Captain Edward Hall returns to the USA after two years in a prison camp in the Korean war. In the camp he was brainwashed and helped the Chinese convince the other prisoners that they were ... See full summary »
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Captain Edward Hall returns to the USA after two years in a prison camp in the Korean war. In the camp he was brainwashed and helped the Chinese convince the other prisoners that they were fighting an unjust war. When he comes back he is charged for collaboration with the enemy. Where does loyalty end in a prison camp, when the camp is a living hell? Written by
Mattias Thuresson
In the closing scene inside the courtroom, Capt. Miller (Lee Marvin) conspicuously comes in and sits down in a chair right next to the door, against the back wall. We see him there in a couple of close-up shots, but in several wide camera shots taken from the front of the courtroom, he is nowhere to be seen. See more »
Paul Newman has impressed me in "Cool Hand Luke" and in this film his performance ranges from the "cool" to the frail man in the duration of the movie.
Among films based on courtroom trials this one is remarkable. It rates alongside Bruce Beresford's Australian film "Breaker Morant" and the British film "Term of Trial."
A major feather in the cap is the ending, which is a clever touch by the director Arnold Laven. Any other ending would have made the film less poignant.
The development of the relationship between Newman's character and that of Annie Francis' Aggie is again worthy of note. Lee Marvin's small role catches your attention though it is not his finest by any measure.
All in all this film should be given more publicity, as the theme is relevant today as it was when it was made.
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Paul Newman has impressed me in "Cool Hand Luke" and in this film his performance ranges from the "cool" to the frail man in the duration of the movie.
Among films based on courtroom trials this one is remarkable. It rates alongside Bruce Beresford's Australian film "Breaker Morant" and the British film "Term of Trial."
A major feather in the cap is the ending, which is a clever touch by the director Arnold Laven. Any other ending would have made the film less poignant.
The development of the relationship between Newman's character and that of Annie Francis' Aggie is again worthy of note. Lee Marvin's small role catches your attention though it is not his finest by any measure.
All in all this film should be given more publicity, as the theme is relevant today as it was when it was made.