Ring Hassard and father Jeff, wild horse breakers, live in a hidden mountain eyrie because Jeff is wanted for a murder he didn't commit. But things change when they take in a lost young ... See full summary »
While mainland Britain shivers in deepest winter, the northern island of Fara bakes in the nineties. The boys at the Met station have no more idea what is going on than the regulars at the ... See full summary »
After robbing a bank Murphy assumes the identity of his pursuer, a famous US Marshal, when he stumbles into a town and is confronted by the local judge, Matthau. Murphy is forced to remain ... See full summary »
After having been interned in a concentration camp by the Nazis, Professor Taumen, a Jewish surgeon, and his future daughter-in-law leave Italy for Palestine. Once there they are guided by ... See full summary »
Ben Matthews gives up the flashy life of a riverboat gambler, hoping to settle down in Galena with his girlfriend, luscious entertainer Zoe. But Galena's leading citizen is murdered on the boat; Ben, on arrival, finds a lynch mob after his neck, and flees. Three years of wandering later, Zoe's letters stop coming and Ben returns to find her and attempt the hopeless task of clearing himself. Written by
Rod Crawford <firstname.lastname@example.org>
Isn't it customary to give a man chance to get even?
Why, I wouldn't know. I'm not familiar with the niceties of the game.
I figured You for a man of high ideals. Seems I was wrong.
You did? I figured You for a bad loser. I was right.
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This has to be one of the "best looking" films around. Very scenic, as a Western should be. Maybe the best looking two leads together ever.
It's a "fluff" Western, and that isn't always an insult. That's what this was meant to be. Lots of B Westerns were made with different goals, but roughly 2/5 were made like this, to be just eye candy, with a few side dishes added on.
Here, Arthur Kennedy is the "mystique" character. he comes on with too much of a likable rogue, and we wonder if he'll be the masked murderer who leaves Tony Curtis with the blame for a killing of a respected cattle baron.
This is lifted up a bit over the usual fluff with a few red herrings, as we get a bit of a mystery. And the clues come to us the same way they come to the character played by Curtis, which is refreshing. We actually feel along the way with him, as this is very well directed.
The review that claims Korman may have copied the villain for Blazing Saddles looks to be close to the mark I dare say. That kind of gives it a retro appeal that they hadn't counted on in 1955. It is an appealing film. Not memorable, but appealing.
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