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Nightfall (1957)

7.2
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Ratings: 7.2/10 from 1,454 users  
Reviews: 42 user | 28 critic

Through a series of bizarre coincidences artist finds himself falsely accused of bank robbery and murder and is pursued by the authorities and the real killers.

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Title: Nightfall (1957)

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Cast

Complete credited cast:
...
James Vanning
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John
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Marie Gardner
...
Laura Fraser
...
Ben Fraser
...
Dr. Edward Gurston
Rudy Bond ...
Red
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Storyline

There is money missing from a bank job, an attractive model, an insurance investigator, and two extremely dangerous thugs. James Vanning (Aldo Ray) portrays an innocent man on the run, being pursued by the criminals who stupidly misplaced their take from the crime and think he has it or knows where it is hidden. Add model Marie Gardner (Anne Bancroft) who crossed paths with nice guy Vanning, while he is on the run. This all adds up to a thriller wherein the viewer is drawn into the story and becomes part of the drama. When Marie says "things that really happen are difficult to explain" it captures the theme of this film. A nice girl helps a nice guy, who is innocent and is drawn into the drama. As tension mounts she says: "I am always meeting the wrong man, and it leads to doomed relationships." Marie inadvertently leads Vanning into the hands of the villains. However, she is a pseudo-femme fatale, innocently involved in the intrigue and, like the viewer, is gradually drawn into the ... Written by Noir-Fan-en-Suisse

Plot Summary | Add Synopsis

Taglines:

YOU COULD GO TO THE MOVIES EVERY DAY FOR FIVE YEARS---BEFORE YOU'D SEE ANOTHER PICTURE WITH SO MANY THRILLS AND SO MUCH SUSPENSE! (original print ad - all caps) See more »


Certificate:

See all certifications »
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Details

Country:

Language:

|

Release Date:

13 May 1957 (Sweden)  »

Also Known As:

A Maleta Fatídica  »

Filming Locations:


Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Goofs

At the camp, when James Vanning (Aldo Ray) sees the speeding car, he says, "It's going to go over!" Even though the car is basically going down a straight road in a fairly straight line (no evidence of driving crazy enough to go off the road). Immediately afterward, the car brakes and swerves hard to the right and drives off the road. Something no one could have seen or anticipated until it happened. See more »

Quotes

James Vanning: Anyway, I'm scared. You don't know what it is to live with your back against the wall, Marie. Inside you change. You really change.
See more »

Connections

References The Beast from 20,000 Fathoms (1953) See more »

Soundtracks

Nightfall
Music by Peter De Rose and Charles H. Cuppett (as Charles Harold)
Lyrics by Sam Lewis (as Sam M. Lewis)
Performed by Al Hibbler
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Despite some story gaps, a first-rate suspenser...
8 March 2008 | by (las vegas, nv) – See all my reviews

David Goodis' pulpy novel becomes exciting, well-cast and acted crime-drama, peculiarly titled since most of the action takes place in the snow-covered mountains of Wyoming (perhaps "Snowfall" would've been more apropos). Two innocent campers run violently afoul of two trigger-happy bank-robbers, with 350 G's getting lost in the frost. Hollywood never quite knew what to do with Aldo Ray: polite and beaming (like an overgrown Boy Scout), Ray's ingratiating manner and wobbly, scratchy voice made him difficult to type-cast in the 1950s. He's just right here, playing tough guy up against cold-hearted Brian Keith and buddy/big brother/love-interest to model Anne Bancroft, who gets caught in this crime web and yet doesn't seem to mind. Despite a sluggish start and a few details that don't come together (such as why the crooks' car runs off the road in Wyoming, or why the two bank-robbers don't follow Aldo Ray when he runs through the river with the satchel of loot), director Jacques Tourneur handles the criss-crossing plot with buttery ease. Add in some amusing parallels to the later "Fargo" and you've got the makings of a cult classic, one that Columbia Pictures rarely revives. *** from ****


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