Set in the early '40s, a San Francisco prostitute is run out of town just as the second World War has begun to intensify. Mamie settles down in Hawaii, hoping to start a new life. Though ... See full summary »
Preacher Sam Stone and his new beautiful wife Jill stand by the grave of Sheriff Billy Kelly, who died trying to bring law-and-order to Emporia, Wyoming. Among the mourners are businessman ... See full summary »
In New Orleans, prizefighter Socks Barbarrosa suddenly runs out of the ring before his title bout, and swears he'll never fight again. He gives no reason for his strange actions. His girl ... See full summary »
Set in the early '40s, a San Francisco prostitute is run out of town just as the second World War has begun to intensify. Mamie settles down in Hawaii, hoping to start a new life. Though her prospects look good when she falls in love with a science-fiction writer who treats her with the respect she deserves, the dawning war and the fallacies of her previous lifestyle complicate their budding romance. Mamie cannot fully remove herself from her former profession, and provides some of her old services to the sailors stationed in town. Searching for another means of financial security, Mamie invests in several pieces of real estate and becomes quite wealthy, though her bad reputation has not been forgotten by the locals. Written by
Fox publicity materials claim that Jane Russell's hula number, "Keep Your Eyes on the Hands", was not originally in the film. Crew members reputedly heard it sung at a Honolulu nightclub while there to film exteriors, and found it so "perfect" for Russell that it was incorporated into the film. See more »
Although the story takes place in 1941-1942, all the women's fashion styles are from 1956. See more »
Hawaiian War Chant (Ta-Hu-Wa-Hu-Wai)
Original music by Prince Leleiohoku (song "Kaua i ka Huahua'i (We Two in the Spray)") (1860)
Revised music by Johnny Noble (1929)
Played when Jim goes to the bar looking for Mamie See more »
It skirts the edges of a bolder, more passionate product, and may have benefited from the new permissiveness just four year later...
Raoul Walsh directs Jane Russell in an adaptation of William Bradford Huie's sexy novel about a brunette bombshell of ill-repute who leaves San Francisco for Honolulu in 1941 and falls into successful career as a dance-hall hostess. The heroine, mercenary and not above some cunning ruthlessness, is an interesting creation, and Russell does her justice. While her wisecracks and general air of condescension are unlikely ingredients for a woman who makes her fortune as a quasi-prostitute, Russell has the hard, salty armor for a role like this. Playing star-crossed lovers with wealthy novelist Richard Egan, Jane is nearly all business, and her witticisms are a hoot. Unfortunately, 1956 was too early for Hollywood to begin revealing the layers of the wanton female mind, and the picture seems too timid, too clean and luxurious as a result. Strictly as a big studio soaper, it has its pleasures. **1/2 from ****
3 of 3 people found this review helpful.
Was this review helpful to you?