A missile, launched by the team led by Prof. Quatermass, lands in the English countryside. Of the three members of the crew, two have mysteriously disappeared. The third one, barely alive, ... See full summary »
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A missile, launched by the team led by Prof. Quatermass, lands in the English countryside. Of the three members of the crew, two have mysteriously disappeared. The third one, barely alive, undergoes an horrible metamorphosis turning into a monstrous "thing". When he breaks out and, chased in vain by inspector Lomax, starts killing humans and animals to feed his transformation, Quatermass realizes that this is the way chosen by an alien form of life to invade the Earth. Written by
Stefano Cristiani <email@example.com>
The first adaptation by Hammer of what was originally a TV drama. See more »
Although the newspaper reports all refer to Q1's crash-landing as occurring on the previous night, the "News Chronicle" is dated Saturday October 23 1954 whilst the "Daily Mail" hails from Friday November 12 of the same year. Additionally, after the opening paragraphs, all of the reports are clearly about different subjects (such as a trade union dispute with BEA). See more »
"An important film in the development of British horror cinema."
POSSIBLE SPOILERS Government scientist Professor Bernard Quatermass (BRIAN DONLEVY) sends a rocket into space containing three astronauts. Radio contact is lost and later it crash lands in the English countryside. Two of the crew members are missing, but the survivor, Victor Carroon (RICHARD WORDSWORTH) is slowly being taken over by an alien fungus that feeds on the blood of animals and human-beings.
In a bid to win audiences away from their TV sets (something that was a real threat to cinemas at the time), Hammer elected to film the popular BBC serial THE QUATERMASS EXPERIMENT (the E was replaced with X in order to emphasise it's X certificate), which was the creation of writer Nigel Kneale. The gamble payed off and Hammer had a box office hit on their hands in 1955.
Seen today, THE QUATERMASS XPERIMENT is obviously very tame in comparison to modern day sci-fi and horror films, most of it's shock sequences occur off screen with the camera cutting away and harping back on reaction shots. Yet it is a milestone in the development of British horror cinema and along with the company's THE CURSE OF FRANKENSTEIN, it spawned this country's horror boom of the 1950's and 60's. Richard Wordsworth's Carroon is one of the most sympathetic monsters in British horror and there is a classic scene at the London docks where the former is hiding out in an abandoned boat and is awakened by a little girl who is having a pretend picnic with her dolly. Unaware of the true horror that's going on, the little girl naively asks Carroon if he wants to join them. One can see that Carroon is fully aware of what would happen if the girl touches him and runs away accidentally breaking her dolly.
Wordsworth is brilliant as Carroon and so is Brian Donlevy as Quatermass while director Val Guest's documentary approach gives the picture a sense of conviction.
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