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The Revolt of Mamie Stover (1956)

 -  Drama  -  22 June 1956 (Belgium)
6.6
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Ratings: 6.6/10 from 263 users  
Reviews: 10 user | 3 critic

Set in the early '40s, a San Francisco prostitute is run out of town just as the second World War has begun to intensify. Mamie settles down in Hawaii, hoping to start a new life. Though ... See full summary »

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Title: The Revolt of Mamie Stover (1956)

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Cast

Cast overview, first billed only:
...
Mamie Stover
Richard Egan ...
Jim Blair
...
Annalee Johnson
...
Bertha Parchman
Jorja Curtright ...
Jackie
...
Harry Adkins
Richard Coogan ...
Capt. Eldon Sumac
...
Capt. Gorecki
Eddie Firestone ...
Tarzan
Jean Willes ...
Gladys
Leon Lontoc ...
Aki
Kathy Marlowe ...
Zelda
...
Peaches
Jack Mather ...
Bartender
John Halloran ...
Henry
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Storyline

Set in the early '40s, a San Francisco prostitute is run out of town just as the second World War has begun to intensify. Mamie settles down in Hawaii, hoping to start a new life. Though her prospects look good when she falls in love with a science-fiction writer who treats her with the respect she deserves, the dawning war and the fallacies of her previous lifestyle complicate their budding romance. Mamie cannot fully remove herself from her former profession, and provides some of her old services to the sailors stationed in town. Searching for another means of financial security, Mamie invests in several pieces of real estate and becomes quite wealthy, though her bad reputation has not been forgotten by the locals. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

Why Did Mamie Stover Have to Leave San Francisco?

Genres:

Drama

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Release Date:

22 June 1956 (Belgium)  »

Also Known As:

The Revolt of Mamie Stover  »

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Technical Specs

Runtime:

| (FMC Library Print)

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The story synopsis of "The Revolt Of Mamie Stover," which appears in the 20th Century Fox studio press book, suggest that some last minute changes and edits were made the film to tone down the true nature of the Mamie Stover character. The following scenes were described in the synopsis: (1) The film opens with a scene on a street corner in San Francisco in which Mamie (Jane Russell) is "picked up" by a middle age man (portrayed by Stubby Kaye), and then detained by police who suggest she get out of town. )2) A scene occurs between Mamie and Annalee (Joan Leslie), in which Annalee tells Mamie to stay away from Jimmy (Richard Egan). (3) Mamie buys her own house on "the hill" and decorates it in anticipation of Jimmy's return from the war. (4) While Jimmy is away at war, he receives letters from both Annalee and Mamie. Annalee's are more poetic and caring, while Mamie's tell of her increasing fortune from her real-estate properties. (5) The film ends with a scene in a room at the Bungalow Club in which Jimmy rejects Mamie and leaves. Mamie walks down the hall, wipes her tears away, composes herself and enters another room, greeting her latest customer with her tag line, "You waitin' for Mamie, Honey?" This suggests that her life will continue on in same fashion as it always had: motivated by money at any cost despite a less than respectable lifestyle. The final version of the film as released redeems the Mamie character by cutting out before she greets her next customer and adding a scene in which she returns to San Francisco only to tell the police, who meet her at the dock, that she gave up her fortune and is now returning to her hometown of Leesburg, Mississippi. See more »

Goofs

Although the story takes place in 1941-1942, all the women's fashion styles are from 1956. See more »

Connections

Referenced in Norma Jean & Marilyn (1996) See more »

Soundtracks

If You Wanna See Mamie Tonight
Music by Sammy Fain
Lyrics by Paul Francis Webster
Sung on the phonograph by The Ames Brothers
See more »

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User Reviews

 
Oh My, Who, on Oahu
17 December 2006 | by (United States) – See all my reviews

I'm not revolting when it comes to enjoying Mamie Stover. The GIs in 1940s Hawaii enjoyed her and so do I. OK, it's not even close to a cinematic masterpiece, but it's worth a gander on a rainy Sunday afternoon when the hubby has on his football. It has stunning Hawaiian locations, a fun if melodramatic script and 20th Century Fox gave it gorgeous Technicolor. It must have had studio head Buddy Adler's blessing because he took producer's credit. If you're a Jane Russell fan, forget "The Outlaw" and "Gentlemen Prefer Blondes" and "Underwater." The Russell you see here is smoldering...! She plays a down-on-her luck woman run out of San Francisco who lands on Oahu where she becomes a... a... a... dancehall hostess. (If they redid Mamie Stover today, it'd have a whole different look.) She makes lots of money and thumbs her pretty nose at her detractors. Maybe because she's called Flaming Mamie, Russell dyed her dark tresses to a shimmering red and natural redhead Agnes Moorehead, owner of the gin joint where Mamie works, has become a blonde. Aggie never made a film that she didn't elevate to a higher level. Michael Pate is wonderfully menacing as the gin joint bouncer/thug. Love interest Richard Egan is too bland and lovely Joan Leslie is wasted in a nothing supporting role. Tough-guy director Raoul Walsh, who had just finished directing tough-girl Russell in "The Tall Men," knew how to best display her acting chops and sultry good looks. Mmmmmm, whatever Mamie wants...


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