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The Searchers (1956)

 -  Western  -  13 March 1956 (USA)
8.0
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Ratings: 8.0/10 from 50,873 users  
Reviews: 410 user | 129 critic

A Civil War veteran embarks on a journey to rescue his niece from an Indian tribe.

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(screenplay), (from the novel by)
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Title: The Searchers (1956)

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Cast

Cast overview, first billed only:
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...
...
...
...
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Lars Jorgensen
Olive Carey ...
Mrs. Jorgensen
...
...
Charlie McCorry
...
Brad Jorgensen
...
Emilio Gabriel Fernandez y Figueroa
...
Beulah Archuletta ...
Look - Wild Goose Flying in the Night Sky
Walter Coy ...
Aaron Edwards
...
Martha Edwards
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Storyline

Ethan Edwards, returned from the Civil War to the Texas ranch of his brother, hopes to find a home with his family and to be near the woman he obviously but secretly loves. But a Comanche raid destroys these plans, and Ethan sets out, along with his 1/8 Indian nephew Martin, on a years-long journey to find the niece kidnapped by the Indians under Chief Scar. But as the quest goes on, Martin begins to realize that his uncle's hatred for the Indians is beginning to spill over onto his now-assimilated niece. Martin becomes uncertain whether Ethan plans to rescue Debbie...or kill her. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Plot Synopsis

Taglines:

The story that sweeps from the great Southwest to the Canadian border in VistaVision. See more »

Genres:

Western

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

13 March 1956 (USA)  »

Also Known As:

The Searchers  »

Filming Locations:

 »

Box Office

Budget:

$3,750,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

1.75 : 1
See  »
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Did You Know?

Trivia

The song playing as John Wayne approaches at the beginning of the film is a slow version of "The Bonnie Blue Flag" (original title: "The Irish Jaunting Car"). This song and Daniel Decatur Emmett's "Dixie" were the two "anthems" of the Confederacy. See more »

Goofs

Ethan's medal, which he gives to Debbie, is a prop combining features of French and Mexican medals. The white and blue Maltese cross is similar to the white and red cross on the Mexican Order of Guadalupe and the red and green ribbon appears on the French Order of Merite Agricole. See more »

Quotes

[first lines]
[seeing a horseman in the distance]
Aaron Edwards: Ethan?
Debbie Edwards: Hush, Prince.
Lucy Edwards: That's your Uncle Ethan!
Martha Edwards: [he approaches] Welcome home, Ethan!
See more »

Crazy Credits

This Warner Brothers film was said to be in VistaVision, according to the credits - this may be the only Warner film in VistaVision. See more »

Connections

Referenced in Cinemania (2002) See more »

Soundtracks

Garryowen
(uncredited)
Traditional Irish tune
Heard in score
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Ford and Wayne doing what they do best
18 December 1998 | by (London, England) – See all my reviews

John Ford's classic Western, has inspired many quest movies and tv series since its release. The film is a series of episodes linked by the 10 year quest for a niece stolen by Indians as a child. Wayne's Ethan Edwards, an embittered Confederate veteran shows only hatred for all redskins and is uncomprimising in his intended treatment of his niece when he finds her. Modern cinema audiences may find this uncomfortable, especially since western folklore has been reassessed over the last 20 years. But don't let this put you off. Ford's treatment is a modern allegory and Ethan can be forgiven his sins when, at the final denoument, one act of kindness gives us hope, and we feel Ethan has learned an important lesson. Tolerance. Everything about this film makes it a classic and perhaps the best in its genre. Ford's direction is as impeccable as ever, Frank Nugent's script and Winton Hoch's cinematography give us some of the classic images of the cinema. John Wayne, as ever, doesn't even need to act. He just sits tall in the saddle and perpetuates the myth.


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