Drifter Chance Wayne returns to his hometown after many years of trying to make it in the movies. Arriving with him is a faded film star he picked up along the way, Alexandra Del Lago. ... See full summary »
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
A no account outlaw establishes his own particular brand of law and order and builds a town on the edges of civilization in this farcical western. With the aid of an old law text and ... See full summary »
In Oregon Country, 1868, several tribes of Native Americans have been placed on a reservation north of the Snake River. Here Doctor Holden has built a church, and many of the tribes have ... See full summary »
Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
During the Korean War Lt. Sam Pryor volunteers his platoon to escort Greek troops to perform a reconnaissance mission behind Communist lines. Due to his Greek heritage Pryor is initially ... See full summary »
Robert D. Webb
Captain Edward Hall returns to the USA after two years in a prison camp in the Korean war. In the camp he was brainwashed and helped the Chinese convince the other prisoners that they were fighting an unjust war. When he comes back he is charged for collaboration with the enemy. Where does loyalty end in a prison camp, when the camp is a living hell? Written by
With "The Rack" Pidgeon ended a nineteen year association with MGM that had begun in 1937 with "Saratoga," ironically Jean Harlow's last film. See more »
In the closing scene inside the courtroom, Capt. Miller (Lee Marvin) conspicuously comes in and sits down in a chair right next to the door, against the back wall. We see him there in a couple of close-up shots, but in several wide camera shots taken from the front of the courtroom, he is nowhere to be seen. See more »
Paul Newman has impressed me in "Cool Hand Luke" and in this film his performance ranges from the "cool" to the frail man in the duration of the movie.
Among films based on courtroom trials this one is remarkable. It rates alongside Bruce Beresford's Australian film "Breaker Morant" and the British film "Term of Trial."
A major feather in the cap is the ending, which is a clever touch by the director Arnold Laven. Any other ending would have made the film less poignant.
The development of the relationship between Newman's character and that of Annie Francis' Aggie is again worthy of note. Lee Marvin's small role catches your attention though it is not his finest by any measure.
All in all this film should be given more publicity, as the theme is relevant today as it was when it was made.
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