6.2/10
136
7 user 3 critic

The Search for Bridey Murphy (1956)

Approved | | Drama | 1 October 1956 (USA)
After being shown what hypnotism can do, a Doctor sets out to study it in depth. When experimenting on his friend's wife, she regresses back to an earlier life- that of Bridey Murphy. ... See full summary »

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Cast

Cast overview, first billed only:
...
Ruth Simmons
...
Morey Bernstein
...
Hazel Bernstein
...
Rex Simmons
...
Dr. Deering
Tom McKee ...
Catlett
Janet Riley ...
Lois Morgan
Charles Boaz ...
Jerry Thomas
...
Cranmer
Charles Maxwell ...
Father Bernard
Walter Kingsford ...
Professor
Noel Leslie ...
Edgar Cayce
William Joseph Barker ...
Himself (as William J. Barker)
...
Bridey Murphy at Age 15
Bradford Jackson ...
Brian MacCarthy at Age 17
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Storyline

After being shown what hypnotism can do, a Doctor sets out to study it in depth. When experimenting on his friend's wife, she regresses back to an earlier life- that of Bridey Murphy. Several hypnotic sessions explore the life and death of Murphy, a 19th Century Irish lady who lived in Cork and Belfast from 1798 to 1864. The Doctor then attempts to verify if Bridey Murphy really existed. Written by Gary Jackson <garyjack5@cogeco.ca>

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Drama

Certificate:

Approved | See all certifications »
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Release Date:

1 October 1956 (USA)  »

Also Known As:

La vita oltre la vita  »

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Most people in Ireland would pronounce Bridey, as Bride with a y. See more »

Connections

Referenced in The She-Creature (1956) See more »

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User Reviews

 
I believe in Bridey!
19 August 1999 | by See all my reviews

This film is modestly budgeted, and was no doubt hastily made. But it is nonetheless a fascinating cultural artifact, a portrait of a time when the idea of reincarnation was a radical concept in America. The director had a genuine interest in the subject, and the always appealing Teresa Wright does a lovely job dancing the "Morning Jig." In many ways, this film is a lot more forthright and a lot less hokey than "The Three Faces of Eve," which would make an interesting pairing with "Bridey" on a double bill. I have to give it an unweighted 8, and pray that Shirley MacLaine never decides to remake it.


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