Lizzie Curry is on the verge of becoming a hopeless old maid. Her wit and intelligence and skills as a homemaker can't make up for the fact that she's just plain plain! Even the town ... See full summary »
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Lizzie Curry is on the verge of becoming a hopeless old maid. Her wit and intelligence and skills as a homemaker can't make up for the fact that she's just plain plain! Even the town sheriff, File, for whom she harbors a secrect yen, won't take a chance --- until the town suffers a drought and into the lives of Lizzie and her brothers and father comes one Bill Starbuck ... profession: Rainmaker! Written by
A.L.Beneteau <albl@inforamp.net>
After Starbuck shows up at the Currys' house, H.C. and Noah are playing a game of checkers. They start the game with H.C. playing red and make a few moves, then the phone rings. After the call, the game has reset to the beginning, and H.C. is playing black. See more »
Much has been made of the fact that nearly all of the actors were too old to comfortably inhabit their roles, which I think is crap. I don't think Hepburn's character felt anything other than genuine nor did it seem as if she were playing a character younger than her years. For one, she was a pretty well-preserved 49 - but that's almost beside the point. The point, I think being, is that no matter what your age or station, dreams will infuse you with beauty and purpose, so never abandon them. Sure, there were show-boaty moments (the final scene of the Rainmaker riding off springs to mind) - but this was made in 1956, after all, and gestures tended to be a little more expansive. Context, people, context.
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Much has been made of the fact that nearly all of the actors were too old to comfortably inhabit their roles, which I think is crap. I don't think Hepburn's character felt anything other than genuine nor did it seem as if she were playing a character younger than her years. For one, she was a pretty well-preserved 49 - but that's almost beside the point. The point, I think being, is that no matter what your age or station, dreams will infuse you with beauty and purpose, so never abandon them. Sure, there were show-boaty moments (the final scene of the Rainmaker riding off springs to mind) - but this was made in 1956, after all, and gestures tended to be a little more expansive. Context, people, context.