When a handful of settlers survive an Apache attack on their wagon train they must put their lives into the hands of Comanche Todd, a white man who has lived with the Comanches most of his ... See full summary »
In 1825 an English aristocrat is captured by Indians. He lives with them and begins to understand/accept their lifestyles. Eventually he is accepted as part of the tribe and becomes their ... See full summary »
Epic story about two former Texas rangers who decide to move cattle from the south to Montana. Augustus McCrae and Woodrow Call run into many problems on the way, and the journey doesn't ... See full summary »
Tommy Lee Jones,
Ethan Edwards, returned from the Civil War to the Texas ranch of his brother, hopes to find a home with his family and to be near the woman he obviously but secretly loves. But a Comanche raid destroys these plans, and Ethan sets out, along with his 1/8 Indian nephew Martin, on a years-long journey to find the niece kidnapped by the Indians under Chief Scar. But as the quest goes on, Martin begins to realize that his uncle's hatred for the Indians is beginning to spill over onto his now-assimilated niece. Martin becomes uncertain whether Ethan plans to rescue Debbie...or kill her. Written by
Jim Beaver <email@example.com>
The actors playing Comanche Indians are all Navajo, with the exception of Chief Scar, played by German actor Henry Brandon. The language, traditional dress, dances depicted in the film are all Navajo, not Comanche. The "Comanche Death Song" is actually a social Navajo "Squaw Dance" song. See more »
During the shootout with the Indians at the river, Rev. Capt. Clayton's gun is emptied and Ethan throws him a loaded gun; Clayton throws his hat and hits Ethan. Ethan is moving his lips and saying something but, there is no sound. See more »
John Ford's classic Western, has inspired many quest movies and tv series since its release. The film is a series of episodes linked by the 10 year quest for a niece stolen by Indians as a child. Wayne's Ethan Edwards, an embittered Confederate veteran shows only hatred for all redskins and is uncomprimising in his intended treatment of his niece when he finds her. Modern cinema audiences may find this uncomfortable, especially since western folklore has been reassessed over the last 20 years. But don't let this put you off. Ford's treatment is a modern allegory and Ethan can be forgiven his sins when, at the final denoument, one act of kindness gives us hope, and we feel Ethan has learned an important lesson. Tolerance. Everything about this film makes it a classic and perhaps the best in its genre. Ford's direction is as impeccable as ever, Frank Nugent's script and Winton Hoch's cinematography give us some of the classic images of the cinema. John Wayne, as ever, doesn't even need to act. He just sits tall in the saddle and perpetuates the myth.
48 of 78 people found this review helpful.
Was this review helpful to you?