A missile, launched by the team led by Prof. Quatermass, lands in the English countryside. Of the three members of the crew, two have mysteriously disappeared. The third one, barely alive, ... See full summary »
Harry Spalding and his wife Valerie inherit a cottage in a small country village after his brother mysteriously dies. The locals are unfriendly and his neighbor Dr. Franklyn (a doctor of ... See full summary »
In this engaging costume melodrama of skulduggery on the low seas set back in the 18th-century, the Royal Crown suspects a bit of smuggling is going on in this locale, and they send Captain... See full summary »
Peter Graham Scott
Last of the Hammer Frankenstein films, this one deals with the Baron hiding out in an insane asylum, so that he may continue his experiments with reanimating the dead, along with inmate Dr.... See full summary »
Young workers are dying because of a mysterious epidemic in a little village in Cornwall. Doctor Thompson is helpless and asks professor James Forbes for help. The professor and his ... See full summary »
An edited for theaters version of the 1979 Quatermass four part mini-series set in near future. Professor Quatermass must save his granddaughter from the clutches of a popular and sinister cult "Planet People" that "performs raptures".
A missile, launched by the team led by Prof. Quatermass, lands in the English countryside. Of the three members of the crew, two have mysteriously disappeared. The third one, barely alive, undergoes an horrible metamorphosis turning into a monstrous "thing". When he breaks out and, chased in vain by inspector Lomax, starts killing humans and animals to feed his transformation, Quatermass realizes that this is the way chosen by an alien form of life to invade the Earth. Written by
Stefano Cristiani <firstname.lastname@example.org>
Horror/science fiction films have rarely been singled out for the quality of the acting in them. Over the decades, a couple of "monsters" have been tapped for praise: Fredric March won an Oscar for his turn at Jekyll and Hyde, & Jeff Goldblum was rightly seen as an example of "inspired casting" in David Cronenberg's remake of _The Fly_.
But I think Richard Wordsworth has them both beat.
I enjoy _The Creeping Unknown_ overall, but it is Wordsworth's performance as Victor Caroon that lifts it into the stratosphere for me. I mean, sheesh, _look_ at him! This is an incredibly painful and, yes, passionate portrait of a man whose _body_ is being taken over and is changing into something else, even as he fights to retain possession of it. What might such a battle _feel_ like? Wordsworth lets you know, and in doing so anchors an almost cliché science-fiction "what if ...?" in raw human nerve endings. Watch him battle the frightening desires that overcome him; watch him try to stay ... human. He's first class, and why his career never really took off ...
I am probably all alone on a windswept plain in this, but I think Wordsworth's acting here is as frenzied and solid as that of Klaus Kinski in any of the great movies he did with Werner Herzog. So shoot me! :)
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