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Patterns (1956)

7.9
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Ratings: 7.9/10 from 1,075 users  
Reviews: 37 user | 6 critic

When Fred Staples is recruited onto the board of a high-powered New York corporation, he finds his ethics and ambition at odds.

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(original story and screen play)
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Title: Patterns (1956)

Patterns (1956) on IMDb 7.9/10

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Nominated for 1 BAFTA Film Award. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Nancy Staples
...
Joanna Roos ...
Valerie Cossart ...
Miss Stevens
Eleni Kiamos ...
Sylvia Trammel
Ronnie Welsh ...
Paul Briggs
Shirley Standlee ...
Miss Hill
...
Mr. Jameson
Jack Livesey ...
Mr. Vanderventer (as Jack Livesy)
John Seymour ...
Mr. Gordon
James Kelly ...
Mr. Latham
John Shelly ...
Mr. Grannigan
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Storyline

The story of the fierce and corrosive competition that exists in the executive branch of Ramsey & Co., a New York industrial colossus headed by Walter Ramsey, its cold, designing and ruthless chief. It is the saga, too, of Bill Briggs, his longtime second in command, who is swayed by human as well as technological values. And, it is the case of Fred Staples, a comparatively youthful industrial engineer brought in by Ramsey to succeed Briggs. The younger man's views and sensitivities are essentially the same as Briggs'. People are not merely units, they feel. But it is Ramsey's calculated pattern not to fire his aging aide but to create such untenable positions that he will be forced to resign. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

Ruthless Men And Ambitious Women...Clawing For Control Of A Billion Dollar Empire!!!

Genres:

Drama

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Details

Country:

Language:

Release Date:

26 October 1956 (West Germany)  »

Also Known As:

Morgen trifft es dich  »

Filming Locations:

 »

Company Credits

Production Co:

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Show detailed on  »

Technical Specs

Sound Mix:

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Did You Know?

Trivia

Based on a teleplay by Rod Serling that ran on "Kraft Television Theatre" (1947) in January 1955. It featured several of the same actors that would appear in the movie, including Everett Sloane and Ed Begley. However the part of Fred Staples, the lead, was originated by Richard Kiley. Begley's character, Bill Briggs, was called Andy Sloane in the original version. Serling's teleplay won him the first of his six Emmy Awards. See more »

Goofs

Staples' secretary calls him 'Mr. Briggs' at the end of one scene. It is just possible that she was meant to be flustered. See more »

Quotes

Walter Ramsey: I'll see you in the morning, Fred. Remember, you didn't steal that promotion. You won it!
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User Reviews

Short and Sour View of Office Politics.
18 September 2002 | by (Cincinnati, OH) – See all my reviews

This tight, intense little film has been rarely seen in recent years (although the original teleplay on which it is based was a huge hit.) It's impact has been dulled slightly (mostly because it's ideas have been stolen for other countless TV shows and movies), but it's basic story is still as relevant as ever. Heflin is a small town plant manager whose company has been swallowed up by Sloane's conglomerate. Sloane moves him up to the executive level of the conglomerate and sets him up with a beautiful home, a fancy office and a top secretary. Soon, however, Heflin realizes that his promotion may have more to do with leverage against one of Sloane's adversaries, his vice president, Begley. Straight is Heflin's materialistic wife who urges him to succeed no matter what the moral cost. Wilson is Begley's secretary who finds herself torn between personal loyalty and company loyalty. The film is a curt 83 minutes and wisely unpadded with excess subplots. The acting is uniformly strong. Heflin is able to display a wide range of emotion. Begley, often cast as overbearing boors, is able to show a more vulnerable side. Sloane is the one who almost goes over the top. He shouts wildly at the drop of a hat and doesn't allow anyone to finish a sentence. One hopes that his type of management wouldn't be tolerated in today's world, but it very well may be. Wilson comes across very solidly in one of her better screen roles. She's given many quiet moments that display her internal struggle. (She would later put a comedic spin on the whole office thing with her wondrous turn in "9 to 5".) Straight is good, but isn't really a focal point of the story. The film has a dim view of corporate America and the unsettling feelings in the office begin right away. Though the times have changed, this story still holds value today and is an arresting work to watch.


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