IMDb > Flowing (1956)

Flowing (1956) More at IMDbPro »Nagareru (original title)


Overview

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7.9/10   486 votes »
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View company contact information for Flowing on IMDbPro.
Release Date:
29 November 1985 (USA) See more »
Genre:
Plot:
Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo... See more » | Full synopsis »
Awards:
4 wins See more »
User Reviews:
Interesting observation of a declining trade See more (3 total) »

Cast

  (in credits order)
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Directed by
Mikio Naruse 
 
Writing credits
(in alphabetical order)
Toshirô Ide 
Aya Kôda  novel
Sumie Tanaka 

Produced by
Sanezumi Fujimoto .... producer
 
Original Music by
Ichirô Saitô 
 
Cinematography by
Masao Tamai 
 
Film Editing by
Eiji Ooi 
 
Production Design by
Satoru Chûko 
 
Production Management
Takehiro Shimada .... executive in charge of production
 
Second Unit Director or Assistant Director
Masayoshi Kawanishi .... assistant director
 
Sound Department
Chôshichirô Mikami .... sound
 
Camera and Electrical Department
Chôshirô Ishii .... gaffer
 
Costume and Wardrobe Department
Hirotarô Iwada .... costume researcher
 

Production CompaniesDistributors
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Additional Details

Also Known As:
"Nagareru" - Japan (original title)
"House of Geisha" - USA (subtitle)
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Runtime:
117 min
Country:
Language:
Sound Mix:

Did You Know?

Movie Connections:
References Saikaku ichidai onna (1952)See more »

FAQ

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7 out of 8 people found the following review useful.
Interesting observation of a declining trade, 7 July 2007
Author: simon-1303 from United Kingdom

This is a series of vaguely connected episodes set in and around a geisha house. Staff come and go. There are money transactions between everybody. Naruse knows this area to perfection and uses this knowledge and some tremendous actresses to portray both interesting day to day details and some of the major issues. Linked themes are the ending both of careers and of businesses in the context of a decline in the popularity of geishas and their traditional entertainment skills in post war Japan. Even less than in other Naruse films, there is little depiction of the geisha with clients and more about their 'off stage' lives.

As ever, Naruse's camera-work and editing is tremendous in capturing scenes and actions.

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Related Links

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