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Moby Dick (1956)

Unrated  |   |  Adventure, Drama  |  27 June 1956 (USA)
7.4
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Ratings: 7.4/10 from 12,542 users  
Reviews: 113 user | 42 critic

The sole survivor of a lost whaling ship relates the tale of his captain's self-destructive obsession to hunt the white whale, Moby Dick.

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(novel), (screenplay), 2 more credits »
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Title: Moby Dick (1956)

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Cast

Cast overview, first billed only:
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...
...
...
...
...
The Manxman
Noel Purcell ...
Edric Connor ...
Mervyn Johns ...
Joseph Tomelty ...
Francis De Wolff ...
Philip Stainton ...
...
Seamus Kelly ...
Friedrich von Ledebur ...
Queequeg (as Friedrich Ledebur)
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Storyline

This classic story by Herman Melville revolves around Captain Ahab and his obsession with a huge whale, Moby Dick. The whale caused the loss of Ahab's leg years before, leaving Ahab to stomp the boards of his ship on a peg leg. Ahab is so crazed by his desire to kill the whale, that he is prepared to sacrifice everything, including his life, the lives of his crew members, and even his ship to find and destroy his nemesis, Moby Dick. Written by E.W. DesMarais <jlongst@aol.com>

Plot Summary | Plot Synopsis

Taglines:

Before the shark there was the whale (US rerelease 1976) See more »

Genres:

Adventure | Drama

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

27 June 1956 (USA)  »

Also Known As:

Herman Melville's Moby Dick  »

Box Office

Budget:

$4,500,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (TCM print)

Sound Mix:

(RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

In a 1967 "Films in Review" interview, Gregory Peck voiced his dissatisfaction with John Huston's direction in this film. "I remember one scene on which all [Huston] said was 'Feel the camera on your face,' which merely confused me. And in an important scene in which I had a long speech beginning 'If there is a God, there must be a malevolent God,' I was told, 'Kid, if you ever deliver the goods this has to be the time.' Is that direction?" See more »

Goofs

Just before Ishmael and Queequeg meet Elijah they walk past a moored ship which has a Plimsoll mark painted on her hull. The scene takes place in 1841 but Plimsoll marks were not devised until the 1870's. See more »

Quotes

[first lines]
Ishmael: [voiceover] Call me Ishmael.
See more »

Connections

Referenced in The Bermuda Depths (1978) See more »

Soundtracks

Hill An' Gully Rider
(uncredited)
Traditional
Arranged by Edric Connor
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A Fine Job of Filming a Challenging Novel
20 September 2004 | by (Ohio) – See all my reviews

It would be impossible to make a movie that came up to the standard of the novel "Moby-Dick", but this film does a fine job of capturing some of the most important themes, and of telling a selection of the key parts of the story in an interesting way. It would be a temptation for any film-maker to put the focus on the action and the special effects, and thus ruin the heart of the book by downplaying its themes, as so many recent films have done with other classic material. Instead, John Huston's version concentrates on bringing out many of the complex internal and external conflicts of Captain Ahab, in sketching the crew members and their reactions to Ahab's monomania, and in portraying the atmosphere of frequent tedium, growing tension, and occasional dread aboard the 'Pequod'.

Richard Basehart's mild, pleasant demeanor makes Ishmael an appropriate mirror for the events and characters on the ship. Gregory Peck does rather well in the very challenging role of Ahab. Ahab is one of the most carefully-designed and demanding characters in literature, and lesser actors would simply be an embarrassment in the part. On screen, there is much to Ahab that just does not come across, and Peck's performance has to be judged with that in mind.

Leo Genn makes his scenes as Starbuck count, and several of the other crew members are portrayed well, albeit in much smaller parts. As Father Mapple, Orson Welles has only one scene, but it is an important one, in that it sets up some of the vital themes of the story ahead. Welles was an ideal choice, and his scene in the church is one scene that does come up to the high standard of Melville's novel.

While there may indeed be some areas in which this version falls short, and it's fair to point them out, it would be pretty difficult to improve on it in a cinema version of the story. And if taken on its own, it fits together well, making generally good choices as to what material would fit together and would work on screen, and in using the photography and settings to create the right atmosphere. For those who appreciate the depth of the original story, this has more than enough to make it worth watching.


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