Set in the early '40s, a San Francisco prostitute is run out of town just as the second World War has begun to intensify. Mamie settles down in Hawaii, hoping to start a new life. Though ... See full summary »
A murderous thief on the run with stolen loot forces a poor rancher to guide him across the desert into Mexico. Accompanying them is the rancher's wife, who happens to be the killer's former girlfriend.
Professional beach bum and 'knight errant' Travis McGee goes up against psychotic body-builder Terry Bartell. McGee pulls out all the stops when he joins a Carribean cruise to bring the killer to justice.
After a stagecoach holdup, Frank Slayton's notorious gang leave Ben Warren for dead and head off with his fiancée. Warren follows, and although none of the townspeople he comes across are ... See full summary »
A story of a brilliant master sergeant with a great career behind him and transferred to yet another post, his attraction to a younger man eventually overrides him, to a point where his latent homosexuality, finally emerges.
John Phillip Law,
Mike, a Hemingway-esque adventure novelist, is spending his days in a self-imposed exile somewhere in Central America. A reporter for Sight Magazine, Katie, has tracked him down in the hope... See full summary »
Set in the early '40s, a San Francisco prostitute is run out of town just as the second World War has begun to intensify. Mamie settles down in Hawaii, hoping to start a new life. Though her prospects look good when she falls in love with a science-fiction writer who treats her with the respect she deserves, the dawning war and the fallacies of her previous lifestyle complicate their budding romance. Mamie cannot fully remove herself from her former profession, and provides some of her old services to the sailors stationed in town. Searching for another means of financial security, Mamie invests in several pieces of real estate and becomes quite wealthy, though her bad reputation has not been forgotten by the locals. Written by
Hawaiian War Chant (Ta-Hu-Wa-Hu-Wai)
Original music by Prince Leleiohoku (song "Kaua i ka Huahua'i (We Two in the Spray)") (1860)
Revised music by Johnny Noble (1929)
Played when Jim goes to the bar looking for Mamie See more »
This one came out when my cinema-going was pretty well supervised by my parents who, had they known the subject matter, would not have approved of my going to see it. So it wasn't until years later that I caught it on a TV broadcast. I'd missed the credit titles but it wasn't long before I recognized the distinctive style of the musical scorer, the incredibly prolific Hugo Friedhofer. Check out his credits on the IMDb site dedicated to him and you'll be amazed at the number of projects on which he worked, both credited and uncredited. This movie focussed on a love story with a fairly heavy emphasis on its sexual aspect, discreetly cleaned up for the presumably conservative audiences of the mid-Fifties. But Hugo's music leaves no doubt as to what's going on but isn't being graphically depicted. Twentieth produced and released a lot of product around that time that took full advantage of CinemaScope and color, as well as their own system of multi-track stereophonic sound. With the locations used for this one, it would be a treat to see a theatrical presentation of this film, despite its flaws. It's a genuine artifact of what the movie moguls foisted on the adult audiences of the day. And besides Jane Russell in a role especially tailored to her, ahem!, talents, it's got Agnes Moorehead, who always added a special frisson to every role she played.
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