Former OSS officer Alan Holiday, now living in London, is visited on New Year's Eve by Catherine Carrel who says she is a close friend of Jules Lemoine who served with Holiday during the ... See full summary »
A stranger in a Western cattle-town behaves with remarkable self-assurance, establishing himself as a man to be reckoned with. The reason appears with his stock: a herd of sheep, which he ... See full summary »
In the western frontier town of Cross Creek storekeeper George Temple is a polite and soft spoken man with a secret past.When three bank robbers on the lam stop in town to change horses George Temple's past comes back to haunt him.
Rosie is a sweet, rich and generous woman, especially when is comes to giving money. Daughters, Mildred and Edith, are worried that she will spend all their inheritance, so they plan to ... See full summary »
When his son Andy is kidnapped and held for ransom, David Stannard liquidates his assets to meet the half-million dollar demand. A casual remark by newspaper reporter Charlie Telfer makes him change his mind. Despite the pleas from his wife Edith and brother Al, and the resultant condemnation of the press and public, Stannard goes on a nation-wide television program, displays the money and warns the kidnapper that not one cent will be paid for ransom; instead the money will be used to track down the kidnapper if Andy isn't returned unharmed. The police then find the boy's blood-stained shirt. Written by
Les Adams <email@example.com>
This film was based on an episode of The United States Steel Hour (1953) called "Fearful Decision" that first aired live on June 22, 1954. It was so well received it was restaged on May 10, 1955. After this film was made, it was remade by 'Ron Howard' as Ransom (1996). See more »
Close-knit family is torn apart after young boy is kidnapped. Glenn Ford does his usual first-class work as the boy's distraught father, though the supporting performances fail to match up or make any impact of their own. Director Alex Segal shows no imagination behind the camera, and his film is workman-like in the manner of TV dramas. Donna Reed's hysterical mom becomes tiresome before too long, and there isn't much detail on the kidnappers themselves (whom we never see). By giving us some inkling of their plans or intrinsic motives, the movie might have felt more fully played out. Still, Ford is almost always worth watching, and his thoughtful work should certainly please his fans. Remade in 1996 with Mel Gibson. ** from ****
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