Captain Ahab's descend into madness destroys everyone around him. This powerful character drew John Barrymore, Orson Wells and John Huston. This film has been called the best, most authentic version of Herman Melville's MOBY DICK.
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This classic story by Herman Melville revolves around Captain Ahab and his obsession with a huge whale, Moby Dick. The whale caused the loss of Ahab's leg years before, leaving Ahab to stomp the boards of his ship on a peg leg. Ahab is so crazed by his desire to kill the whale, that he is prepared to sacrifice everything, including his life, the lives of his crew members, and even his ship to find and destroy his nemesis, Moby Dick. Written by
E.W. DesMarais <firstname.lastname@example.org>
When John Huston first met Ray Bradbury to discuss writing the screenplay, Bradbury admitted, "I've never been able to read the damned thing." Huston simply asked Bradbury to come back the next day to start working and, handing him a copy of the book, said, "Just go home and read what you can." See more »
Blood/holes in Moby Dick change when Ahab stabs him. See more »
"Moby Dick" is one of the great adventure films of all time, and one of the greatest psychological stories ever told. Ahab & his quest for the White Whale have reached the status of a cultural icon, but this film was wonderful when it was released, remains wonderful today, and will I think stand the test of time well into the future.
I'd heard that even Gregory Peck himself had been talked into believing that his performance was 'wooden', but that is hogwash. This is probably Peck's greatest performance, and that's saying something.
"Moby Dick" takes us into two strange and unfamiliar worlds--that of the 19th-century whaler and its crew on a global hunt for whale oil on the high seas, and that of Captain Ahab's mind. A great adventure and a great obsession intertwined, inseparable.
The script was a brilliant adaptation of a difficult book. John Huston & Ray Bradbury put this together and managed to use a number of lines directly from the book in the sometimes odd vernacular of the period that gives certain scenes and dialogue such presence and authenticity.
From the odd first spoken line in the film, the voice-over of Richard Basehart saying "Call me Ishmael", the brilliantly constructed initial scenes that brought us, the audience, down to the sea as they brought the young Ishmael to it, the wonderful scenes in The Spouter's Inn where Ishmael meets innkeeper Peter Coffin and some of the Pequod's crew, notably Stubb, who goodnaturedly challenges Ishmael's seagoing ambition and, when convinced that he is authentic, introduces him to the inn's customs and celebration. And the unforgettable, wonderful and strange Queequeg with his head. Who wouldn't want to join a whaling voyage with this lot?! Peck's Ahab is one of the most compelling and memorable characters ever portrayed on film, and the transformation of the crew to carry out Ahab's obsessive search for the White Whale even against their better judgement was wonderfully portrayed and is the singular most important element of the story & of this script.
It is absurd to describe what happens in this film, and I will not. Suffice to say that this is a great film, one I can watch from time to time with almost the same frequency as 'Casablanca'.
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