Ring Hassard and father Jeff, wild horse breakers, live in a hidden mountain eyrie because Jeff is wanted for a murder he didn't commit. But things change when they take in a lost young ... See full summary »
Jim Harvey is hired to guard a small wagon train as it makes its way west. The train is attacked by Indians and Harvey, hoping to persuade Aguila, the chief, to call off the attack due to ... See full summary »
Charming tale of mountaineer-trapper Murphy's first taste "big city" life with young, sweet Sandra Dee in tow. She flees her family, which tried to trade her for some of Murphy's beaver ... See full summary »
Audie Murphy is again the kid who puts on a badge to catch the bad guy, skillfully played by Barry Sullivan. On the way back to town the two develop a curiously close relationship - ... See full summary »
Ben Matthews gives up the flashy life of a riverboat gambler, hoping to settle down in Galena with his girlfriend, luscious entertainer Zoe. But Galena's leading citizen is murdered on the boat; Ben, on arrival, finds a lynch mob after his neck, and flees. Three years of wandering later, Zoe's letters stop coming and Ben returns to find her and attempt the hopeless task of clearing himself. Written by
Rod Crawford <firstname.lastname@example.org>
Isn't it customary to give a man chance to get even?
Why, I wouldn't know. I'm not familiar with the niceties of the game.
I figured You for a man of high ideals. Seems I was wrong.
You did? I figured You for a bad loser. I was right.
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This has to be one of the "best looking" films around. Very scenic, as a Western should be. Maybe the best looking two leads together ever.
It's a "fluff" Western, and that isn't always an insult. That's what this was meant to be. Lots of B Westerns were made with different goals, but roughly 2/5 were made like this, to be just eye candy, with a few side dishes added on.
Here, Arthur Kennedy is the "mystique" character. he comes on with too much of a likable rogue, and we wonder if he'll be the masked murderer who leaves Tony Curtis with the blame for a killing of a respected cattle baron.
This is lifted up a bit over the usual fluff with a few red herrings, as we get a bit of a mystery. And the clues come to us the same way they come to the character played by Curtis, which is refreshing. We actually feel along the way with him, as this is very well directed.
The review that claims Korman may have copied the villain for Blazing Saddles looks to be close to the mark I dare say. That kind of gives it a retro appeal that they hadn't counted on in 1955. It is an appealing film. Not memorable, but appealing.
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