| Photos (see all 25 | slideshow) |
| Gregory Peck | ... | Captain Ahab | |
| Richard Basehart | ... | Ishmael | |
| Leo Genn | ... | Starbuck | |
| James Robertson Justice | ... | Captain Boomer | |
| Harry Andrews | ... | Stubb | |
| Bernard Miles | ... | The Manxman | |
| Noel Purcell | ... | Ship's Carpenter | |
| Edric Connor | ... | Daggoo | |
| Mervyn Johns | ... | Peleg | |
| Joseph Tomelty | ... | Peter Coffin | |
| Francis De Wolff | ... | Captain Gardiner | |
| Philip Stainton | ... | Bildad | |
| Royal Dano | ... | 'Elijah' | |
| Seamus Kelly | ... | Flask | |
| Friedrich von Ledebur | ... | Queequeg (as Friedrich Ledebur) | |
| Orson Welles | ... | Father Mapple | |
| rest of cast listed alphabetically: | |||
| Tamba Allenby | ... | Pip (uncredited) | |
| Tom Clegg | ... | Tashtego (uncredited) | |
| Ted Howard | ... | Perth (uncredited) | |
| A.L. Bert Lloyd | ... | Lead shantyman (and shanty adviser) (uncredited) | |
| Arthur Mullard | ... | (uncredited) | |
| Joan Plowright | ... | Starbuck's Wife (uncredited) | |
| Iris Tree | ... | Bible Woman (uncredited) | |
| Carol White | ... | Young girl (uncredited) | |
Directed by | |||
| John Huston | |||
Writing credits | ||
| Herman Melville | (novel "Moby-Dick; or, The Whale") | |
| Ray Bradbury | (writer) & | |
| John Huston | (writer) | |
| Norman Corwin | uncredited | |
Produced by | |||
| Jack Clayton | .... | associate producer | |
| Vaughan N. Dean | .... | co-producer | |
| John Huston | .... | producer | |
| Lee Katz | .... | associate producer (as Lehman Katz) | |
Original Music by | |||
| Philip Sainton | |||
Cinematography by | |||
| Oswald Morris | |||
Film Editing by | |||
| Russell Lloyd | |||
Production Design by | |||
| Geoffrey Drake | |||
| Stephen Drake | |||
Art Direction by | |||
| Ralph W. Brinton | (as Ralph Brinton) | ||
Costume Design by | |||
| Elizabeth Haffenden | |||
Makeup Department | |||
| Charles E. Parker | .... | makeup artist (as Charles Parker) | |
Production Management | |||
| Cecil F. Ford | .... | production manager (as Cecil Ford) | |
| Gerry Mitchell | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Jack Martin | .... | assistant director | |
| Kevin McClory | .... | assistant director | |
Art Department | |||
| Stephen B. Grimes | .... | assistant art director (as Stephen Grimes) | |
| Bill Beavis | .... | scenic artist (uncredited) | |
Sound Department | |||
| Alfred Kirschner | .... | post-synchronization director | |
| John W. Mitchell | .... | sound recordist (as John Mitchell) | |
| Alex Pront | .... | sound | |
| Len Shilton | .... | sound | |
Special Effects by | |||
| Augie Lohman | .... | special effects | |
| George Blackwell | .... | special effects (uncredited) | |
Visual Effects by | |||
| Robert Clarke | .... | technical advisor: whale model | |
| Charles E. Parker | .... | technical advisor: whale model (as Charles Parker) | |
Stunts | |||
| Robert Porter | .... | stunts (uncredited) | |
| Joe Powell | .... | stunts (uncredited) | |
| Paul Stader | .... | stunts (uncredited) | |
| John Sullivan | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Freddie Francis | .... | camera operator | |
| Freddie Francis | .... | director of photography: second unit | |
| Ernst Haas | .... | still photographer | |
| Arthur Ibbetson | .... | camera operator | |
| Bob Penn | .... | still photographer: special publicity photographs | |
| Steve Birtles | .... | gaffer (uncredited) | |
| Kelvin Pike | .... | focus puller (uncredited) | |
| Paul Wilson | .... | first assistant camera (uncredited) | |
Editorial Department | |||
| Jean-Pierre Steimer | .... | assistant editor | |
Music Department | |||
| Harold V. King | .... | music recordist (as Harold King) | |
| Louis Levy | .... | conductor | |
Transportation Department | |||
| Eddie Frewin | .... | driver: generator (uncredited) | |
Other crew | |||
| Angela Allen | .... | continuity (uncredited) | |
| John Breslin | .... | dialect advisor (uncredited) | |
| Tadeo Villalba | .... | production assistant (uncredited) | |
|
|
|
|
|
| Moby Dick | Moby Dick | Master and Commander: The Far Side of the World | Across to Singapore | Jaws |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
| Add this title to MyMovies |
Some critics panned this pic when it came out - Peck too wooden, the script too cliched, etc, etc. Don't believe a word of it. I saw this one when I was 8 or 9, and for years I watched it every time it came on TV - even in B&W! Peck isn't wooden, he's intense and fascinating (my favorite scene: in his cabin, saying to Starbuck, "That bed is a coffin"). The language may sound stilted, but it's MELVILLE'S, and the cast sink into it with conviction.
Some critic (I don't know which) has said that Moby Dick (the book) is an "uncomfortable masterpiece" - or something like that - meaning that it's a hard pill to swallow. The movie is bound to be a hard pill for many viewers as well. But that's their loss. Huston's movie is a great big powerful thing - you believe in Peck's crazy passion, in Starbuck's gentleness, in Ishmael and Quequeg's bond, in the evil of the whale, even.
Another favorite sequence: the Pequot becalmed, the crew lying about under the intense sun, slowly going crazy. The climactic chase is superb and thrilling, of course; what it all adds up to is a film about the elements, and our relationship to them. The whale is just the biggest of a whole slew that constantly threaten to destroy us. Nature, our natures - all the things we fight against with our intelligence, that threaten to engulf us.
Beautiful film, one of Huston's best. I find the analogy with Hitler/Nazis in an earlier comment very interesting. Another would be with an earlier Huston film, The Treasure of the Sierra Madre - another film about people taking terrible chances for reasons that don't stand up to a lot of examination, whose biggest obstacle turns out to be themselves. By the way, will someone please rerelease Moby Dick in a restored version so we can get a really good look at all that glorious Technicolor?