Captain Ahab's descend into madness destroys everyone around him. This powerful character drew John Barrymore, Orson Wells and John Huston. This film has been called the best, most authentic version of Herman Melville's MOBY DICK.
Farm family Frake, with discontented daughter Margy, head for the Iowa State Fair. On the first day, both Margy and brother Wayne meet attractive new flames; so does father's prize hog, ... See full summary »
Ram Bowen and Eddie Cook are two expatriate jazz musicians living in Paris where, unlike America at the time, Jazz musicians are celebrated and racism is a non-issue. When they meet and ... See full summary »
Lieutenant McAllister is ordered to transport several ammunition wagons to another fort through Apache territory with only a small troop of rookie soldiers to guard them. Along for the ride... See full summary »
In this extremely loose adaptation of Melville's classic novel, Ahab is revealed initially not as a bitter and vengeful madman, but as a bit of a lovable scamp. Ashore in New Bedford, he ... See full summary »
This classic story by Herman Melville revolves around Captain Ahab and his obsession with a huge whale, Moby Dick. The whale caused the loss of Ahab's leg years before, leaving Ahab to stomp the boards of his ship on a peg leg. Ahab is so crazed by his desire to kill the whale, that he is prepared to sacrifice everything, including his life, the lives of his crew members, and even his ship to find and destroy his nemesis, Moby Dick. Written by
E.W. DesMarais <email@example.com>
John Huston originally wanted to cast his father Walter Huston as Captain Ahab, but by the time the film was finally set to be made, his father had been dead for four years. See more »
When the white whale rams the ship, the main mast breaks and comes down, crow's-nest and all, hitting the cabin boy. The whale circles the ship creating a whirlpool; when we see wider shots of the ship spinning and sinking, the mast is back up. See more »
Ray Bradbury wrote an incredible screenplay for this work. Instead of trying to capture Herman Melville's actual brilliant leviathan sprawl (and who COULD succeed at this?)-- a novel jammed with fantastic,bigger than life characters, many events of great symbolic significance, not to mention barrels of whaling information-- he carves out the tale of Ahab and his obsession with the white whale. Bradbury makes great impact with Ahab's symbolic sacraments and rituals, showing a man who spits in the face of his own and his crew's doom, binding his men to his will with any means necessary. It's hard to believe, but Ray Bradbury takes this glorious wild child of a book and makes it work. The music by Phillip Sainton and the cinematography are great, too, but nothing would have saved this movie from a bad screenplay.
21 of 25 people found this review helpful.
Was this review helpful to you?