Stanley Windrush has to interrupt his university education when he is called up towards the end of the war. He quickly proves himself not to be officer material. This leads him to meets up ... See full summary »
Stanley Windrush has to interrupt his university education when he is called up towards the end of the war. He quickly proves himself not to be officer material. This leads him to meets up with wily Private Cox who knows exactly how all the scams work in the confused world of the British Army. And Stanley's brigadier War Office uncle seems to be up to something more than a bit shady too. Written by
Jeremy Perkins <firstname.lastname@example.org>
In addition to playing a German officer in the film (mostly speaking in English), Christopher Lee dubs the voice of the Dennis Price character in the scenes where he is speaking in German. See more »
Good Lord - Windrush! What on earth are you doing dressed up as a Jerry? You're an absolute bounder.
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Opening credits: "The service caps issued for use in this film are intended to be worn by imaginary personnel only. Others who find themselves well-fitted should regard it as purely coincidental." See more »
Growing up in England we are blessed to have the comedic genii of the Boulting Brothers and Ealing Studios. Films like Kind Hearts & Cornets, the Lavender Hill Mob, and School for Scoundrels, comedies that make us root for the crook even though we know (thanks to censorship) that they won't get away with it. Private's Progress (the precursor to I'm Alright Jack) is in the same mould. The sublime Ian Carmichael, the Machiavellian Terry-Thomas, the spivvy Richard Attenborough, the slightly otherworldly John LeMesurier - perfect stereotypes of post-war Albion. Movies like this are made to be watched on wet Sunday afternoons, cozy slippers and a pot of tea, perhaps even a biscuit or two or a slice of rich fruitcake dense with candied peel and other goodies. Safe to watch with your Auntie Doris (no sex, violence or swearing, no sir), a film that carries itself purely on a clever script and a rattling pace. Complete fluff, of course, but just the ticket as the winter's evening closes in and you're dreading returning to work on Monday. File under pretty much anything from that era with Alec Guinness (may his name be praised), Sink the Bismark, Ice Cold in Alex, Rommell, or Dambusters. British through and through, and a jolly good thing too. They don't make movies like this anymore, more's the pity.
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