Set in the early '40s, a San Francisco prostitute is run out of town just as the second World War has begun to intensify. Mamie settles down in Hawaii, hoping to start a new life. Though ... See full summary »
In this sequel to "The Paleface", Bob Hope and Jane Russell return as the lead characters. Hope plays Junior Potter, who returns to claim his father's gold, which is nowhere to be found. ... See full summary »
In the Pacific during World War 2, the officers live a comfortable life with good food, good drink and good quarters. To them, war is a game which they know they will win and the common ... See full summary »
Gilliat,a fisherman/smuggler is in jail, and is offered a pardon, if he undertakes a mission to sail to France to rescue Douchette, an English agent, whose cover has been blown,and who has now been jailed. Gilliat accepts the challenge.
Lt. Hazard, fresh out of West Point, arrives in Arizona Territory at hot, dusty, Fort Delivery. Appalled by the lax discipline of its troops, he restricts their privileges and subjects them... See full summary »
In New Orleans, prizefighter Socks Barbarrosa suddenly runs out of the ring before his title bout, and swears he'll never fight again. He gives no reason for his strange actions. His girl ... See full summary »
Set in the early '40s, a San Francisco prostitute is run out of town just as the second World War has begun to intensify. Mamie settles down in Hawaii, hoping to start a new life. Though her prospects look good when she falls in love with a science-fiction writer who treats her with the respect she deserves, the dawning war and the fallacies of her previous lifestyle complicate their budding romance. Mamie cannot fully remove herself from her former profession, and provides some of her old services to the sailors stationed in town. Searching for another means of financial security, Mamie invests in several pieces of real estate and becomes quite wealthy, though her bad reputation has not been forgotten by the locals. Written by
The story synopsis of "The Revolt Of Mamie Stover," which appears in the 20th Century Fox studio press book, suggest that some last minute changes and edits were made the film to tone down the true nature of the Mamie Stover character. The following scenes were described in the synopsis: (1) The film opens with a scene on a street corner in San Francisco in which Mamie (Jane Russell) is "picked up" by a middle age man (portrayed by Stubby Kaye), and then detained by police who suggest she get out of town. )2) A scene occurs between Mamie and Annalee (Joan Leslie), in which Annalee tells Mamie to stay away from Jimmy (Richard Egan). (3) Mamie buys her own house on "the hill" and decorates it in anticipation of Jimmy's return from the war. (4) While Jimmy is away at war, he receives letters from both Annalee and Mamie. Annalee's are more poetic and caring, while Mamie's tell of her increasing fortune from her real-estate properties. (5) The film ends with a scene in a room at the Bungalow Club in which Jimmy rejects Mamie and leaves. Mamie walks down the hall, wipes her tears away, composes herself and enters another room, greeting her latest customer with her tag line, "You waitin' for Mamie, Honey?" This suggests that her life will continue on in same fashion as it always had: motivated by money at any cost despite a less than respectable lifestyle. The final version of the film as released redeems the Mamie character by cutting out before she greets her next customer and adding a scene in which she returns to San Francisco only to tell the police, who meet her at the dock, that she gave up her fortune and is now returning to her hometown of Leesburg, Mississippi. See more »
Although the story takes place in 1941-1942, all the women's fashion styles are from 1956. See more »
Shot partially on location in Hawaii and at the Twentieth Century Fox studios in Los Angeles in 1956, this film recreates the atmosphere of the islands before and during the Second World War. Because of her Amazonian good looks and the notorious publicity associated with "The Outlaw" few critics have given Jane Russell her due as a dramatic actress. In this film, directed expertly by the old-hand Raoul Walsh, she plays a no-nonsense out-on-her-luck prostitute -here disguised in the usual Hollywood manner as a dance hall hostesswho falls for the rich guy on the hill. Unlike the other sex-goddesses of her time, foremost of all Marilyn Monroe who had been offered the part and turned it down, Jane shows none of that little-girl innocence and vulnerability of her sexy competitors; here she is as tough as nails, a big tomboy with a great body who knows exactly what she has and what it's worth. All business. Particularly memorable is a heated scene with Richard Egan in which she explains why she is obsessed with making money. It is probably one of the most convincing portrayals of a hooker without a heart of gold in film.
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