Captain Ahab's descend into madness destroys everyone around him. This powerful character drew John Barrymore, Orson Wells and John Huston. This film has been called the best, most authentic version of Herman Melville's MOBY DICK.
The Bounty leaves Portsmouth in 1787. Its destination: to sail to Tahiti and load bread-fruit. Captain Bligh will do anything to get there as fast as possible, using any means to keep up a ... See full summary »
This classic story by Herman Melville revolves around Captain Ahab and his obsession with a huge whale, Moby Dick. The whale caused the loss of Ahab's leg years before, leaving Ahab to stomp the boards of his ship on a peg leg. Ahab is so crazed by his desire to kill the whale, that he is prepared to sacrifice everything, including his life, the lives of his crew members, and even his ship to find and destroy his nemesis, Moby Dick. Written by
E.W. DesMarais <email@example.com>
Gregory Peck was later told by a Warner Brothers insider that John Huston had "conned" him into playing Captain Ahab. Huston had originally approached Peck telling him, "Nobody could do this part except you." Peck was so flattered by the director's confidence in him that he accepted a role he felt he was ill-suited for. Peck subsequently learned that Huston had never really wanted him to play Ahab at all, but was forced to by Warner Brothers executives, the Mirisch brothers, who told Huston they would not finance his dream project without a "bankable" star. See more »
Early at sea (on the Cape Verde grounds) the first whale is spotted and then harpooned by harpooners on each of the three boats. As the whale runs, towing each boat behind him, a call of "man overboard" is made and we see a close-up of a crewman cutting his boat's harpoon line and then another shot of both remaining boats being towed by the whale. But in the next shot, facing forward from the whaleboat's perspective, we see three taut lines leading back from the whale. See more »
This version of the Melville classic should, without question, be regarded as the penultimate screen adaptation of a masterwork of American fiction. Everything - absolutely everything - about this film works, from John Huston's brilliant direction, to the screenplay ( co-written by Ray Bradbury ), to the powerful and believable performances. Gregory Peck IS Ahab; if anyone defined and crystallized so megalomaniacal a character, it was Peck, hands down. Not that this should be interpreted as a slight to any of the supporting cast; it isn't. The casting is so good, in fact, that now we find it difficult, if not impossible, to view the supporting cast members in any other light, especially Frederich Ledebur: his choice by the producers as Queequeg was nothing if not dead on the money, as was the small but significant part of Elizah, as portrayed by Royal Dano. Granted, some liberties were taken with the book ( so what else is new? ), such as the squid being written out completely, but this was, and continues to be, necessary in order to make a movie that doesn't take five hours to play out. Yes, okay, it's a "Cliff's Notes" "Moby Dick", but if what you're after is good direction, outstanding ( one could say tour de force ) acting, and a tight screenplay, then this is the movie for you. Believe us, this is the one, NOT the remake with Patrick Stewart. Stewart's Ahab is basically Patrick Stewart playing Patrick Stewart playing Ahab or, to put it another way, Huston's "Moby Dick" needs to be remade about as badly as the rest of us need leukemia. 'Nuff said.
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