Chark, an adventurer comes to small village in the near of a gold digger's camp. He is arrested by the local police, who accuse him of having comitted a bank robbery in a neighoured town. ... See full summary »
A surrealist tale of a man and a woman who are passionately in love with one another, but their attempts to consummate that passion are constantly thwarted, by their families, the Church and bourgeois society.
Caridad de Laberdesque
Ambrosio (Franco Nero) is a monk who is sexually tempted by an emissary of the Devil, a young girl in monk's robes. After he has committed numerous crimes, it appears that he will be caught... See full summary »
In a dream-like sequence, a woman's eye is slit open--juxtaposed with a similarly shaped cloud obsucuring the moon moving in the same direction as the knife through the eye--to grab the ... See full summary »
The wife of a physician who diligently cares for the poor, grows weary of their dull South France factory town and pressures her older husband to move to glorious Nice, on the Mediterranean... See full summary »
A surrealistic documentary portrait of the region of Las Hurdes, a remote region of Spain where civilisation has barely developed, showing how the local peasants try to survive without even the most basic utilities and skills.
Chark, an adventurer comes to small village in the near of a gold digger's camp. He is arrested by the local police, who accuse him of having comitted a bank robbery in a neighoured town. The police also confiscate the gold mine for the state, due to this the gold diggers start an revolution, but it is beaten. Chark, Father Lizzardi, Castin and his daugher and Djin, a whore to whom castin is in love are fleeing into the jungle. where they start to fight for their lifes. Written by
Stephan Eichenberg <firstname.lastname@example.org>
According to Luis Buñuel, Simone Signoret missed her husband Yves Montand so much that "on her way to join us in Mexico, she slipped some Communist documents into her passport, hoping to be turned away by American Immigration". See more »
Rarely have I been so disappointed in a film. Bunuel *and* Simon Signoret? What could be better?
I have seen many of Luis Bunuel's movies, and consider myself a fan. From his first, Un Chien Andalou (1929), to his last, That Obscure Object of Desire (1977), I have seen more than half the films he ever made.
Death in the Garden is undoubtedly the worst I have seen. There are three words for this movie:
Violent. Pointless. Boring.
There is virtually no surrealism in the film whatsoever. And absolutely none of Bunuel's unique humor. It consists mainly of two things: people getting shot, and people walking (or running) around.
The film is incredibly violent. The vast majority of the action is people being shot. It is not gory by the standards of the twenty-first century, but it sure is for the fifties, perhaps more so than any movie up to its time.
There are two good things about the film. First, and to my surprise, it is shot in absolutely gorgeous Technicolor. The scenery is breathtaking, and Edward Fitzgerald's sets are also quite eye-catching.
Second, Simone Signoret has never looked more beautiful. Nor more sexy. I found it interesting that somehow they managed to make her look vaguely South American, although I couldn't put my finger on exactly how.
Sad to say, her outer beauty is nullified by her inner personality. She is a monster. She is motivated solely by greed, completely devoid of any human qualities such as warmth or compassion. She doesn't care about anyone else, nor anything except her own advancement and security.
The only thing I really liked was the interview with Victor Fuentes on the DVD. He is extremely articulate, and his viewpoint is continually interesting. He mentioned The Wages Of Fear (1953), which I immediately thought of as soon as the movie started. However, to compare Death in the Garden with Cluzot's movie in any respect except the setting is an insult to the latter.
If it had not had Simone Signoret in it, I would have turned it off after the first ten minutes. As it was, I watched it till the end, but I am not particularly glad I did so.
Want to see a great Bunuel film from his Mexican period? Watch The Exterminating Angel (1962). Want to see a great Simone Signoret movie, where she's every bit as beautiful and almost as sexy as this one? Catch Les Diaboliques (1955). I can't think of any reason for even hard core fans of Bunuel or Signoret to watch this one.
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