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The Searchers (1956)

Approved  |   |  Adventure, Drama, Western  |  13 March 1956 (USA)
8.0
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Ratings: 8.0/10 from 55,415 users  
Reviews: 424 user | 141 critic

A Civil War veteran embarks on a journey to rescue his niece from an Indian tribe.

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(screenplay), (from the novel by) (as Alan LeMay)
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Cast

Cast overview, first billed only:
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...
...
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...
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Lars Jorgensen
Olive Carey ...
Mrs. Jorgensen
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...
Charlie McCorry
...
Brad Jorgensen
...
Emilio Gabriel Fernandez y Figueroa
...
Beulah Archuletta ...
Look
Walter Coy ...
Aaron Edwards
...
Martha Edwards
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Storyline

Ethan Edwards, returned from the Civil War to the Texas ranch of his brother, hopes to find a home with his family and to be near the woman he obviously but secretly loves. But a Comanche raid destroys these plans, and Ethan sets out, along with his 1/8 Indian nephew Martin, on a years-long journey to find the niece kidnapped by the Indians under Chief Scar. But as the quest goes on, Martin begins to realize that his uncle's hatred for the Indians is beginning to spill over onto his now-assimilated niece. Martin becomes uncertain whether Ethan plans to rescue Debbie...or kill her. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Plot Synopsis

Taglines:

The story that sweeps from the great Southwest to the Canadian border in VistaVision. See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

13 March 1956 (USA)  »

Also Known As:

Más corazón que odio  »

Filming Locations:

 »

Box Office

Budget:

$3,750,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

1.75 : 1
See  »
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Did You Know?

Trivia

The Merseybeat band The Searchers took their name from this film. They are most famous for their cover of "Needles and Pins". See more »

Goofs

Ethan's medal, which he gives to Debbie, is a prop combining features of French and Mexican medals. The white and blue Maltese cross is similar to the white and red cross on the Mexican Order of Guadalupe and the red and green ribbon appears on the French Order of Merite Agricole. See more »

Quotes

[first lines]
[seeing a horseman in the distance]
Aaron Edwards: Ethan?
Debbie Edwards: Hush, Prince.
Lucy Edwards: That's your Uncle Ethan!
Martha Edwards: [he approaches] Welcome home, Ethan!
See more »

Crazy Credits

This Warner Brothers film was said to be in VistaVision, according to the credits - this may be the only Warner film in VistaVision. See more »

Connections

Referenced in Le bassin de J.W. (1997) See more »

Soundtracks

The Searchers
(1956)
by Stan Jones
Sung by Sons of the Pioneers (uncredited)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Wayne's Finest Performance, in Ford Masterpiece...
24 May 2004 | by (Las Vegas, Nevada) – See all my reviews

Even if you've never seen John Ford's THE SEARCHERS, you will have, undoubtedly, seen a film that owes it's 'style' to the film. DANCES WITH WOLVES, THE OUTLAW JOSIE WALES, UNFORGIVEN, JEREMIAH JOHNSON, and OPEN RANGE are just a few westerns that have 'borrowed' from it, but THE SEARCHERS' impact transcends the genre, itself; STAR WARS, THE English PATIENT, THE LAST SAMURAI, even THE LORD OF THE RINGS have elements that can be traced back to Ford's 1956 'intimate' epic. When you add the fact that THE SEARCHERS also contains John Wayne's greatest performance to the film's merits, it becomes easy to see why it is on the short list of the greatest motion pictures ever made.

The plot is deceptively simple; after a Comanche raiding party massacres a family, taking the youngest daughter prisoner, her uncle, Ethan Edwards (Wayne), and adopted brother, Martin Pawley (Jeffrey Hunter), begin a long quest to try and rescue her. Over the course of years, a rich tapestry of characters and events unfold, as the nature of the pair's motives are revealed, and bigoted, bitter Edwards emerges as a twisted man bent on killing the 'tainted' white girl. Only Pawley's love of his 'sister' and determination to protect her stands in his way, making the film's climax, and Wayne's portrayal of Edwards, an unforgettable experience.

With all of Ford's unique 'touches' clearly in evidence (the doorways 'framing' the film's opening and conclusion, with a cave opening serving the same function at the film's climax; the extensive use of Monument Valley; and the nearly lurid palette of color highlighting key moments) and his reliance on his 'stock' company of players (Wayne, Ward Bond, John Qualen, Olive Carey, Harry Carey, Jr, Hank Worden, and Ken Curtis), the film marks the emergence of the 'mature' Ford, no longer deifying the innocence of the era, but dealing with it in human terms, where 'white men' were as capable of savagery as Indians, frequently with less justification.

Featuring 18-year old Natalie Wood in one of her first 'adult' roles, the sparkling Vera Miles as Pawley's love interest, Wayne's son Patrick in comic relief, and the harmonies of the Sons of the Pioneers accenting Max Steiner's rich score, THE SEARCHERS is a timeless movie experience that becomes richer with each viewing.

It is truly a masterpiece!


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