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The Rack (1956)

Passed  |   |  Drama, War  |  2 November 1956 (USA)
6.8
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Ratings: 6.8/10 from 746 users  
Reviews: 21 user | 7 critic

A decorated Korean War hero inexplicably collaborates with the enemy while interred in a POW camp and is court-martialed.

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(screenplay), (teleplay)
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Title: The Rack (1956)

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Cast

Complete credited cast:
...
Capt. Edward W. Hall, Jr.
...
Maj. Sam Moulton
...
Col. Edward W. Hall, Sr.
...
Lt. Col. Frank Wasnick
...
Aggie Hall
...
Capt. John R. Miller
...
Caroline
Robert Burton ...
Col. Ira Hansen
Robert F. Simon ...
Law Officer (as Robert Simon)
Trevor Bardette ...
Court President
...
Sgt. Otto Pahnke
...
Millard Chilson Cassidy
Fay Roope ...
Col. Dudley Smith
Barry Atwater ...
Maj. Byron Phillips
Edit

Storyline

Captain Edward Hall returns to the USA after two years in a prison camp in the Korean war. In the camp he was brainwashed and helped the Chinese convince the other prisoners that they were fighting an unjust war. When he comes back he is charged for collaboration with the enemy. Where does loyalty end in a prison camp, when the camp is a living hell? Written by Mattias Thuresson

Plot Summary | Add Synopsis

Taglines:

NOTHING LIKE IT SINCE "THE CAINE MUTINY"! (original print ad - all caps) See more »

Genres:

Drama | War

Certificate:

Passed | See all certifications »
Edit

Details

Country:

Language:

Release Date:

2 November 1956 (USA)  »

Also Known As:

Anklage: Hochverrat  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

In 1956, Walter Pidgeon and Anne Francis appeared as father and daughter in "Forbidden Planet" and then as father-in-law and daughter-in-law in this movie. See more »

Goofs

In his closing argument in defense of Captain Hall, the defense attorney mentions that Capt Hall served in two wars, implying service during World War II and the Korean War. But Capt Hall's uniform has ribbons only for the Korean War. See more »

Quotes

Capt. Edward W. Hall Jr.: Do you know what's the matter with me?
Aggie Hall: No.
Capt. Edward W. Hall Jr.: My mother wasn't in the army, so I'm a half-breed.
Aggie Hall: I don't know you very well yet. Is that your way of being bitter or laughing at yourself, or...?
Capt. Edward W. Hall Jr.: Remember those things that were half horse and half man? Well, that's me... half my father
[Looking at the sagging miniature American flag on the 'welcome home' cake]
Capt. Edward W. Hall Jr.: ... half my father's disappointment and half my mother's hope.
Aggie Hall: He's not disappointed in you.
Capt. Edward W. Hall Jr.: You know what I did this afternoon? After I left ...
See more »


Soundtracks

The Last Time I Saw Paris
(uncredited)
Music by Jerome Kern
Hummed by Walter Pidgeon
See more »

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User Reviews

 
Underrated gem
8 April 2009 | by (Oslo, Norway) – See all my reviews

Paul Newman's second film (but released after "Somebody Up There Likes Me") demonstrates that, even then, he was the truly finest screen performer around. But the very nature of his style has always placed him behind –or to the side of– more "bravura" actors of the time. Unlike Brando and Clift and Dean- he is much less self-centered; in other words he is a sharing actor. This puts the SCENE in focus more than the performance, and in this extremely underrated (and almost forgotten) courtroom drama you have one of the best scenes I have ever come across - a simple dialogue between Newman and his father, played by Walter Pidgeon (who gives one of HIS best performances here). The short scene takes place towards the end of the film and is pivotal to the story. It is a miniature master-class in technique, communication (or lack of it) and truth. There are clear parallels to "East of Eden" but somehow the shading here is less stark, which makes the confrontation so much more -real. Courtroom dramas, especially American ones, almost always work as on screen. The inbuilt tension and clear pattern of procedure, with gradual unraveling of facts and insights, is compelling, no matter what the case or period. This one is no exception. There are many cadences and moral issues are raised that one sometimes wishes could have gone even further. Otherwise the screenplay (based on a tele-play) is taut, careful and intriguing. So are the characters: Wendell Corey and Edmond O Brien as defense and prosecuting counsel respectively are particularly noteworthy, and utterly believable in parts that could easily have been stereotypes. If one must criticize, I would have to say that the first part of the film, before the court case begins, could have been curtailed slightly. Not because it is in any way uninteresting, but because it seems somehow rather unnecessary -as if just placed in to flesh out the film. But this is a minor criticism of a film that really deserves to be better known.


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