"Now is the winter of our discontent..." With these timeless words, Duke Richard - lounging on his sun deck - sets his murderous plans in motion. His goal: to eliminate the hated rival ... See full summary »
Maria Conchita Alonso
Olga, Masha, and Irina Prozoroff lead lonely and purposeless lives following the death of their father who has commanded the local army post. Olga attempts to find satisfaction in teaching ... See full summary »
Although several others are ahead of him in the line of succession, Richard of Gloucester is determined to gain the throne. Through deceit, manipulation, and murder, he does become King ... See full summary »
Frank R. Benson
Richard's military skills have helped to put his older brother Edward on the throne of England. But jealousy and resentment cause Richard to seek the crown for himself, and he conceives a lengthy and carefully calculated plan using deception, manipulation, and outright murder to achieve his goal. His plotting soon has tumultuous consequences, both for himself and for England. Written by
Filming of Clarence's murder in the Tower of London could have been completed in one day, but was lengthened to three days. The actor playing one of the murderers was short of work and Laurence Olivier was helping him out. See more »
During the opening credits, the movie is introduced as "Laurence Olivier Present's Richard III by William Shakespeare". The word "Present's" should read "Presents" - the apostrophe is in error. See more »
George, Duke of Clarence:
[speaking about Edward IV, who has sent Clarence to the Tower]
He hearkens after dreams and prophecies / And from the crossrow plucks the letter 'G', / And says a wizard told him that by 'G' / His issue disinherited would be. / And for my name of George begins with G / It follows in his thoughts that I am he. /These and such like toys /Have moved his Highness to commit me now.
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Most of the film's credits are shown at the end. The opening credits show only the title of the film, Shakespeare's name, and the names of the main actors. See more »
Many great actors made their names with this Richard, and it turns out to be Olivier's greatest Shakepearean role as well. He captures the whole production coiling his way around the Crown of England: his asides to us through the camera are lovely. They say all actors love to play a villain. Well, it works for me.
The movie is beautiful, rich; the costumes are awesome; and the dialogue, of course, is wonderful. He patches in that great speech from Henry VI, part 3: "Why, I can smile, and murder whiles I smile . . .": and the movie wouldn't be right without it.
The other actors, Britain's elite of the time, seem to be tyrannized by the boss; and the text should have been edited better, because if you don't know the play and practically the whole history you'll get lost. Not to worry, though; the subplots here aren't really important (but they should be), and the thundering battle at the end will leave you satisfied. Special mention of Sir William Walton's music, the vibrant colors, and of course, England itself.
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