Captain Ahab's descent into madness destroys everyone around him. This powerful character drew John Barrymore, Orson Wells and John Huston. This film has been called the best, most authentic version of Herman Melville's MOBY DICK.
In 1787, British ship Bounty leaves Portsmouth to bring a cargo of bread-fruit from Tahiti but the savage on-board conditions imposed by Captain Bligh trigger a mutiny led by officer Fletcher Christian.
This classic story by Herman Melville revolves around Captain Ahab and his obsession with a huge whale, Moby Dick. The whale caused the loss of Ahab's leg years before, leaving Ahab to stomp the boards of his ship on a peg leg. Ahab is so crazed by his desire to kill the whale, that he is prepared to sacrifice everything, including his life, the lives of his crew members, and even his ship to find and destroy his nemesis, Moby Dick. Written by
E.W. DesMarais <firstname.lastname@example.org>
To create the desaturated pastel effect image of the movie, director of photography Oswald Morris used a unique dye transfer technique that uses broad-cut black and white matrices. This causes the separation, and contains the other two colors before recombining to create the desired effect. A silver layer was later added in the 4th pass. See more »
During the scene when the masts and Ahab's harpoon are covered with St. Elmo's fire, the luminous phenomenon was shown as a green glow. Physically, St. Elmo's fire is a bright blue or violet glow, appearing like fire in some circumstances, from tall, sharply pointed structures, so the color of the phenomenon is incorrect. See more »
Ray Bradbury wrote an incredible screenplay for this work. Instead of trying to capture Herman Melville's actual brilliant leviathan sprawl (and who COULD succeed at this?)-- a novel jammed with fantastic,bigger than life characters, many events of great symbolic significance, not to mention barrels of whaling information-- he carves out the tale of Ahab and his obsession with the white whale. Bradbury makes great impact with Ahab's symbolic sacraments and rituals, showing a man who spits in the face of his own and his crew's doom, binding his men to his will with any means necessary. It's hard to believe, but Ray Bradbury takes this glorious wild child of a book and makes it work. The music by Phillip Sainton and the cinematography are great, too, but nothing would have saved this movie from a bad screenplay.
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