| Photos (See all 27 | slideshow) |
| Gregory Peck | ... | Captain Ahab | |
| Richard Basehart | ... | Ishmael | |
| Leo Genn | ... | Starbuck | |
| James Robertson Justice | ... | Captain Boomer | |
| Harry Andrews | ... | Stubb | |
| Bernard Miles | ... | The Manxman | |
| Noel Purcell | ... | Ship's Carpenter | |
| Edric Connor | ... | Daggoo | |
| Mervyn Johns | ... | Peleg | |
| Joseph Tomelty | ... | Peter Coffin | |
| Francis De Wolff | ... | Captain Gardiner | |
| Philip Stainton | ... | Bildad | |
| Royal Dano | ... | 'Elijah' | |
| Seamus Kelly | ... | Flask | |
| Friedrich von Ledebur | ... | Queequeg (as Friedrich Ledebur) | |
| Orson Welles | ... | Father Mapple | |
| rest of cast listed alphabetically: | |||
| Tamba Allenby | ... | Pip (uncredited) | |
| Tom Clegg | ... | Tashtego (uncredited) | |
| Mandy Harper | ... | Young Girl (uncredited) | |
| Ted Howard | ... | Perth (uncredited) | |
| John Huston | ... | Barman / Ship's Lookout (voice) (uncredited) | |
| A.L. Bert Lloyd | ... | Lead shantyman (and shanty adviser) (uncredited) | |
| Arthur Mullard | ... | (uncredited) | |
| Iris Tree | ... | Bible Woman (uncredited) | |
| Carol White | ... | Young Girl (uncredited) | |
Directed by | |||
| John Huston | |||
Writing credits | ||
| Herman Melville | (novel "Moby-Dick; or, The Whale") | |
| Ray Bradbury | (screenplay) and | |
| John Huston | (screenplay) | |
| Norman Corwin | uncredited | |
Produced by | |||
| John Huston | .... | producer | |
| Lee Katz | .... | associate producer (as Lehman Katz) | |
| Jack Clayton | .... | associate producer (uncredited) | |
| Vaughan N. Dean | .... | co-producer (uncredited) | |
Original Music by | |||
| Philip Sainton | |||
Cinematography by | |||
| Oswald Morris | (director of photography) | ||
Film Editing by | |||
| Russell Lloyd | |||
Production Design by | |||
| Geoffrey Drake | (uncredited) | ||
| Stephen Drake | (uncredited) | ||
Art Direction by | |||
| Ralph W. Brinton | (as Ralph Brinton) | ||
Costume Design by | |||
| Elizabeth Haffenden | (costumes designed by) | ||
Makeup Department | |||
| Charles E. Parker | .... | makeup creator (as Charles Parker) | |
Production Management | |||
| Cecil F. Ford | .... | production manager (uncredited) | |
| Gerry Mitchell | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Jack Martin | .... | assistant director | |
| Kevin McClory | .... | assistant director (uncredited) | |
| Peter Price | .... | third assistant director (uncredited) | |
Art Department | |||
| Stephen B. Grimes | .... | assistant art director (as Stephen Grimes) | |
| Bill Beavis | .... | scenic artist (uncredited) | |
| Babs Gray | .... | model maker (uncredited) | |
Sound Department | |||
| John W. Mitchell | .... | sound recordist (as John Mitchell) | |
| Alfred Kirschner | .... | post-synchronization director (uncredited) | |
| Alex Pront | .... | sound (uncredited) | |
| Len Shilton | .... | sound (uncredited) | |
| Hugh Strain | .... | assistant dubbing mixer (uncredited) | |
Special Effects by | |||
| George Blackwell | .... | special effects (uncredited) | |
| Augie Lohman | .... | special effects (uncredited) | |
Visual Effects by | |||
| Robert Clarke | .... | technical advisor: whale model (uncredited) | |
| Charles E. Parker | .... | technical advisor: whale model (uncredited) | |
Stunts | |||
| Robert Porter | .... | stunts (uncredited) | |
| Joe Powell | .... | stunts (uncredited) | |
| Paul Stader | .... | stunts (uncredited) | |
| John Sullivan | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Freddie Francis | .... | director of photography: second unit | |
| Arthur Ibbetson | .... | camera operator | |
| Steve Birtles | .... | gaffer (uncredited) | |
| Freddie Francis | .... | camera operator (uncredited) | |
| Ernst Haas | .... | additional stills photography (uncredited) | |
| George Higgins | .... | still photographer (uncredited) | |
| Martin O'Connor | .... | key grip (uncredited) | |
| Bob Penn | .... | still photographer: special publicity photographs (uncredited) | |
| Kelvin Pike | .... | focus puller (uncredited) | |
| Paul Wilson | .... | first assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Babs Gray | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Jean-Pierre Steimer | .... | assistant editor (uncredited) | |
Music Department | |||
| Harold V. King | .... | recordist (as Harold King) | |
| Louis Levy | .... | conductor | |
Transportation Department | |||
| Eddie Frewin | .... | driver: generator (uncredited) | |
Other crew | |||
| Robert Clarke | .... | technical advisor on whaling | |
| John Huston | .... | color style creator | |
| Oswald Morris | .... | color style creator | |
| Angela Allen | .... | continuity (uncredited) | |
| John Breslin | .... | dialect advisor (uncredited) | |
| Tadeo Villalba | .... | production assistant (uncredited) | |
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| Moby Dick | All the Brothers Were Valiant | Master and Commander: The Far Side of the World | Nim's Island | Across to Singapore |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
Ray Bradbury wrote an incredible screenplay for this work. Instead of trying to capture Herman Melville's actual brilliant leviathan sprawl (and who COULD succeed at this?)-- a novel jammed with fantastic,bigger than life characters, many events of great symbolic significance, not to mention barrels of whaling information-- he carves out the tale of Ahab and his obsession with the white whale. Bradbury makes great impact with Ahab's symbolic sacraments and rituals, showing a man who spits in the face of his own and his crew's doom, binding his men to his will with any means necessary. It's hard to believe, but Ray Bradbury takes this glorious wild child of a book and makes it work. The music by Phillip Sainton and the cinematography are great, too, but nothing would have saved this movie from a bad screenplay.