Captain Ahab's descend into madness destroys everyone around him. This powerful character drew John Barrymore, Orson Wells and John Huston. This film has been called the best, most authentic version of Herman Melville's MOBY DICK.
This silent movie is based on Melville's classic Moby Dick. Ahab and his brother compete for the affections of minister's daughter Esther. But the great white whale has been eluding the ... See full summary »
In this extremely loose adaptation of Melville's classic novel, Ahab is revealed initially not as a bitter and vengeful madman, but as a bit of a lovable scamp. Ashore in New Bedford, he ... See full summary »
This classic story by Herman Melville revolves around Captain Ahab and his obsession with a huge whale, Moby Dick. The whale caused the loss of Ahab's leg years before, leaving Ahab to stomp the boards of his ship on a peg leg. Ahab is so crazed by his desire to kill the whale, that he is prepared to sacrifice everything, including his life, the lives of his crew members, and even his ship to find and destroy his nemesis, Moby Dick. Written by
E.W. DesMarais <email@example.com>
Gregory Peck's few attempts to play a villain were considered unsuccessful, perhaps because the public could not accept Peck as anything other than good. He was considered too young at 38 to play Captain Ahab in Moby Dick (1956), especially since the character was described in Herman Melville's novel as an old man. See more »
During the first time that Ahab bespeaks the crew, a shot of the crew shows Tashtego mouthing the words as Ahab speaks. See more »
Ray Bradbury wrote an incredible screenplay for this work. Instead of trying to capture Herman Melville's actual brilliant leviathan sprawl (and who COULD succeed at this?)-- a novel jammed with fantastic,bigger than life characters, many events of great symbolic significance, not to mention barrels of whaling information-- he carves out the tale of Ahab and his obsession with the white whale. Bradbury makes great impact with Ahab's symbolic sacraments and rituals, showing a man who spits in the face of his own and his crew's doom, binding his men to his will with any means necessary. It's hard to believe, but Ray Bradbury takes this glorious wild child of a book and makes it work. The music by Phillip Sainton and the cinematography are great, too, but nothing would have saved this movie from a bad screenplay.
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