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A duke usurps his brother's land and power, banishing him and his retinue into the forest of Arden. The banished duke's daughter, Rosalind, remains with her cousin Celia. She has fallen in ... See full summary »
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Richard's military skills have helped to put his older brother Edward on the throne of England. But jealousy and resentment cause Richard to seek the crown for himself, and he conceives a lengthy and carefully calculated plan using deception, manipulation, and outright murder to achieve his goal. His plotting soon has tumultuous consequences, both for himself and for England. Written by
Michael Gough got his part (Dighton, the first murderer) by making a fuss to his fellow actor friends about only established stars getting cameo parts and leaving nothing for struggling actors like himself. One night he got a phone call, and a voice said "You've been stirring it, haven't you? Right little shit." Gough demanded to know, "Who is this?" only to be stunned by the response, "It's Larry", which of course was Olivier himself. Olivier in fact was just having some fun at Gough's expense, had taken on board his criticisms and was ringing to offer him the part of one of the murderers in Richard III. When asked which one he wanted to play, Gough quickly said "Whichever one has the most lines", and he got his wish. Olivier actually arranged matters so that Gough's scenes were split over several days, instead of all being done on the one day, so that he, Gough, would maximise his per diem fee. See more »
In the scene when Richard tells King Edward of Clarence's supposed treason, two monks are singing hymns from a large book: their lips are not only out of sync with their singing, but with each other. See more »
I think that there is one of the greatest masterpiece of the cinema through the ages, even the first time of the ages of silent movies, like masterpieces than The Battelship Potemkin', for example, and a few several ones. When an actor, like Laurence Olivier, it makes all his performance in the movie (or it is better to speak about a pure stage?) a complete treatise of the perfect actor: soliloquies of several minutes in crescendo', looking at the camera and sharing with the audience his diabolic tricks, one and more time and making captivate to us... Would Shakespeare himself wanted anybody better than Olivier if he could see him?. I don't know, but I can say by myself that Olivier made with Shakespeare's work that me, and I suppose thousands of people, and I'm speaking about people from abroad about England, English literature, History and customs, we love Shakespeare's work at all times. Like you know, here in Spain we ve got several excellent writers, and we had them in the past... But with Olivier first, and Kenneth Branagh later, they have remembered to the rest of the people of the world, outside England and not anglo-saxon talking people, who is, who were the biggest Shakespeare. Thank you both of you.
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