A teenage couple making out in the woods accidentally runs over an alien creature with their car. The creature's hand falls off, but it comes alive, and, with an eye growing out of it, ... See full summary »
Edward L. Cahn
On an archaeological dig in Asia, Dr. Roger Bentley find a cuneiform tablet referring to an ancient society, the shadow dynasty, that was destroyed. An earthquake soon after reveals an ancient artifact and the scientists discover the ruins of an ancient temple world on a remote mountain site. It leads them to an underground world, lost in time and where people have adapted to low light. The High Priest Elinu doesn't welcome the presence of the new arrivals and wants them eliminated. Written by
The humps for the mole people were done by stuffing the backs of the actors who played them with newspapers. See more »
The positions of Dr. Bellamin's arms change when they are looking at the map. See more »
Elinu, the High Priest:
And that is not all. The king has shown weakness and poor judgement. He believes in the divinity of these intruders. Dealing with the divine is *our* office. If we abandon the smallest particle of it to outsiders, our position will soon come to naught.
But, are these outsiders not divine?
Elinu, the High Priest:
No, they are mortal. Do they not eat when they are hungry? Do they not sleep when they are weary? When the guards attacked them, did not their faces show the fears of mortal men?
But, do they not possess the ...
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Opening Credits are coming from a hole in the ground. See more »
Coming from 1956 is another of Universal-International's science-fiction pleasures. They made about twenty of them in the 1950s, brought on by the enormous successes of "It Came From Outer Space" (1953) and "Creature From the Black Lagoon" (1954). An interesting prologue with a real professor on the Earth's interior cores is followed by a great title sequence accompanied by a superb score. John Agar leads an archaeological expedition in Himalayan mountains to search for an underground lost civilization. Eventually they find them, an albino tribe, who have trained the half-human "Mole People" to be their slaves. Agar falls in love with the lone pigmented character, lovely blonde Cynthia Patrick, who invokes a bit of Kim Novak. Sacrifices, revolt and chaos ensue, with the Mole People actually the sympathetic characters, an unexpected ending, shadowy photography, and solid direction by Virgil Vogel, make this enjoyable.
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