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Herman owes a lot of gambling debts. To pay them off, he promises the mob he'll fix a horse, so that it does not run. He intends to trick his animal-loving cousin, Virgil, an apprentice ... See full summary »
Martin and Lewis are sons of former ranch partners. Lewis, raised by his millionaire mother, follows visiting Martin back to the old West to learn how to be a cowboy. The ranch where Martin is foreman is in financial trouble, and with Lewis's unorthodox help, the good guys win out. Written by
Ray Hamel <firstname.lastname@example.org>
This is the second to last film starring Dean Martin & Jerry Lewis--and so the title does seem a bit ironic! The film begins with Dean and Jerry's fathers (played by them with powdered hair) dying in a shoot out with baddies. However, both men had sons. One was a capable and manly cowboy (Martin) and the other a pampered mama's boy (Lewis) and they grow up not knowing each other. However, when Martin meets with his old partner's widow (Agnes Moorehead) to try to get money for a prize bull, she refuses but her son (Lewis) decides to go west with Martin and learn to be a real he-man. Plus, his mother has plans for him that include marriage to an amazon--and he wants no part of it. The rest of the film consists of Jerry acting wimpy and very goofy (perhaps too much so at times) and Martin being exasperated but loyal to his new friend who makes everyone (including Jerry) think he's a lot more rugged and brave than he really is.
If you think about it, this plot is basically "That's My Boy" (an earlier and better Martin & Lewis film) all over again. The locale is different, but the rest is basically the same formula. It's a pleasant formula, but also shows lazy writing as well and the film could have benefited from more originality. Plus, in a few scenes Jerry really does ham it up too much (even more than normal) and there are just too many "ooooo, oooohs" and "whoo-oooaa" moments in the otherwise pleasant but unremarkable film. And, as a result of so much screen time for Jerry, Martin is mostly relegated to the background--and you can see how films like this ultimately pushed them to their dissolving their pardner-ship.
By the way, this film also bears a strong similarity to the Bob Hope films "The Paleface" and "Son of Paleface". See them all and you'll probably agree.
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