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Directed by | |||
| Laurence Olivier | |||
Writing credits | ||
| William Shakespeare | (plays "Richard III" and "Henry VI: Part III") | |
| Colley Cibber | textual alterations | |
| David Garrick | textual alterations for his production of the play | |
| Laurence Olivier | uncredited | |
Produced by | |||
| Laurence Olivier | .... | producer | |
| Alexander Korda | .... | producer (uncredited) | |
Original Music by | |||
| William Walton | (as Sir William Walton) | ||
Cinematography by | |||
| Otto Heller | |||
Film Editing by | |||
| Helga Cranston | |||
Production Design by | |||
| Roger K. Furse | (as Roger Furse) | ||
Art Direction by | |||
| Carmen Dillon | |||
Makeup Department | |||
| Gladys Atkinson | .... | hair stylist | |
| Tony Sforzini | .... | makeup artist | |
| Gordon Bond | .... | hair stylist (uncredited) | |
| Trevor Crole-Rees | .... | makeup artist (uncredited) | |
| George Partleton | .... | makeup artist (uncredited) | |
Production Management | |||
| John W. Gossage | .... | production supervisor (as John Gossage) | |
| Jack Martin | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gerry O'Hara | .... | assistant director | |
| René Dupont | .... | second assistant director (uncredited) | |
| Jack N. Green | .... | third assistant director (uncredited) | |
| Bert Pearl | .... | second assistant director (uncredited) | |
Art Department | |||
| Roger Ramsdell | .... | set dresser | |
| Robert White | .... | scenic artist | |
| William Hutchinson | .... | draughtsman (uncredited) | |
| Arthur Lawson | .... | assistant art director (uncredited) | |
| Terence Morgan | .... | assistant designer (uncredited) | |
| James Sawyer | .... | draughtsman (uncredited) | |
| Frank Willson | .... | draughtsman (uncredited) | |
Sound Department | |||
| Red Law | .... | sound recordist | |
| Bert Rule | .... | sound editor | |
| George Stephenson | .... | sound recordist | |
| Alan Blay | .... | sound maintenance (uncredited) | |
| Norman Daines | .... | dubbing crew (uncredited) | |
| Jack Davies | .... | boom operator (uncredited) | |
| Barbara Hopkins | .... | dubbing crew (uncredited) | |
| Bob Jones | .... | dubbing crew (uncredited) | |
Special Effects by | |||
| Wally Veevers | .... | special effects | |
Visual Effects by | |||
| Bob Cuff | .... | matte painter (uncredited) | |
Camera and Electrical Department | |||
| Denys N. Coop | .... | camera operator (as Denys Coop) | |
| Frank Howard | .... | camera grip | |
| Jack Sullivan | .... | chief electrician | |
| John Cabrera | .... | focus puller: second unit (uncredited) | |
| Norman Hargood | .... | still photographer (uncredited) | |
| Alex Thomson | .... | clapper loader (uncredited) | |
Costume and Wardrobe Department | |||
| John McCorry | .... | wardrobe master (uncredited) | |
Editorial Department | |||
| John Poyner | .... | second assistant editor (uncredited) | |
Music Department | |||
| Muir Mathieson | .... | conductor | |
| Royal Philharmonic Orchestra | .... | music played by | |
Other crew | |||
| Joan Bridge | .... | technicolor color consultant | |
| Anthony Bushell | .... | associate director | |
| Jack Curran | .... | horse master | |
| Pamela Davies | .... | continuity | |
| Alan Dent | .... | text advisor | |
| John Greenwood | .... | sword play | |
| Bernard Hepton | .... | sword play | |
| Laurence Olivier | .... | presenter | |
| Roger Ramsdell | .... | titler | |
| Luis Roberts | .... | location associate | |
| Roberto Roberts | .... | location associate | |
| Jeremy Taylor | .... | horse master | |
| Catherine O'Brien | .... | unit publicist (uncredited) | |
| Tadeo Villalba | .... | production assistant (uncredited) | |
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| Richard III | Henry V | Macbeth | Hamlet | Tower of London |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
One of Olivier's most notable performances which set a precedent for how the role should be played. The eccentricity of the ambitious, crippled and sadistic, Richard of Gloucester makes for a surprisingly funny yet dark tragedy.
Olivier's expertise in stage technique, married with an exceptional talent, makes for shots that last for more than a minute before the cut while he delivers the goods to camera.Set mainly in a castle ,simple but true to stage, with powerful monologues from all concerned.The dialect used is easier for the novice Shakespearian to understand than it is in some other such plays.
The ultimate treacherer who can,"add colours to the camelian and set the murderous Machiavelli to school".He makes no secret to the audience of his villainous disposition.Likewise the role makes no secret of Sir Larry's brilliance. Filled with classic lines such as,"a horse ..my kingdom for a horse!" and ,"Now is the winter of our discontent made glorious summer..." . this film ,true to Shakespeare's other work has the mixture of tragedy and comedy, historic fact meets convenient fiction with a splash of romantic betrayal.. Utterly outrageous !