6.2/10
1,078
49 user 5 critic

The Opposite Sex (1956)

Not Rated | | Comedy, Musical, Romance | 29 April 1957 (Sweden)
Shortly after their tenth wedding anniversary, New York theater producer Steven Hilliard and his wife, former popular radio singer Kay Hilliard née Ashley, are getting a Kay-initiated Reno ... See full summary »

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Writers:

(screenplay), (screenplay) | 1 more credit »
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Nominated for 1 Golden Globe. See more awards »
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Cast

Cast overview, first billed only:
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Steve Hilliard
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Howard Fowler
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Storyline

Shortly after their tenth wedding anniversary, New York theater producer Steven Hilliard and his wife, former popular radio singer Kay Hilliard née Ashley, are getting a Kay-initiated Reno divorce after Kay finds out about a marital indiscretion he had with Crystal Allen, a gold digging chorus girl in one of his shows. News of the indiscretion made its way to Kay indirectly by her catty friend, Sylvia Fowler. In Kay getting the divorce, Kay's best friend, playwright Amanda Penrose believes Kay is playing right into the wants of Crystal, whose main goal is not to be happily married to Steven, but to get what such a marriage can bring to her in material wealth and comfort. Amanda does not believe Steven loves Crystal and that he still really does love Kay. And Kay does proceed with the divorce despite believing theirs was a happy and loving marriage before she learned of the indiscretion, and despite having an adolescent daughter, Debbie, to consider. But when Kay learns some ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

A SCREENFUL OF FUN! (original print ad - all caps) See more »


Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

29 April 1957 (Sweden)  »

Also Known As:

El sexo opuesto  »

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Box Office

Budget:

$2,834,000 (estimated)

Gross USA:

$6,016,800
See more on IMDbPro »

Company Credits

Production Co:

 »
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Technical Specs

Sound Mix:

(as Perspecta Sound)| (Westrex Recording System)

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When June Allyson slaps Joan Collins, June was told Joan would pull back before impact and Joan was told June would not strike her. The connection was made and we see a slap so hard, Joan's earrings fly off her ears. Joan would not speak to June for several days believing it was intentional. See more »

Goofs

When Kay shakes her hands in the air when she says, "I've had a whole year to grow claws, Lexie! Jungle Red!", she's wearing clear nail polish. In the next scene, at the nightclub, she has on red nail polish. See more »

Quotes

Pat: At least he sent you roses! I had one guy send one lily with a black ribbon around it!
See more »

Crazy Credits

Opening credits: Manhattan Island ... A body of land consisting of four million square males-completely surrounded by women. See more »

Connections

Version of The Women (1939) See more »

Soundtracks

Young Man With a Horn
(uncredited)
Music by George Stoll
Lyrics by Ralph Freed
Performed and Danced by June Allyson, with horn solo by Harry James
See more »

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User Reviews

Such an inexplicable disappointment-----
7 October 2005 | by See all my reviews

I, as many others here, was excited to learn of, and anxious to see this "musical remake" of The Women. But as my summary states, I found it to be such an inexplicable disappointment! Others here have said it better, so I'll just echo the complete bafflement of having stars of the caliber of Joan Greenwood and Ann Miller DO NOTHING AT ALL in the film! Amazing and so disappointing.

I'm afraid the root cause of this bomb is the choice of June Alyson for the lead. Frankly, Norma Shearer grates on me; I do not worship at her altar; however, she certainly brought enough depth of character to the original wonderful 1930s film to justify all the shenanigans of that film, which all revolved around her. What she did, what she didn't do, how she reacted, etc. In this sorry remake, that character as played by June Alyson is so boringly uninteresting. We can't see at all that the character's friends would react with such concern. Who cares is more the response given. And lets get this over with.

The pacing was excruciatingly slow and flat. The "humor" was pathetic. The pathos was humorous. And as has been pointed out, why? Why even call this thing a musical? In the '30s and '40s, there was often one or two musical "entertainments" worked into the film as incidentals or backgrounds, but that didn't justify calling them musicals! Yes, I'm afraid that this piece definitely needed a different more dynamic lead, and it also needed a much better director and/or editor to pick up the pace.

So disappointing. I can't even recommend it for the "period" costumes....though I must comment they were so "stunning" as to all seem like stage costumes! Boo-hoo. I thought I had discovered a new treasure to enjoy.


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