gives the movie an edge not seen in those days. Jeffrey Hunter (Martin Pauly) and the rest of the cast give solid performances that are very natural and spirited. All of this is credited to the brilliant directing of John Ford. It is a great movie to watch. It is a great outdoor movie that should be seen on a big screen.
People say that this movie is very racist and stereotype Indians. I disagree. I think this movie is about racism, period. Both races are ruthless and barbaric in this movie. Let's take a look:
1. The calvary massacres an Indian village.
2. Ethan's hatred of Indians consumes him. But his hatred has a reason. And he is not naturally racist.
3. Ethan is a loner, hated and feared by his own people.
4. When Ethan and Marty are hiding out in the canyons, they shoot the Indians in the back as they retreat. Not very noble, is it?
5. Ethan shoots three white men in the back during a shootout. I guess Ethan can do it to his own people as well!
6. When Ethan sees a group of tortured white women who were rescued from the hands of "savage" Indians, he fears for the worst. But when Lucy is found, she looks well and cared for. Ethan, upset with this unexpected result, decides to kill Lucy because she has turned 'injun.'
7. Marty accidentally marries an Indian woman. Although ridiculed by Ethan, the Indian woman is portrayed favorably throughout the film.
8. Marty and a friend fight for Laurie's love (Marty's fiancée). It is a civilized fight among gentlemen. Ethan and Marty meet with Scar, the Indian chief who abducted Lucy. Scar realizes who they are but does not kill them on the spot. Why? It is a Commanche code of honor not to kill someone when he is at a disadvantage.
9. Both races are good and evil in this movie. Ethan and Scar are both driven by revenge. One dies in the end, the other continues to live a life of a loner, dead in the eye of society.
There are many reasons why I love The Searchers. It is a very simple story, yet says a lot. It is very entertaining and never boring. Unless you are a meat-head who cannot handle anything except mindless action sequences, this is the movie that stands the test of time, up there with Citizen Kane, Vertigo and The Godfather.
Enjoy! Watch it on the big screen if possible. The special edition 2-Disc DVD set from Warner Brothers is an absolute must. If you are a fan, you will not believe your eyes when you see the new transfer. The film has been restored to its original VistaVision widescreen, color by Technicolor!
On a final note, the last scene is pure poetry. Truly one of the greatest moment in film's history. John Ford really struck gold with this one.