Lizzie Curry is on the verge of becoming a hopeless old maid. Her wit and intelligence and skills as a homemaker can't make up for the fact that she's just plain plain! Even the town ... See full summary »
Author Eugene O'Neill gives an autobiographical account of his explosive homelife, fused by a drug-addicted mother, a father who wallows in drink after realizing he is no longer a famous ... See full summary »
The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
Joseph L. Mankiewicz
Journalist Steve O'Malley wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him question what the truth about the hero is.
Lizzie Curry is on the verge of becoming a hopeless old maid. Her wit and intelligence and skills as a homemaker can't make up for the fact that she's just plain plain! Even the town sheriff, File, for whom she harbors a secrect yen, won't take a chance --- until the town suffers a drought and into the lives of Lizzie and her brothers and father comes one Bill Starbuck ... profession: Rainmaker! Written by
After Starbuck shows up at the Currys' house, H.C. and Noah are playing a game of checkers. They start the game with H.C. playing red and make a few moves, then the phone rings. After the call, the game has reset to the beginning, and H.C. is playing black. See more »
Much has been made of the fact that nearly all of the actors were too old to comfortably inhabit their roles, which I think is crap. I don't think Hepburn's character felt anything other than genuine nor did it seem as if she were playing a character younger than her years. For one, she was a pretty well-preserved 49 - but that's almost beside the point. The point, I think being, is that no matter what your age or station, dreams will infuse you with beauty and purpose, so never abandon them. Sure, there were show-boaty moments (the final scene of the Rainmaker riding off springs to mind) - but this was made in 1956, after all, and gestures tended to be a little more expansive. Context, people, context.
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