Set in the early '40s, a San Francisco prostitute is run out of town just as the second World War has begun to intensify. Mamie settles down in Hawaii, hoping to start a new life. Though ... See full summary »
Preacher Sam Stone and his new beautiful wife Jill stand by the grave of Sheriff Billy Kelly, who died trying to bring law-and-order to Emporia, Wyoming. Among the mourners are businessman ... See full summary »
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Josef von Sternberg,
In the Pacific during World War 2, the officers live a comfortable life with good food, good drink and good quarters. To them, war is a game which they know they will win and the common ... See full summary »
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In a fictionalized biography, Oklahoma outlaw Belle Starr meets the Dalton gang when rescued from lynching by Bob Dalton, who falls for her. So do gang member Mac and wealthy saloon owner ... See full summary »
Set in the early '40s, a San Francisco prostitute is run out of town just as the second World War has begun to intensify. Mamie settles down in Hawaii, hoping to start a new life. Though her prospects look good when she falls in love with a science-fiction writer who treats her with the respect she deserves, the dawning war and the fallacies of her previous lifestyle complicate their budding romance. Mamie cannot fully remove herself from her former profession, and provides some of her old services to the sailors stationed in town. Searching for another means of financial security, Mamie invests in several pieces of real estate and becomes quite wealthy, though her bad reputation has not been forgotten by the locals. Written by
The story synopsis of "The Revolt Of Mamie Stover," which appears in the 20th Century Fox studio press book, suggest that some last minute changes and edits were made the film to tone down the true nature of the Mamie Stover character. The following scenes were described in the synopsis: (1) The film opens with a scene on a street corner in San Francisco in which Mamie (Jane Russell) is "picked up" by a middle age man (portrayed by Stubby Kaye), and then detained by police who suggest she get out of town. )2) A scene occurs between Mamie and Annalee (Joan Leslie), in which Annalee tells Mamie to stay away from Jimmy (Richard Egan). (3) Mamie buys her own house on "the hill" and decorates it in anticipation of Jimmy's return from the war. (4) While Jimmy is away at war, he receives letters from both Annalee and Mamie. Annalee's are more poetic and caring, while Mamie's tell of her increasing fortune from her real-estate properties. (5) The film ends with a scene in a room at the Bungalow Club in which Jimmy rejects Mamie and leaves. Mamie walks down the hall, wipes her tears away, composes herself and enters another room, greeting her latest customer with her tag line, "You waitin' for Mamie, Honey?" This suggests that her life will continue on in same fashion as it always had: motivated by money at any cost despite a less than respectable lifestyle. The final version of the film as released redeems the Mamie character by cutting out before she greets her next customer and adding a scene in which she returns to San Francisco only to tell the police, who meet her at the dock, that she gave up her fortune and is now returning to her hometown of Leesburg, Mississippi. See more »
Although the story takes place in 1941-1942, all the women's fashion styles are from 1956. See more »
Hawaiian War Chant (Ta-Hu-Wa-Hu-Wai)
Original music by Prince Leleiohoku (song "Kaua i ka Huahua'i (We Two in the Spray)") (1860)
Revised music by Johnny Noble (1929)
Played when Jim goes to the bar looking for Mamie See more »
Not much of a movie but see Hawaii in it's golden age
Pretty much a throw away movie that has no real pace, a contrived plot and some wooden acting. That said, I found myself glued to the overall look and feel of the film. It depicts Hawaii in the mid-50's in all it's charm. The clothes, locations, dialogue and style give a highly romantic view of Hawaii and America in it's golden age.
Fun if you want to see Hawaii as many dreamed it was actually like in the 50's (or wish it still was), but not much of a movie.
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